The Stylistic Life of Samuel JohnsonRutgers University Press, 1977 - 139 oldal |
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30. oldal
... phrase " to commence❞ broadens the possibilities . To the reader it seems that , until the end , Savage has a chance to redeem his relation to " the exactest rules of frugality " by including himself among the instances he “ lamented ...
... phrase " to commence❞ broadens the possibilities . To the reader it seems that , until the end , Savage has a chance to redeem his relation to " the exactest rules of frugality " by including himself among the instances he “ lamented ...
31. oldal
... phrase that begins the next paragraph , “ Yet even this kind of contempt never depressed him , " Johnson almost ... phrases by losing their subjects and any real sense of object ; and , as they pile up , an emptiness of mind becomes de ...
... phrase that begins the next paragraph , “ Yet even this kind of contempt never depressed him , " Johnson almost ... phrases by losing their subjects and any real sense of object ; and , as they pile up , an emptiness of mind becomes de ...
127. oldal
... phrase “ so- cial comforts , " when it appears , seem a rather trivial loss and " drop away " a rather trivial way of losing , as opposed to , say , “ our dearest friends are torn away . " Since " comforts " is the subject of the ...
... phrase “ so- cial comforts , " when it appears , seem a rather trivial loss and " drop away " a rather trivial way of losing , as opposed to , say , “ our dearest friends are torn away . " Since " comforts " is the subject of the ...
Tartalomjegyzék
Reading Johnson in Time | 1 |
Johnson and The Life of Savage | 19 |
Learning to Write Dick Minim | 43 |
Copyright | |
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actions activity amusement appear argument attempts attention becomes beginning Boswell chapter characters claims comforts common completely concerned confidence continued course created criticism danger death defined demonstrates described earlier effect efforts essays example experience expression fact feel finally follow force give given happiness hope human images imagination Imlac implications instance involved Johnson kind knowledge language later learning least less Levet literary live London manner meaning metaphors mind narrative narrator nature never opposed opposite paragraph particular passage phrase pleasure poem poet poetry political position possible praise present Press question Rasselas reader reason relation result Samuel Johnson satire Savage Savage's seems sense sentence sound speak speaker stanza story style success suggest things tion tried turn University values virtue voice whole wish worth writing