Acting with Style, 10. kötetPrentice-Hall, 1982 - 292 oldal From preface: This book is aimed at helping the actor discover what kind of play he is in--to identify the stylistic clues--and then come to a physical awareness of how it should be played. |
Részletek a könyvből
1 - 3 találat összesen 48 találatból.
135. oldal
... attitude and allow this to become a strong , one - dimensional relationship of emotion and physicality . This may be done in two ways . The mental attitude may be the catalyst , as in the case of such characters as Petulant , Sullen ...
... attitude and allow this to become a strong , one - dimensional relationship of emotion and physicality . This may be done in two ways . The mental attitude may be the catalyst , as in the case of such characters as Petulant , Sullen ...
222. oldal
... attitude towards his companions- his philosophy of winning at all costs . In the second episode the merchant realizes he can't win on his own , so out of self - interest he ap- pears to change his attitude . He is friendly to the guide ...
... attitude towards his companions- his philosophy of winning at all costs . In the second episode the merchant realizes he can't win on his own , so out of self - interest he ap- pears to change his attitude . He is friendly to the guide ...
242. oldal
... attitude of the dog : he was hungry , he had puppies to feed , he was a petty thief ; another player the attitude of the cook ; another the grave- digging dogs . There are many possibilities . Nursery rhymes or any poems involving many ...
... attitude of the dog : he was hungry , he had puppies to feed , he was a petty thief ; another player the attitude of the cook ; another the grave- digging dogs . There are many possibilities . Nursery rhymes or any poems involving many ...
Tartalomjegyzék
PLAYING TRAGEDY | 9 |
SHAKESPEARE | 48 |
PLAYING COMEDY | 99 |
Copyright | |
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Gyakori szavak és kifejezések
absurd theatre achieve acter acting action activity actor American Conservatory Theatre Artaud Artaudian theatre attitude audi audience aware Bald Soprano basic Beckett become Bertolt Brecht body Brecht century char character mask character's chorus circle clothing Coach the players comedy of manners comic commedia confrontation costume create dance demands dialectical Dionysus discover drama dynamic Elizabethan emotional ence energy epic epic theatre essential event exercise explore farce feeling focus function gesture give Greek tragedy Harpagon hieroglyph human humor images impulse intensity Ionesco language man's Marxism meaning ment Molière moral move movement nature performance physical play playwright poetic political realistic reality response reveal rhythmical rhythms ritual Royal Shakespeare Company scene sense sensibility sexual Shakespeare's simple situation slapstick social mask society space speech spine spirit stage strong structure style suggested tends theatrical tion truth verbal verse Waiting for Godot words