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faculty and profession, he had an exquisite skill in natural philosophy and medicine. He was well versed in mathematics. Of his mechanic skill he left for his monument the most glorions structure that ever stood upon earth. He was very skilful in poetry and music; he had great ability in rhetoric; he did wonderfully excel in ethics. As for theology, as the study of that was the chief study to which he exhorteth others; he was himself most conversant therein. In fine, there was no sort of knowledge to which he did not apply his study. Such a scholar was he; and such if we have a noble ambition to be, we must use the course that he did, which was first in his heart to prefer wisdom before all earthly things; then to pray God for it, or for his blessing in quest of it; then to use the means of attaining it, diligent searching and hard study." The author winds up his exhortations by informing us "that Luther would not part with a little Hebrew he had for all the Turkish empire," and that "a lank purse is better than an empty brain."

We must express our parting approbation of the feeling and spirit in which Dr. Wordsworth's work is written, and of the sound argument and knowledge by which it is conducted throughout. And, seeing that there is so much unprofitable discussion, dangerous speculation, and unsound doctrine at once assailing us from opposite quarters, it is consolatory to find that those who are the most noted for their learning and their temperate wisdom are speaking on the most important subjects in language too impressive and authentic to be listened to without conviction. Thus are the doctrines of our faith and our Church best adorned and perhaps our dangers best removed; and assuredly it is not in her secular privileges, not in the antiquity of ber establishment, not in the opulence of her members, nor even in the orthodoxy of her tenets, that she is to trust in days like these, wherein, on the one hand, a fond and mistaken piety is desecrating her altars, and on the other, a cloud of dark and pestilential heresies is frowning over her battlements.

JOHN ROUS, THE ANTIQUARY, OF WARWICK.
(With a Plate.)

WE are enabled by the courtesy of
the College of Arms to present to our
readers an accurate copy of the Portrait
of John Rous, of Warwick, one of the
most eminent of our earliest English
antiquaries. The original is drawn
upon a contemporary historical roll
preserved in the Library of the Col-
lege; and is the same which was
engraved by the hands of Hollar at
the expense of Elias Ashmole for
Dugdale's History of Warwickshire,
and copied by Michael Burghers, at
the expense of Dr. Richard Mead, for
Hearne's edition of Rous's Historia
Regum Angliæ. The very moderate or
rather the very distant degree of resem-
blance which was at that time deemed
sufficient when an ancient work of art
was represented, makes one wonder
that
any such trouble was taken at all,

and more than smile when learned men are seen inditing pompous dedications, or accepting high-flown compliments, for having been the patrons or propagators of such unsatisfactory achievements. Ashmole's copy gave a very slight idea of Rous's figure, and a wholly different version of his features: the present copy, by Mr. John Swaine, will be found much more successful in both respects.

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The life of Rous was written by Leland among his other lives of English authors, and like the rest has been decanted" again and again, with slight dilutions and variations, by Bale, Pits, Nicolson, &c. &c. the present occasion it will be quite as easy (thanks to Hearne's index,) to go to the source from which Leland principally derived it, namely, the state

On

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So Sir William Dugdale, on the authority of one of Rous's rolls. Leland had supposed him to have been "of the house of the Rouses of Ragley by Aulcester." Rous himself makes the following remarks upon the name, when speaking of the death of King William Rufus, his possible descent from whom, in a tone apparently more serious than jocose, he leaves as a matter of doubt: Iste rex obiit sine prole proprii corporis legitimo. De aliis mentionem non facio, quia de facto erat vir valde incontinens, et quamvis ejusdem cognominis fuero, Rous videlicet cognominatus, non tamen ab ipso linealiter descendere nec nego, sed sub dubitatione relinquo. Venerunt generosi illius nominis cum Conquestore in Angliam, et vix est in Anglia unus comitatus vel nullus quid in illo de generosis aut plebeis sunt illius cognominis incolæ et indigenæ, quidam de ipso, quidam de aliis illius nominis linealiter descendentes."

+ Wood assigns him to Balliol College, because he speaks of John Tip:oft, Earl of Worcester, as his fellow scholar; but the words "in universitate Oxoniensi tempore mei conscolarem seem of scarcely sufficient force to identify the college, and, though he notices many other colleges, he never mentions Balliol.

He does not himself say that he at once received such preferment, but merely that he removed thither from the university, and had resided there more than forty-one years when he wrote his book:

"Et ibi

cùm ab universitate recessi mansionem elegi, et continuavi per multos annos; quorum anno xliido. hunc libellum ad laudem Dei, beatæ Mariæ et omnium sanctorum, et complacentiam et proficuum regis regnique compilavi." Bryan Twyne, and after him Anthony à Wood, misread this as implying that the book was written in the 42 year of his age.

Because his Historia Regum was written shortly after the birth of Prince Arthur, in 1486, from which deduct fortyone years for the statement mentioned in

therefore, before the chapel and its appurtenent buildings were rebuilt in the latter part of the reign of Henry VI.

Of all the places which Leland visited in his "laboriose" journeys through England, none delighted him more than Guy's Cliff. "Vidi multa loca in quibus natura variâ lusit amœnitate: nullus tamen in primo conspectu magis unquam meis adblandiebatur oculis." But the occasion is one on which the full account of the place which he gives in his Itinerary may properly be quoted:

"There is a right goodly chappell of saint Mary Magdalene upon Avon river, ripa dextra, scant a mile above Warwick. The place of some is called Gibclife, of. some Guy cliffe; and ould fame remaineth with the people there, that Guido earle of Warwike in king Athelston's dayes had a great devotion to this place, and made an oratory there. Some adde unto it, that, after he had done great victories in outward partes, and had beene so long absent that he was thought to have been dead, he came and livid in this place like an heremite, unknowen to his wife Felice, untill at the article of his death he shewed what he was.

Men shewe a cave there in

a rocke hard on Avon ripe, where they say that he used to sleepe. Men alsoe yet shewe fayre springes in a fayre meadow thereby, where they say earle Guido was wont to drinke. This place had been to the time of Richard earl of Warwike onely a small chappell and a cottage wherein an heremite dwelt.

"Earle Richard, bearing a great devotion to the place, made there a goodly new chappell, dedicate to saint Mary Magdalene, and founded two chauntery priests there to serve God. He sett up there an image of earle Guido gyant-like, and enclosed the silver welles in the meadowe with pure white slicke stones like marble, and there sett up a praty house open like a cage covered, onely to keepe comers thither from the raine. He also made there a praty house of stone for the chauntery priests, by the chappell. The landes that he gave to it lye about the house. It is a house of pleasure, a place meet for the muses. There is sylence, a praty wood, antra in vivo saxo, the river rouling over the stones with a praty

the preceding note. Anthony à Wood says, the History was written in 1483, a date manifestly erroneous, being two years before the accession of Henry VII. to whom it is addressed.

noyse, nemusculum ibidem opacum, fontes liquidi et gemmei, prata florida, antra muscosa, rivi levis et par saxa decursus, necnon solitudo et quies musis amicissima."

Rous, however, was not a recluse confined to this solitary spot like some of the hermits his predecessors. Guy's Cliff was within an easy mile of Warwick, where he could enjoy the society not only of his early friends and relations, but also of the priests and clerks connected with the collegiate church. The neighbouring castles of Warwick and Leamington frequently

attracted the concourse of the court, or the great earls; and so far did Rous take an interest in political matters that he once ventured to draw a pctition on the state of the country, which he presented to the Parliament held at Coventry in the year 1459, though, as he confesses, it failed to attract attention.* From such matters, as may readily be supposed, he did not escape without making some enemies.† He was occasionally a visitor of the metropolis, where he mentions having perused the records at Guildhall, and that he saw the elephant which was brought to London in the reign of Edward the Fourth.§

On one occasion he even travelled so far as North Wales and the Isle of Anglesey, being sent thither for the purpose of consulting the Welsh chronicles.

Rous was honoured by intercourse with John Fox, bishop of Exeter, to whom he lent a book on the subjection of the crown of Scotland to that of England.¶

With regard to the writings of Rous, Leland affirms that he had seen and read the following:

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On the antiquity of the town of Warwick.

On the Bishops of Worcester. On the antiquity of Guy's Cliff. On the Earls of Warwick. Against a false history of the antiquity of Cambridge.

An unfinished work on the antiquity of the English universities.*

And also a Chronicle, a complete volume, to which in honour of his town he gave the title "Verovicum."

Besides these, Rous himself tells us that he wrote a tractate on Giants, particularly of those that lived after the Flood.t

Some of these exist in a volume of

Dugdale's MSS. in the Ashmolean Museum (G. 2); but only two of them, and a third work, the Life of Richard Beauchamp, Earl of Warwick, have attained the honour of being printed.

His most connected work is his "Historia Regum Angliæ," which was edited by Hearne in 1716, 8vo. and a second edition in 1745. The original manuscript is a small quarto volume of 136 vellum leaves, in the British Museum, MS. Cotton. Vespas. A. xII. Hearne made use of a transcript taken by Ralph Jennings, and now in the Bodleian Library, collating it with another transcript in the library of Corpus Christi college, Cambridge, supposed to have been made for Archbishop Parker.

Rous was not without the highest ambition of an historical writer, that of influencing the policy of his own or future times. He gives the following account of the origin of this work :Master John Seymour, the master of the works of the college of Windsor, who had been his fellow-scholar at Oxford, requested him in the latter days of Edward IV. to compile an

"

opusculum" of the kings and princes founders of churches and cities, as a guide for the selection of the statues

*Historia Regum, p. 18.

+ Quoted by Leland in his Collectanea, iv. 110, 212, 224.

This volume is remarkably full of the autograph signatures of eminent men, written on its fly-leaves in front are those of Tho. Allen. THO. Cotton. Again, Thomas Cotton, and at the end, Henricus Ferrarius. Willms. Dugdale, A° 1638. A. Woode, 1667. Antonius Beauforde, and Anthonius Huldratus.

to be placed in the niches of St. George's Chapel. This the troubles of the times rendered useless; and many of his friends who remembered his former political writings, particularly in the bill which he offered to the Parliament at Coventry, urged him to pursue the subject of the grievances of the people, especially in the pillage and destruction of country towns. From these motives he threw his former materials into his new work, in the modest hope that "its frequent perusal by the nobles might incite their hearts to the glory of God and the great profit of the commonwealth."*

The book is addressed to King Henry the Seventh, the birth of whose son Prince Arthur it concludes with noticing.

Leland had a high opinion of the historical labours of John Rous. He admitted that he was not to be compared with Polydore Vergil for eloquence of style, but at the same time thought that he far exceeded him in research. It may be concluded, how ever, that this judgment proceeded as much from dislike of Polydore as from admiration of Rous. Those who wish to know the weaknesses of Rous's history, will find them pointed out in Walpole's Historic Doubts.

His History of the Earls of Warwick, in the form of a pictorial roll, is a work of high curiosity, not so much for its apocryphal and frequently erroneous contents, as for the singular series of drawings with which it is illustrated. One original copy of it is in the College of Arms. Rous appears to have kept it by him, and to have inserted additions from time to time. His own portrait, which is now published, occurs at the back of a representation of Edward the Confessor, with which, it is probable, the roll at one time commenced. A minute and careful description of this roll is desirable. According to present appearances its parts are somewhat disarranged, but that may have arisen from Rous's own contrivances when making insertions, in consequence of the pedigrees, &c. written on the back. Unfortunately it has been considerably injured by the application of galls. The drawing of Richard III. surrounded by his badges, was engraved

* P. 121.

for Dallaway's Heraldic Researches, as are ten other figures in two plates," one of which contains, Henry Duke of Warwick, Anne Countess of Warwick, Richard Earl of Warwick, Isabel Duchess of Clarence, and George Duke of Clarence, and the other, Edward Earl of Warwick, Margaret Countess of Salisbury, Queen Anne, Richard III. and Edward Prince of Wales. More recently, two other figures, namely, Saint Dobricius, and Thomas Beauchamp, Earl of Warwick, have been engraved for Mr. Spicer's History of Warwick Castle, a portion of that splendid work, the Vitruvius Britannicus.

Another copy of this roll has been discovered among a nobleman's muniments, and Mr. Pickering is now preparing to publish it in fac-simile. We are informed that the drawings are more highly finished, or in better preservation, than those in the Roll at the College at Arms. The inscriptions are in English instead of Latin, and the following remarkable inscription under the figure of Richard III. shows it to have been made during the reign of that monarch.

"The moost myghty prynce, Rycharde, by the grace of God kynge of Ynglond and of Fraunce and lord of Irelond, by verrey matrimony wt owt dyscontynewans or any defylynge yn the lawe by eyre male lineally dyscendyng from kynge Harre the Second. All avarice set a-syde, rewled

hys subjettys in hys realme ful comendahylly, poneschynge offenders of hys lawes, specyally extorcioners and oppressers of hys comyns, and chereshynge them that were wertueus, by the whyche dyscrete guydynge he gat gret thank of God and love of all hys subjettys ryche and pore, and gret laud of the people of all othyr landys abowt hym."

Whereas in the Heralds' College roll King Richard is dismissed much more summarily, and with a very dif ferent epithet.

"Ricardus tercius Rex Anglie, Anne Regine, filie secunde Ricardi Nevil comitis Warwici et Anne comitisse uxoris sue, infelix maritus."

A third copy of this roll, made probably in the reign of Elizabeth, occurs

*We are not aware for what purpose, or when, these two plates were engraved. Though not modern, they are not men tioned in the last edition of Granger's Biographical History,

in an heraldic manuscript now the MS. Lansdowne 882, and which was in 1729 in the possession of Thomas Ward, esq. of Warwick. Its inscriptions, which are in English, were then printed by Hearne attached to his "Historia Ricardi II." pp. 217239; but the original was not the same as that last mentioned, as it did not include Richard III. or Anne Neville, nor some other curious passages.

There was also in Sir William Dugdale's time, in the possession of Robert Arden, esq. of Park Hall, Warwickshire, a Roll by Rous with painted figures of the British and English Kings, and of the nobility of the county of Warwick.*

as portraits. The accompanying descriptions are also printed in that work. They had been previously published by Hearne affixed to his " Historia Richardi II." 1729, pp. 359-371, from the copy made by Dugdale, in his MS. G. 2.

We have now only a few words to add in description of the portrait. Rous is represented writing the roll, upon which however nothing is figured, but it is blank as in the engraving. His costume appears to be that of a canon;t his gown red, his under vestment, of which the skirt and sleeves are seen, blue, his cap and shoes a reddish brown. The shield on the chair handle, and which is repeated beneath the chair, is Argent, a rose gules, seeded or, charged with a V of the second. The rose, and its colour also, allude, it is presumed, to his name, and the V probably stands for Varvicensis, for, though he retained his paternal name, he might at the same time maintain the usual practice of ecclesiastics to be called by the name of their birth-place. The charges of the shield at the head of the chair are more inexplicable. A manuscript in the College of Arms assigns the first quartering to "Rous, of Guy's Cliffe," but that was probably only taken from this drawing itself. The second quartering is unknown. Appended to the drawing are the following verses;

Rous's Life of Richard Beauchamp, Earl of Warwick, is in the volume now the Cottonian MS. Julius E. IV. Its drawings, representing the various incidents of the Earl's adventures, consist of fifty-three subjects beautifully sketched with a pen, (evidently in preparation for subsequent illumination,) followed by two pages of pedigree ornamented with half-length figures of the parties mentioned. The whole series of designs is engraved in the second volume of Strutt's Manners and Customs, &c. of the English, and in the third volume of that work, Plate XLVIII. is a portion of the pedigree, where the author absurdly criticises the heads of Richard III. and his son John Rows hoc junxit heroum nobile stemma, Warwyk quem genuit, senior fuit incola Gyclif, Artibus Oxonie donatus honore magistri, Qui Britonum varia studiose cronica lustrans, Scriptis ex variis opus hoc conjecit in unum, Per quod quisque Comes propriis donabitur armis In Warwik successurus feliciter heres. Fecit hic ut ducum redeat premortua vita, Vivat hic ergo, Deus, per meti nescia secla. The following lines also are beneath the chair, written in letters of two different sizes:

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We must not conclude without noticing Rous's bequest of his library to his friends of the collegiate church of Warwick. This is thus noticed by Leland, in his account of those that

+ In Chalmers's Biographical Dictionary, Rous is stated to have been a Canon of Oseney near Oxford. I have not traced the authority for this statement.

A rebus might be intended, for a v inserted into ROSE, converts it to ROVSE.

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