Demons of the Night: Tales of the Fantastic, Madness, and the Supernatural from Nineteenth-Century France
Demons of the Night is a trove of haunting fiction—a gathering, for the first time in English, of the best nineteenth-century French fantastic tales. Featuring such authors as Balzac, Mérimée, Dumas, Verne, and Maupassant, this book offers readers familiar with the works of Edgar Allan Poe and E. T. A. Hoffman some of the most memorable stories in the genre. With its aura of the uncanny and the supernatural, the fantastic tale is a vehicle for exploring forbidden themes and the dark, irrational side of the human psyche.
The anthology opens with "Smarra, or the Demons of the Night," Nodier's 1821 tale of nightmare, vampirism, and compulsion, acclaimed as the first work in French literature to explore in depth the realm of dream and the unconscious. Other stories include Balzac's "The Red Inn," in which a crime is committed by one person in thought and another in deed, and Mérimée's superbly crafted mystery, "The Venus of Ille," which dramatizes the demonic power of a vengeful goddess of love emerging out of the pagan past. Gautier's protagonist in "The Dead in Love" develops an obsessive passion for a woman who has returned from beyond the grave, while the narrator of Maupassant's "The Horla" imagines himself a victim of psychic vampirism.
Joan Kessler has prepared new translations of nine of the thirteen tales in the volume, including Gérard de Nerval's odyssey of madness, "Aurélia," as well as two tales that have never before appeared in English. Kessler's introduction sets the background of these tales—the impact of the French Revolution and the Terror, the Romantics' fascination with the subconscious, and the influence of contemporary psychological and spiritual currents. Her essay illuminates how each of the authors in this collection used the fantastic to articulate his own haunting obsessions as well as his broader vision of human experience.
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Alexandre Dumas ancient Andernach appeared Arria asked Aubert beautiful began beneath blood body Charles Nodier Charlotte Corday Clarimonde clock cried dark dead death doctor door dream earth eyes face fantastic father fear felt French friends gaze Gerande Gerard de Nerval Guy de Maupassant hair hand head heard heart Horla human idea imagination light living looked Marcel Schwob Master Zacharius Maucombe mind Monsieur Alphonse Monsieur de Peyrehorade Monsieur Ledru morning mysterious Nerval never night Nodier o'clock Octavian old clockmaker once opened pale Paris perhaps Polemon Pompeii priest Prosper Merimee replied returned Robert d'Arbrissel Scholastique seemed seen Serapion sleep Smarra smile Solange soul spirit statue stood strange suddenly Taillefer tale terror Thessaly thought tion told tomorrow took trees turned uttered vampire Venus voice watches window wine woman words young
1. oldal - Be not afeard ; the isle is full of noises, Sounds and sweet airs, that give delight and hurt not. Sometimes a thousand twangling instruments Will hum about mine ears, and sometimes voices That, if I then had waked after long sleep, Will make me sleep again : and then, in dreaming, The clouds methought would open and show riches Ready to drop upon me, that, when I waked, I cried to dream again.
xxiii. oldal - Thus a novelwriter, or a dramatist, in creating a villain of romance, and fitting him with evil deeds, and the villain of actual life, in projecting crimes that will be perpetrated, may almost meet each other, half-way between reality and fancy.
xlvii. oldal - Shall dawn upon him, desolate!) And, round about his home, the glory That blushed and bloomed Is but a dim-remembered story Of the old time entombed.
xl. oldal - For God is but a great will pervading all things by nature of its intentness. Man doth not yield himself to the angels, nor unto death utterly, save only through the weakness of his feeble will.