Acting with Style, 10. kötetPrentice-Hall, 1982 - 292 oldal From preface: This book is aimed at helping the actor discover what kind of play he is in--to identify the stylistic clues--and then come to a physical awareness of how it should be played. |
Részletek a könyvből
1 - 3 találat összesen 89 találatból.
120. oldal
... actor by the lingistic demands of this theatrical form - quick- ness , lightness , agility , variety , rhythm , and stress are some of the terms that come to mind . Intellectual ability , and therefore su- periority , is measured by ...
... actor by the lingistic demands of this theatrical form - quick- ness , lightness , agility , variety , rhythm , and stress are some of the terms that come to mind . Intellectual ability , and therefore su- periority , is measured by ...
237. oldal
... acting . Yet no one quite knows what this is . In fact , as every actor is aware , it is impossible to avoid emotion in acting - it is an automatic response to any ac- tion or attitude . Brecht himself acknowl- edged this . The point of ...
... acting . Yet no one quite knows what this is . In fact , as every actor is aware , it is impossible to avoid emotion in acting - it is an automatic response to any ac- tion or attitude . Brecht himself acknowl- edged this . The point of ...
266. oldal
... actor , it has the potency of " cruelty " in its impact . Discovery through the body is the method of the Artaudian actor . Through the process of via negativa all that is unnecessary is strip- ped away so that the body's imagination ...
... actor , it has the potency of " cruelty " in its impact . Discovery through the body is the method of the Artaudian actor . Through the process of via negativa all that is unnecessary is strip- ped away so that the body's imagination ...
Tartalomjegyzék
PLAYING TRAGEDY | 9 |
SHAKESPEARE | 48 |
PLAYING COMEDY | 99 |
Copyright | |
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Gyakori szavak és kifejezések
absurd theatre achieve acter acting action activity actor American Conservatory Theatre Artaud Artaudian theatre attitude audi audience aware Bald Soprano basic Beckett become Bertolt Brecht body Brecht century char character mask character's chorus circle clothing Coach the players comedy of manners comic commedia confrontation costume create dance demands dialectical Dionysus discover drama dynamic Elizabethan emotional ence energy epic epic theatre essential event exercise explore farce feeling focus function gesture give Greek tragedy Harpagon hieroglyph human humor images impulse intensity Ionesco language man's Marxism meaning ment Molière moral move movement nature performance physical play playwright poetic political realistic reality response reveal rhythmical rhythms ritual Royal Shakespeare Company scene sense sensibility sexual Shakespeare's simple situation slapstick social mask society space speech spine spirit stage strong structure style suggested tends theatrical tion truth verbal verse Waiting for Godot words