Gottfried Benn: The Artist and Politics (1910-1934)Herbert Lang, 1976 - 149 oldal This is the first full length investigation of the relationship between Benn's artistic theory, his cultural criticism and his political thinking. With the aid of a carefully applied inductive method and of historical documentation the author provides a convincing picture of Benn's intellectual development until 1934. The latter's conception of art's «autonomy» is shown to be ambivalent, and this ambivalence is placed in the concrete political context of the Weimar Republic. There are also illuminating comparisons with other writers - e.g. Nietzsche, Thomas Mann and Ernst Jünger. The argument is supported by previously unpublished quotations from Benn's Nachlass. |
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1 - 3 találat összesen 29 találatból.
17. oldal
... Rönne as a conventional signal of annoyance at his forgetfulness , is ironic when one recalls Rönne's critical concern with Gehirne throughout the novella - cycle of this name as for example his brooding in the novella Gehirne : - Es ...
... Rönne as a conventional signal of annoyance at his forgetfulness , is ironic when one recalls Rönne's critical concern with Gehirne throughout the novella - cycle of this name as for example his brooding in the novella Gehirne : - Es ...
18. oldal
... Rönne as a conscientious citizen takes on a somewhat farcical aspect . The world - view of the Herr as revealed in the precepts or clichés which Rönne puts into the mouths of the citizens around him , these " Begriffe aus dem Lebensweg ...
... Rönne as a conscientious citizen takes on a somewhat farcical aspect . The world - view of the Herr as revealed in the precepts or clichés which Rönne puts into the mouths of the citizens around him , these " Begriffe aus dem Lebensweg ...
20. oldal
... Rönne's " Eroberung , " then , is a " conquest " neither in an intellectual , nor a social , nor a military sense . Benn's own attitude to Rönne's efforts at playing the part of a Herr are exemplified in Etappe , which castigates the ...
... Rönne's " Eroberung , " then , is a " conquest " neither in an intellectual , nor a social , nor a military sense . Benn's own attitude to Rönne's efforts at playing the part of a Herr are exemplified in Etappe , which castigates the ...
Tartalomjegyzék
Points of Departure Disestablishment and the Norm | 12 |
Benns Artistic Theory 19191932 | 34 |
Benn in the Weimar Republic 19291933 | 58 |
Copyright | |
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Academy Akademie der Künste andere anthropologische Substanz anti-liberal Arbeit art's artistic autonomy artistic creativeness attack autonomous Bekenntnis zum Expressionismus Benn's artistic theory Benn's early Benn's thinking Bernhard Rust bionegative Blut Buddeberg bürgerliche causality civilisation conception context cultural criticism Denken Deutsche deutschen Dichter Dichtung Dieter Wellershoff Doppelleben empirical world Erbmasse Eroberung essay expressed Expressionism Gedicht Gegenvorstellung Geologie Geschichte Gottfried Benn habe Heinrich Mann Herr heute Ibid ideas ideology insistence intellectual irrationalism können konstruktiver Geist Kunst Kunstträger latter Leben Lebensweg eines Intellektualisten literary Literatur Macht Marxist muß National Socialism National Socialist Nazi Nazi régime Nazism neue Staat neuen Nietzsche Nietzsche's Nihilismus norm novella op.cit Oskar Loerke Paul Raabe poem political realities political world politische politischen pre-1933 thinking principle reference rejection relationship remarks Rönne Schöne Jugend Schöpferische self-differentiation Sinn socio-economic sphere spiritual Stil Substanz T. S. Eliot transcendent twenties and early überhaupt Volk völkisch Weimar Republic writes Zeit Züchtung