The Stylistic Life of Samuel JohnsonRutgers University Press, 1977 - 139 oldal |
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71. oldal
... voice that begins Rasselas sounds resolute , and this adds vigor to its admonitory stance . The voice implies that its purpose in rehearsing what is already known to itself will be to convince the readers addressed that they have ...
... voice that begins Rasselas sounds resolute , and this adds vigor to its admonitory stance . The voice implies that its purpose in rehearsing what is already known to itself will be to convince the readers addressed that they have ...
96. oldal
... voice which expresses that self - entanglement , like the voice of the first narrator , is incapable of expressing any relations of its user to a world other than those of someone above and de- tached from that world and the " laws of ...
... voice which expresses that self - entanglement , like the voice of the first narrator , is incapable of expressing any relations of its user to a world other than those of someone above and de- tached from that world and the " laws of ...
129. oldal
... voice that speaks this way has friends that are not nameless . As earlier Levet had been but a " social comfort , " now he is distanced from the speaker by not being defined in personal terms of friendship to the speak- er . The voice ...
... voice that speaks this way has friends that are not nameless . As earlier Levet had been but a " social comfort , " now he is distanced from the speaker by not being defined in personal terms of friendship to the speak- er . The voice ...
Tartalomjegyzék
Reading Johnson in Time | 1 |
Johnson and The Life of Savage | 19 |
Learning to Write Dick Minim | 43 |
Copyright | |
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actions activity amusement appear argument attempts attention becomes beginning Boswell chapter characters claims comforts common completely concerned confidence continued course created criticism danger death defined demonstrates described earlier effect efforts essays example experience expression fact feel finally follow force give given happiness hope human images imagination Imlac implications instance involved Johnson kind knowledge language later learning least less Levet literary live London manner meaning metaphors mind narrative narrator nature never opposed opposite paragraph particular passage phrase pleasure poem poet poetry political position possible praise present Press question Rasselas reader reason relation result Samuel Johnson satire Savage Savage's seems sense sentence sound speak speaker stanza story style success suggest things tion tried turn University values virtue voice whole wish worth writing