« ElőzőTovább »
THE BURIAL OF THE MASHER.
“Mr. Burnand's good-natured but well-directed chaff in Blue Beard,' at the Gaiety, may be said to have ridiculed that curious product of modern civilisation, the Masher, out of existence. His continued life now seems to be impossible.” - Daily Paper.
And they buried them there, where they first were born,
With gardenias on them clustered-
Near the stalls where they'd nightly mustered.
Nor heard was a sob nor a sigh there ; And they carved not a line and they raised not a stoneFor tlie Mashers were worthy of neither !
Truth, March 22, 1883.
NEVER JOHN MOORE; OR, TIE REJECTED SUITOR.
(An old story by an Old Bachelor.) (With sincere apologies to the Rev. Charles IVolle--for the
He felt highly absurd, as he put on his coat,
And, of course, exceedingly worried ;
She for whom he was yearning ;
That aster she had caught and bound him ; It was to be but a flirting jest,
An impartia! joke to sound him.
Not a laugh was heard, not a cheery sound,
As the song to an encore was hurried ; Not a man in the stalls to cheer was found,
On the night that the Masher was buried.
Sore stricken by TRUTH's endeavour ;
And finished him once for ever!
By ridicule on him turning ;
With the footlights brightly burning.
And sodden in scent one found him,
With his three-inch collar around him.
That collar's starched edge was saying ; And the bow. trimmed pumps, on which youths now dote,
Were the clocks of his hose displaying. Pearl-headed pins kept his tie in place,
And his shirt front's wealth of whiteness Made yet more sallow his pasty face,
More dazzling his chest-stud's brightness.
Nor on his dull brain was flashing,
Equipped for the evening's mashing.
At the chorus-girls singing before him ;
The chaff of Purnand swept o'er him,
Some hose from the “ Johnnies "to borrow;
And most bitterly thought of the morrow. They thought, as the dramatist chaffed them to death,
And foreshadowed their doom so plainly, That they next morning, with feverish breath,
Might demand devilled prawns all vainly;
And a cayenne salad not serve them,
Nor a fricassee'd oyster nerve them !
Would surely henceforth evade them,
In the grave where a “Blue Beard” had laid them. And so, when Burnand his task had done,
And received a right warm ovation, Of all the Mashers was left not one;
'Twas complete annihilation.
Few and short were the words he haci said,
Only this--only this, “love be mine."
Or weeping wail, waly willow;
In arbours and in kitchen gardens ;
Don't be in your mind too enquiring,
And this is the end of my story,
I drink to all flirts “con amore.”
ÆSTHETIC MOVEMENT IN ENGLAND,
CONTENTS. The Pre-Raphaelites and The Germ.
“Patience," an original opera, by Gilbert and Sullivan, John Ruskin and the Critics.
and “The Colonel,” adapted by F. C. Burnand The Grosvenor Gallery and Æsthetic Culture.
from “ The Serious Family."
A Home for the Æsthetes--Bedford Park.
The beneficial influence the Esthetic Movement has Buchanan r. The Eraminer, Action for Libel.
had on Modern Poetry, Music, Painting, Dress, Punch's attacks on the Esthetes.
and the Decorative Arts.
PRICE TWO SHILLINGS AND SIXPENCE.
POST FREE TO SUBSCRIBERS.
Copies may be ordered of WALTER HAMILTON, 64, Bromfelde Road, Clapham, S.W., or of the
Publishers, Messrs. REEVES & TURNER, 196, Strand, W.C,
Notices of the Press.
MR. E. L. BLANCHARD says :-“There are many playgoers who are somewbat puzzled to understand the full significance of the satire conveyed in the adapted comedy of “The Colonel " at the Prince of Wales's, and Mesers, Gilbert and Sullivan's original comic opera of “ Patience," still prolonging its singularly successful career at the Savoy Theatre. To these, and many others, may be safely commended a curiously interesting book, just published, called “The Æsthetic Movement in England." The author, Mr. Walter Hamilton, has treated a very important subject with much care and considerable research. His chapters on the painters and poets of the Esthetic school are excellently written and replete with information not readily accessible, while his sketch of the career of Jr. Oscar Wilde will solve many questions to which few, even in well-informed circles, could readily reply. - " Birmingham Daily Gazette."
MR. W. M. Rossetti says :--“There are, I think, many true and pointed observations in your book, and I necessarily sympathise in the general point of view which it adopts on the questions at issue."
MR. G. A. Sala writes:-"Many thanks for your book on 'The Æsthetic Movement in England.' It will be historically curious and valuable long after the silly opposition to the movement has passed away."
“ The West Middlesex Advertiser” thus described the scope of the work: " The origin of the Esthetic Movement in England is here ascribed to the small circle of artists and poets who styled themselves the Pre-Raphaelite Brotherhood, as far back as 1848. These were seven young Oxford students, namely, Holman Hunt, John Everett Millais, Dante Gabriel Rossetti, Thomas Woolner, William Michael Rossetti, G. F. Stevens, and James (ollinson, and they started a small magazine, entitled “The Germ,” to advocate their peculiar views in art and poetry. After describing the attacks this circle was subjected to, and Mr. Ruskin's able defence of it, comes an outline of Ruskin's influence on art, and Sir Coutts Lindsay's formation of the Grosvenor Gallery, in which nearly all the most celebrated pictures of the Esthetic School have been exhibited, including the works of E. Burne-Jones, who is by some held to be the head of the Sthool in painting, and the peculiar paintings by J. A. M. Whistler. In connection with the latter artist, an account is given of the remarkable action for libel he brought against Mr. Ruskin.
- The chapter devoted to · Asthetic Culture’ is one that will probably excite the greatest interest and curiosity: in it the influence of the new School on art, music, architecture, furniture and dress is distinctly pointed out; and the undonbted good it has achievell prove that the ridicure wbich has hitherto been directed against the Esthetes was both unjust and unreasonable.
"The poetry of the Æsthetic School is next described, and naturally leads up to an account of Robert Buchanan's attacks upon Dante Gabriel Rossetti and the Fleshly School, with the law-suit that arose out of th Fisher." These chapters are full of literary details, which will interest admirers of Swinburne, Morris, Rossetti, and Buchanan, whilst the article on Oscar Wilde contains facts and anecdotes concerning that talented young poet, which will certainly be new to the general public, and extracts from his poems of a stamp likely to astonish some of those who now think it good form' to sneer at the Æsthetic bard.
“ The author has throughout treated his topic in a reverent spirit; indeed, he deprecates the frivolitr of those who, without understanding its aims or meaning, choose to ridicule Estheticism, and if he is not himself an Esthete, he is at any rate an appreciative Philistine."