Acting with Style, 10. kötetPrentice-Hall, 1982 - 292 oldal From preface: This book is aimed at helping the actor discover what kind of play he is in--to identify the stylistic clues--and then come to a physical awareness of how it should be played. |
Részletek a könyvből
1 - 3 találat összesen 49 találatból.
17. oldal
... Greek tragedy . The tragic poets could see man as both capable of free choice and yet subject to determining powers ... Greek there was only one possible choice . Choices determined character and character deter- mined destiny . Everyone ...
... Greek tragedy . The tragic poets could see man as both capable of free choice and yet subject to determining powers ... Greek there was only one possible choice . Choices determined character and character deter- mined destiny . Everyone ...
20. oldal
... Greek tragedy . If the form and structure of Greek tragedy are organically linked to its spirit and the shape of its performance , the language is no less so . The drama sprang from the ancient rituals of celebration and lamentation ...
... Greek tragedy . If the form and structure of Greek tragedy are organically linked to its spirit and the shape of its performance , the language is no less so . The drama sprang from the ancient rituals of celebration and lamentation ...
288. oldal
... Greek drama and , 32 , 36n See also Realism Neue Sachlichkeit , die , 221 ... tragedy , 26-36 chorus , 44-45 in Shakespearean tragedy , 72-86 Performance ... Theatre , 253 Political theatre of Brecht , 288 INDEX.
... Greek drama and , 32 , 36n See also Realism Neue Sachlichkeit , die , 221 ... tragedy , 26-36 chorus , 44-45 in Shakespearean tragedy , 72-86 Performance ... Theatre , 253 Political theatre of Brecht , 288 INDEX.
Tartalomjegyzék
PLAYING TRAGEDY | 9 |
SHAKESPEARE | 48 |
PLAYING COMEDY | 99 |
Copyright | |
4 további fejezet nem látható
Gyakori szavak és kifejezések
absurd theatre achieve acter acting action activity actor American Conservatory Theatre Artaud Artaudian theatre attitude audi audience aware Bald Soprano basic Beckett become Bertolt Brecht body Brecht century char character mask character's chorus circle clothing Coach the players comedy of manners comic commedia confrontation costume create dance demands dialectical Dionysus discover drama dynamic Elizabethan emotional ence energy epic epic theatre essential event exercise explore farce feeling focus function gesture give Greek tragedy Harpagon hieroglyph human humor images impulse intensity Ionesco language man's Marxism meaning ment Molière moral move movement nature performance physical play playwright poetic political realistic reality response reveal rhythmical rhythms ritual Royal Shakespeare Company scene sense sensibility sexual Shakespeare's simple situation slapstick social mask society space speech spine spirit stage strong structure style suggested tends theatrical tion truth verbal verse Waiting for Godot words