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The

sage

and onions are a snare.
Dyspepsia!

"Oh, taste!" our hostess cried, and press'd A portion of a chicken's breast;

I view'd the fowl with longing eye,
Then answer'd sadly, with a sigh,
Dyspepsia!

I mark'd with fix'd and stony glare
A brace of pheasants and a hare;
A tear stood in my bilious eye,
When helping friends to pigeon-pie.
Dyspepsia!

"“Beware the celery, if you please;
Beware the awful Stilton cheese.'
This was the doctor's last good-night;
I answered feebly, turning white,

66

Dyspepsia !"

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The Mocking Bird, by Frederick Field (John Van Voorst,

THE FATE OF THE WINTER RIDER.

(By a young lady aged fourteen).
The shades of night were falling fast,
As through a lonely village passed
A youth, who rode 'mid snow and ice
A two-wheeled thing of strange device-
A Bicycle.

His brow was sad, his eye below
Flashed like his bicycle's steel glow,
While like a silver clarion rung
A bell, which on the handle hung-
Of the Bicycle.

In cosy sheds he saw the light

Of bicycles well cleaned and bright ;
Along the road deep ruts had grown,
And from his lips escaped a moan—
My Bicycle!"

"Try not that road," the old man said,
“'Tis full of holes, you'll break your head ;
The farm pond, too, is deep and wide;"
But loud the bicyclist replied,

"Rot! Bicycle !"

"Beware the oak-tree's withered arm,
Beware the holes, they'll do you harm!"
This was the peasant's last good-night;
A voice replied, "Don't fear, all right-
Vive Bicycles!"

At break of day, as in a brook
A passenger did chance to look,

He started back, what saw he there?
His voice cried through the startled air,
"A Bicycle!"

A bicyclist, upon the ground,

Half buried in the dirt, was found
Still hugging, in his arms of ice,

That two-wheeled thing of strange device,
The Bicycle.

There in the twilight cold and grey,

Helpless, but struggling, he lay,

While, now no longer bright and fair,

His bicycle lay broken there

Poor Bicycle!

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On his high forehead curled copious hair,
He'd a Roman nose, and complexion fair,
A bright blue eye, with an auburn lash,
And he ever kep' a shoutin' thro' his moustache,
Upidee, Upida!

About half-past nine, as he kep' gettin' upper
He saw a lot of families a sitting down to supper;
He eyed those slippery rocks, he eyed 'em very keen
And he fled as he cried, and he cried as he was fleein'

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"Oh, stay!" the maiden said, “and rest,
Your weary head upon this breast."
On his Roman nose a tear-drop come,
As he ever kep' a shoutin' as he upward clum,
"Upidee, Upida!"

About a quarter to six in the next forenoon
A man accidentally going up too soon
Heard repeated above him, as much as twice,
Those very same words, in a very weak voice,
"Upidee, Upida."

The very same man about a quarter to seven
(He was slow a-gettin' up, the road being uneven),
Found buried up there, among the snow and ice,
That youth with the banner with the strange device,
"Upidee, Upida."

He was dead, defunct, beyond any doubt,
The lamp of his life was quite gone out,
On the dreary hill-side the youth was a layin',
There was no more use for him to be sayin',
"Upidee, Upida !"

The shades of night were falling fast,
As through the streets of London passed
A party with a packet nice,

On which was seen the strange device-
Exitium.

"Hi, stay!" the Bobby cried, "you man.'
Says he, "You'll catch me if you can.'
Three rapid strides, and he was gone ;
From Bobby's lips escaped a groan-
Exitium.

At break of day, as in a fright,
The Bobbies came from left and right,
Each murmured, starting in a scare;
A crash resounded through the air-
Exitium.

There in the twilight cold and grey-
In ruins stately buildings lay,
And o'er the land the news is spread :
"Another Fenian escapade!"

Scraps, 14 May, 1884.

Exitium.

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I went to bed at eleven,

At the sign of the Azure Boar,

And I knew that my room was seven,
For I'd seen it upon the door.
With a flickering, flaring candle,

That glimmered like sickly Hope,
I found out my way to the handle,
And I flung the portal ope,

When a gentleman-not to my thinking--
Was placed in the door upright;
It was evident he had been drinking,
For he hiccuped out in the night;

And he spoke in a language mighty,

That rang through the chill and gloom ; And he asked me, Highty-tighty,"

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• What the deuce do you do in my room?"

And never of warning mildly

A word had the stranger said,
Ere he took up a bootjack wildly,
And hurled it at my head;

And down with a noise and clatter
It fell o'er the winding stair,

And some one cried, "What's the matter?"
And I said, "I am not aware!"

And whenever I feel dyspeptic,
And whenever my soul's unwell,
And whenever I've got lumbago,
And whenever my eyelids swell,

I see the man with the bootjack,
He swears as he used to swear,
And I hear the implement falling
And clattering down the stair;
And I say to myself at twilight,

A vindictive person's a brute ;
I'd rather have been on the skylight
Than down at the staircase foot !

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Stands like a pudding at Christmas, a white surface, dete. with black things.

Loud from the neighbouring river, the deep voiced clamorous bargée

Roars, and in accents opprobrious holloas to have the lock opened.

These are the green woods of Cliefden. But where are the people who in them

Laughed like a man when he lists to the breath-catching accents of Buckstone?

Where are the wondrous white waistcoats, the flimsy barege and muslins,

Worn by the swells and the ladies who came here on pleasant excursions?

Gone are those light-hearted people, flirtations, perhaps love-even marriage,

All have had woeful effect since Mrs. Merillian's picnic; And of that great merry-making, some bottles in tinfol enveloped,

And a glove dropped by Jane Page, are the vestiges on'y remaining!

Ye who take pleasure in picnics, and dote on excursions aquatic,

Flying the smoke of the city, vexations and troubles of business,

List to a joyous tradition of one which was once held at Cliefden

List to a tale of cold chicken, champagne, bitter beer, lobster salad!

EDMUND H. YATES.

TOWN AND GOWN.

BRIGHTLY blazed up the fires through the long dark days of November,

Glimmered the genial lamp in the wainscoted rooms of the College,

Brightest of all in the rooms of De Whyskers, "the talented drinker."

Thence came the festive song, and the clink of the bottles and glasses,

Thence came the chorus loud, abhorred of the Dean and the Fellows.

There sat De Whyskers the jolly, the drinker of curious liquors,

There sat De Jones, and De Jenkyns, stroke oar of the Boniface Torpid;

There too, De Brown, and De Smith, well known to the eyes of the Proctors,

Heedless of numberless ticks, and the schools, and a "plough" in futuro,

Sat by the ruddy-faced fire, and quaffed the bright vintage of Xeres.

Merrily out to the night through the fogs and the mist of November

Floated the breath of the weed through the fields of the dark Empyrean,

Rose the melodious sounds of the "dogs" which are known as "the jolly,"

"Slapping" and "banging" along through that noisy and meaningless ditty.

But silence! the welkin now rings (whatever the meaning of that is),

A rumour of battle is heard, and the wine and the weeds are

Out to the darkling High, where the cad and the commoner struggle,

Out to the noise, and the d ́n, and the crowd of the unwashed mechanics,

Went forth De Whyskers the bold, brisafull of the valour of Holland,

Flashed both his eyes in the dark with a gleam that was quite meteoric,

As flashes the pheasant's tail when he hears the first gun in October.

Now with a yell and a spring the cads came up to the onset, Cursing and swearing amain, and throwing their arms out like thunder.

Stopping before All Saints the hideous work of Dean Aldrich,

Stopping De Whyskers male emphatic the sign for the battle,

Thereon he let fall a blow swift like an armourer's hammer, Down on his face fell a cad as falls an oak on the mountains,

Forth from his nose came "the red" as oft in the vintage the dresser

Squeezes the blushing grape on the plains of Estremadura. Now from the end of the High a rush of the cads overwhelming

Sweeps as the sea sweeps on in the long dark nights of the winter,

Howling as howl the wolves through the snow in the forests of Sweden;

Blow after blow is struck, as the flakes come down in the

snowstorm.

Now from the Turl to the Broad, and St. Giles's, abode of the peaceful,

Even to Worcester the slow, or Botany Bay, as they call it, Down by Trinity Gates, and Pallioi beloved of the scholar, Down by the temple of Tom, whence the Curfew rings in the gloaming

Thundered the fray till the rain came down on the scene as a damper.

College Rhymes (T. and G. Shrimpton, Oxford, 1865-)

The great "Town and Gown" rows that used to occur annually on the Fifth of November, between the undergraduates and the townspeople, have been gradual y dying out, but the memory of them still lingers in many old College Rhymes and traditions. They are most vividly described in Verdant Green, an Oxford Freshman, a light-hearted clever little work, by the Rev. E. Bradley, Rector of Lenton, better known under his pseudonym of Cuthbert Bede. Mr. Bradley, although himself a Cambridge man, was intimately acquainted with Oxford.

A VOICE FROM THE FAR WRIT,
Hailing the Centenary Birtday of Burns.

Happy thy name, O BURNS! for bars, in thy native Doric, Meaneth the free bright streams, exhausties, pellucid, and sparkling,

Mountain-born, wild and erratic, kiming the flw'rets in passing,

Type of thy verse and thyself—bowling ata musical ever;

And the streams by thy verse made immortal are known by our giant rivers,

Where the emigrants sing them to soothe the yearnings for home in their bosoms,

And the Coila and gentle Doon, by the song of the Celtic wanderer,

Are known to the whispering reels that border the great Mississippi.

Thou wert the lad for the lasses! lasses the same are as misses;

And here we have misses hal pleased you-Missouri and the Mississippi.

And “green grow the rushes" beside them-as thy evergreen chorus would have them.

Thou wert the champion of freedom!-Thou didst rejoice in our glory!

When we at Bunker's Hill no bankum lisplay'd, but true courage!

Jabilant thou wert in our Declaration of Independence! More a Republican thou than a chain-hugging bow-andscrape Royalist!

Even the Stars and the Stripes seem appointed the flag of thy destiny ;

The stars are the types of thy glory, the stripes thou didst get from Misfortune.

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For hers was the duty to ope the gates of the convent, and
take in

Messages, parcels, et cetera, from those who came to the
wicket.

Ever and often she paused to gaze on the face of Our Lady,
Limn'd in a picture above by some old pre-Raphaelite
Master;

Then would she say to herself (because there was none else
to talk to),

"Why should I thus be immured, when people outside are
enjoying

Thousands of sights and scenes, while I'm not allowed to
behold them,

Thousands of joys and of changes, while I am joyless and
changeless?

No, I can bear it no longer. I'll hasten away from the
Convent :

Now is the time, for all's quiet; there's no one to see or to
catch me.

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So resolving at length, she took off her habit monastic,
And promptly array'd herself in smuggled secular garments;
Then on the kneeling-desk she laid down the keys, in a safe
place,

Where some one or other, or somebody else, would certainly
find them.

"Take thou charge of these keys, blest Mother," then mur-
mured Beatrice,

"And guard all the nuns in this holy but insupportable
building."

And as she spoke these words, the eyes of the picture were
fasten'd

With mournful expression upon her, and tears could be seen
on the canvas ;

Little she heeded, however, her thoughts had played truant before her,

Then stole she out of the portal, and never once looking behind her,

Wrapp'd in an ample cloak, and further concealed by the darkness,

Out through the streets of the city Beatrice quickly skedaddled.

II.

Out in the world went Beatrice, her cell was left dark and deserted;

Scarce had she gone, when lo! with wonderment be it
related-

Down from her canvas and frame, there stepp'd the blessed
Madonna,

Took up the keys and the raiment Beatrice had quitted, and
wore them,

Also assuming the face and figure of her who was absent; Became in appearance a nun, so that none could discover the difference.

Save that the sisters agreed that Beatrice the portress was growing

Better and better, as one who aspired to canonization ;

Daily abounding in grace, a pattern to all in the convent;
Till it would not have surprised them to see a celestial halo
Gather around her head, and pinions spring from her
shoulders,

That, when too good for this world, she might fly away to a

better.

Her post was below her deserts, and so by promotion they

made her

Mistress of all the novices seeking religious instruction.

Such was her great success in that tender and beautiful office,

Her pupils all bloomed into saints, and some of the very first

water.

III.

Many a day had pass'd since Beatrice escape iz

convent,

Much had she seen of the world, and its wicked
distress'd her;

Oft she repented her act, and long'd to return, yet e
not;

Oft was determined to go, still she "stood the c going."

Thus it at last occurr'd that her convent's secular age Entered one day, in the house where the truant is staying,

But changed as she was in appearance, he did not aw from Adam;

Whilst he in his clerical garb was to her a familiar t
"Now I shall learn," thought she," what they sy
flight and my absence."

And so she eagerly asked of the nuns and of sister
As of a friend she had known when living near

convent.

"Truly," the factor replied, "She is still the p

sisters,

Favourite too of the abbess, and worthy of all our affec
Would there were more of her kind in some houses:
I know of,"

Puzzled and rather distress'd, then answer'd the
religieuse,

"She whom I speak of, alas! was less of a saint
sinner,

She fled from the veil and the cell, so surely you speaks
another?"

"Not in the least, my child," the secular agent respo "Sister Beatrice, the saint-like, did not run away from cloister,

Mistress is she of the novices. Why should she go? Sa and nonsense!"

"What can it mean?" thought Beatrice, "and who is zi double and namesake?"

So when the agent was gone, resolved she would settle t question,

Off to the convent she went, and knocked at the put familiar,

Ask'd for the sister Beatrice, was shown to the parlour a found a

Counterpart of herself, as she was in her days of seclusion. Down on her knees went Beatrice- the why and the wher fore she knew not.

"Welcome, my daughter, again," said her double, the blessed Madonna ;

"Now I restore you your keys, your robe, and your other belongings,

Adding the excellent name and promotion I've won in your likeness;

Be you a nun as before, but more pious; farewell, take my blessing."

Speaking, she melted away in the holy pre-Raphaelite
picture.

Again was Beatrice "herself," like Richard the third, à a
Shakespeare,

Growing in grace from that day, and winning the glory of
Saintship;

While each of the pupils she taught, went to heaven as surely
as she did.

Such is the metre Columbian, but where is the bard who
devised it?

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