Acting with Style, 10. kötetPrentice-Hall, 1982 - 292 oldal From preface: This book is aimed at helping the actor discover what kind of play he is in--to identify the stylistic clues--and then come to a physical awareness of how it should be played. |
Részletek a könyvből
1 - 3 találat összesen 43 találatból.
6. oldal
... attempt to produce an exact correspondence of actor to character in minute physical , psychological , and emotional detail - in other words , a correspondence of " being " - predominated over the idea of playing within a mask - as does ...
... attempt to produce an exact correspondence of actor to character in minute physical , psychological , and emotional detail - in other words , a correspondence of " being " - predominated over the idea of playing within a mask - as does ...
215. oldal
... attempt to balance emotion with reason , poetic instinct with scientific discipline . While still a young man ... attempting to repair mutilated bodies left a permanent impression upon Brecht . He became a fanatical pacifist , vio ...
... attempt to balance emotion with reason , poetic instinct with scientific discipline . While still a young man ... attempting to repair mutilated bodies left a permanent impression upon Brecht . He became a fanatical pacifist , vio ...
237. oldal
... attempts to ob- jectify and rechannel the emotion , so he will attempt to alienate himself from - stand out- side - his character . The attempt to avoid identification with the character sets up the dialectic of playing in epic theatre ...
... attempts to ob- jectify and rechannel the emotion , so he will attempt to alienate himself from - stand out- side - his character . The attempt to avoid identification with the character sets up the dialectic of playing in epic theatre ...
Tartalomjegyzék
PLAYING TRAGEDY | 9 |
SHAKESPEARE | 48 |
PLAYING COMEDY | 99 |
Copyright | |
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Gyakori szavak és kifejezések
absurd theatre achieve acter acting action activity actor American Conservatory Theatre Artaud Artaudian theatre attitude audi audience aware Bald Soprano basic Beckett become Bertolt Brecht body Brecht century char character mask character's chorus circle clothing Coach the players comedy of manners comic commedia confrontation costume create dance demands dialectical Dionysus discover drama dynamic Elizabethan emotional ence energy epic epic theatre essential event exercise explore farce feeling focus function gesture give Greek tragedy Harpagon hieroglyph human humor images impulse intensity Ionesco language man's Marxism meaning ment Molière moral move movement nature performance physical play playwright poetic political realistic reality response reveal rhythmical rhythms ritual Royal Shakespeare Company scene sense sensibility sexual Shakespeare's simple situation slapstick social mask society space speech spine spirit stage strong structure style suggested tends theatrical tion truth verbal verse Waiting for Godot words