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I fell back within the bed. I had found the spell of the picture in an absolute life-likeliness of expression, which, at first startling, finally confounded, subdued and appalled me. With deep and reverent awe I replaced the candelabrum in its former position. The cause of my deep agitation being thus shut from view, I sought eagerly the volume which discussed the paintings and their histories. Turning to the number which designated the oval portrait, I there read the vague and quaint words which follow:
“She was a maiden of rarest beauty, and not more lovely than full of glee. And evil was the hour when she saw, and loved, and wedded the painter. He, passionate, studious, austere, and having already a bride in his Art; she a maiden of rarest beauty, and not more lovely than full of glee : all light and smiles, and frolicksome as the young fawn : loving and cherishing all things : hating only the Art which was her rival: dreading only the pallet and brushes and other untoward instruments which deprived her of the countenance of her lover. It was thus a terrible thing for this lady to hear the painter speak of his desire to portray even his young bride. But she was humble and obedient, and, sat meekly for many weeks in the dark high turret-chamber where the light dripped upon the pale canvass only from overhead. But he, the painter, took glory in his work, which went on from hour to hour, and from day to day. And he was a passionate, and wild, and moody man, who became lost in reveries ; so that he would not see that the light which fell so ghastlily in that lone turret withered the health and the spirits of his bride, who pined visibly to all but him. Yet she smiled on and still on, uncomplainingly, because she saw that the painter, (who had high renown,) took a fervid and burning pleasure in his task, and wrought day and night to depict her who so loved him, yet who grew daily more dispirited and weak. And in sooth some who beheld the portrait spoke of its resemblance in low words, as of a mighty marvel, and a proof not less of the power of the painter than of his deep love for her whom he depicted so surpassingly well. But at length, as the labor drew nearer to its conclusion, there were admitted none into the turret; for the painter had grown wild with the ardor of his work, and turned his
from the canvass rarely, even to regard the countenance of his wife.
And he would not see that the tints which he spread upon the (canvass were drawn from the cheeks of her who sat beside him. And when many weeks had passed, and but little remained to do, save one brush upon the mouth and one tint upon the
the spirit of the lady again flickered up as the flame within the socket of the lamp. And then the brush was given, and then the tint was placed ; and, for one moment, the painter stood entranced before the work which he had wrought; but in the next, while he yet gazed, he grew tremulous and very pallid, and aghast, and crying with a loud voice. This is indeed Life itself ! turned suddenly to regard his beloved :- She was dead!"
+ & jer se THE ASSIGNATION.
Stay for me there! I will not fail
To meet thee in that hollow vale. [Exequy on the death of his wife, by Henry King, Bishop of Chichester.]
ILL-FATED and mysterious man!-bewildered in the brilliancy of thine own imagination, and fallen in the flames of thine own youth! Again in fancy I behold thee! Once more thy form hath risen before me !-not-oh not as thou art-in the cold valley and shadow-but as thou shouldst be-squandering away a life of magnificent meditation in that city of dim visions, thine own Venice—which is a star-beloved Elysium of the sea, and the wide windows of whose Palladian palaces look down with a deep and bitter meaning upon the secrets of her silent waters. Yes! I repeat it—as thou shouldst be. There are surely other worlds than this—other thoughts than the thoughts of the multitude other speculations than the speculations of the sophist. Who then shall call thy conduct into question ? who blame thee for thy visionary hours, or denounce those occupations as a wasting away of life, which were but the overflowings of thine everlasting energies
It was at Venice, beneath the covered archway there called the Ponte di Sospiri, that I met for the third or fourth time the person of whom I speak. It is with a confused recollection that I bring to mind the circumstances of that meeting. Yet I remember-ah ! how should I forget ?—the deep midnight, the Bridge of Sighs, the beauty of woman, and the Genius of Romance that stalked
and down the narrow canal. It was a night of unusual gloom. The great clock of the Piazza had sounded the fifth hour of the Italian evening. The square of the Campanile lay silent and deserted, and the lights in the old Ducal Palace were dying fast away. I was returning home from the Piazetta, by way of the Grand Canal. But as my gondola arrived opposite the mouth of the canal San Marco, a female voice from its recesses broke suddenly upon the night, in one wild, hysterical, and long continued shriek. Startled at the sound, I sprang upon my feet: while the gondolier, letting slip his single oar, lost it in the pitchy darkness beyond a chance of recovery, and we were consequently left to the guidance of the current which here sets from the greater into the smaller channel. Like some huge and sable-feathered condor, we were slowly drifting down towards the Bridge of Sighs, when a thousand flambeaux flashing from the windows, and down the staircases of the Ducal Palace, turned all at once that deep gloom into a livid and preternatural day.
A child, slipping from the arms of its own mother, had fallen , from an upper window of the lofty structure into the deep and
dim canal. The quiet waters had closed placidly over their victim; and, although my own gondola was the only one in sight, many a stout swimmer, already in the stream, was seeking in vain upon the surface, the treasure which was to be found, alas ! only within the abyss. Upon the broad black marble flagstones at the entrance of the palace, and a few steps above the water, stood a figure which none who then saw can have ever since forgotten. It was the Marchesa Aphrodite—the adoration of all Venice—the gayest of the gay-the most lovely where all were beautiful—but still the young wife of the old and intriguing Mentoni, and the mother of that fair child, her first and only one, who now, deep beneath the murky water, was thinking in bitterness of heart upon her sweet caresses, and exhausting its little life in struggles to call upon her name.
She stood alone. Her small, bare and silvery feet gleamed in the black mirror of marble beneath her. Her hair, not as yet more than half loosened for the night from its ball-room array, clustered, amid a shower of diamonds, round and round her classical head, in curls like those of the young hyacinth. A snowywhite and gauze-like drapery seemed to be nearly the sole covering to her delicate form ; but the mid-summer and midnight air was
hot, sullen, and still, and no motion in the statue-like form itself, stirred even the folds of that raiment of very vapor which hung around it as the heavy marble hangs around the Niobe. Yet, strange to say !her large lustrous eyes were not turned downwards upon that grave wherein her brightest hope lay buriedbut riveted in a widely different direction! The prison of the Old Republic is, I think, the stateliest building in all Venice—but how could that lady gaze so fixedly upon it, when beneath her lay stifling her own child? Yon dark, gloomy niche, too, yawns right opposite her chamber window-what, then, could there be in its shadows—in its architecture in its ivy-wreathed and solemn cornices—that the Marchesa di Mentoni had not wondered at a thousand times before ? Nonsense !-Who does not remember that, at such a time as this, the eye, like a shattered mirror, multiples the images of its sorrow, and sees in innumerable far off places, the wo which is close at hand ?
Many steps above the Marchesa, and within the arch of the water-gate, stood, in full dress, the Satyr-like figure of Mentoni himself. He was occasionally occupied in thrumming a guitar, and seemed ennuye to the very death, as at intervals he gave directions for the recovery of his child. Stupified and aghast, I had myself no power to move from the upright position I had assumed upon first hearing the shriek, and must have presented to the eyes of the agitated group a spectral and ominous appearance, as with pale countenance and rigid limbs, I floated down among them in that funereal gondola.
All efforts proved in vain. Many of the most energetic in the search were relaxing their exertions, and yielding to a gloomy
There seemed but little hope for the child; (how much less than for the mother !) but now, from the interior of that dark niche which has been already mentioned as forming a part of the Old Republican prison, and as fronting the lattice of the Marchesa, a figure muffled in a cloak, stepped out within reach of the light, and, pausing a moment upon the verge of the giddy descent, plunged headlong into the canal. As, in an instant afterwards, he stood with the still living and breathing child within his grasp, upon the marble flagstones by the side of the Marchesa, his cloak, heavy with the drenching water, became unfastened,