Acting with Style, 10. kötetPrentice-Hall, 1982 - 292 oldal From preface: This book is aimed at helping the actor discover what kind of play he is in--to identify the stylistic clues--and then come to a physical awareness of how it should be played. |
Részletek a könyvből
1 - 3 találat összesen 42 találatból.
189. oldal
... absurd . " Absurd " means out of harmony with reason and propriety . What man seeks is some measure of happiness in a reasonable and predictable world . What he seems to get is unhappiness in a chaotic and unpredict- able one . Devoid ...
... absurd . " Absurd " means out of harmony with reason and propriety . What man seeks is some measure of happiness in a reasonable and predictable world . What he seems to get is unhappiness in a chaotic and unpredict- able one . Devoid ...
191. oldal
... absurd con- dition of man : the theatre of the absurd showed man as having no large purposes in life . Habit and material possessions limit his freedom ; the inadequacy of language pre- vents communication of inner reality . Man no ...
... absurd con- dition of man : the theatre of the absurd showed man as having no large purposes in life . Habit and material possessions limit his freedom ; the inadequacy of language pre- vents communication of inner reality . Man no ...
192. oldal
... absurd , and has the most refined and all - embracing sense of what absurdity is . He , together with Eugene Ionesco , who belongs also to the tradition of French farce , will be the prime focus of our discussion . Much of what we have ...
... absurd , and has the most refined and all - embracing sense of what absurdity is . He , together with Eugene Ionesco , who belongs also to the tradition of French farce , will be the prime focus of our discussion . Much of what we have ...
Tartalomjegyzék
PLAYING TRAGEDY | 9 |
SHAKESPEARE | 48 |
PLAYING COMEDY | 99 |
Copyright | |
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Gyakori szavak és kifejezések
absurd theatre achieve acter acting action activity actor American Conservatory Theatre Artaud Artaudian theatre attitude audi audience aware Bald Soprano basic Beckett become Bertolt Brecht body Brecht century char character mask character's chorus circle clothing Coach the players comedy of manners comic commedia confrontation costume create dance demands dialectical Dionysus discover drama dynamic Elizabethan emotional ence energy epic epic theatre essential event exercise explore farce feeling focus function gesture give Greek tragedy Harpagon hieroglyph human humor images impulse intensity Ionesco language man's Marxism meaning ment Molière moral move movement nature performance physical play playwright poetic political realistic reality response reveal rhythmical rhythms ritual Royal Shakespeare Company scene sense sensibility sexual Shakespeare's simple situation slapstick social mask society space speech spine spirit stage strong structure style suggested tends theatrical tion truth verbal verse Waiting for Godot words