The Stylistic Life of Samuel JohnsonRutgers University Press, 1977 - 139 oldal |
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50. oldal
... beginning of this satire differs most noticeably from the beginning of Marmor Norfolciense in that the techniques and con- cerns here have recognizable affinities with one of Johnson's later characteristic manners . From the sound of ...
... beginning of this satire differs most noticeably from the beginning of Marmor Norfolciense in that the techniques and con- cerns here have recognizable affinities with one of Johnson's later characteristic manners . From the sound of ...
56. oldal
... beginning of his career and the techniques he created to deal with them . Johnson's success in classical poetic satire with London could hardly have left him with much doubt about his ability to deal with what in the accepted scale of ...
... beginning of his career and the techniques he created to deal with them . Johnson's success in classical poetic satire with London could hardly have left him with much doubt about his ability to deal with what in the accepted scale of ...
115. oldal
... beginning of the poem . The volleys of abstractions that make up that beginning together with the much remarked redundancy of the first couplet act to disembody the speaker , as it were , by placing him so far above his material as to ...
... beginning of the poem . The volleys of abstractions that make up that beginning together with the much remarked redundancy of the first couplet act to disembody the speaker , as it were , by placing him so far above his material as to ...
Tartalomjegyzék
Reading Johnson in Time | 1 |
Johnson and The Life of Savage | 19 |
Learning to Write Dick Minim | 43 |
Copyright | |
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actions activity amusement appear argument attempts attention becomes beginning Boswell chapter characters claims comforts common completely concerned confidence continued course created criticism danger death defined demonstrates described earlier effect efforts essays example experience expression fact feel finally follow force give given happiness hope human images imagination Imlac implications instance involved Johnson kind knowledge language later learning least less Levet literary live London manner meaning metaphors mind narrative narrator nature never opposed opposite paragraph particular passage phrase pleasure poem poet poetry political position possible praise present Press question Rasselas reader reason relation result Samuel Johnson satire Savage Savage's seems sense sentence sound speak speaker stanza story style success suggest things tion tried turn University values virtue voice whole wish worth writing