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141. Death, the final Conqueror; or, the Old Baron's last

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NOTE.-The student will find it advantageous to determine
the inflection and modulation of the voice, which the reading
or speaking of a passage requires, from the sense; and after-
ward to denote the same by the use of the foregoing notation,
as well as to designate, in the usual manner, the emphatic
words and sentences. This exercise will lead the mind to per-
ceive the various intonations of voice, in which natural read-
ing or speaking consists.

* Some of these signs are the same as used in Porter's Rhetorical works.

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"FALSE Eloquence, like the prismatic glass,
Its gaudy colors spreads in every place;
The face of Nature we no more survey,
All glares alike, without distinction gay;
But TRUE Expression, like th' unchanging sun,
Clears and improves whate'er it shines upon;
It gilds all objects, but it alters none."

1. ELOCUTION is vocal Nature. Her speech is ever distinct, varied, and expressive-ever eloquent. Every sentiment and emotion of the soul, as fear, surprise, love, anger, she expresses in her own appropriate style. The lively expressions of youth, in their ordinary pastimes, are but the spontaneous language which Nature utters. To elucidate Nature's modes of expression, to develop the powers of the voice, and to acquire skill in its management, in conformity with her established laws, are the leading objects of Elocutionary Science. Its design is not, as is too often supposed, to establish certain imaginary and arbitrary rules, by which the voice is to be regulated, but to explain those natural laws, in which natural reading or speaking consists.

2. Though the human voice, in its natural state, is rich in "sweet sounds;" yet, like every other faculty, by proper dis

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