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been, after allowing for the decrease of value in money, both from the diminution in coin, and the great influx of specie fince that period, nearly double of what they are at present *."

151. De Arte Medendi apud Prifcos Mufices Ope atque Carminum. Epiftola ad Antonium Relhan, M. D. Collegii Medicorum Londinenfis Socium et Cenforem. Editio altera et auctior. 8vo.

THIS literary impofition, or jeu d'efprit (for fuch it is), is afcribed to Michael Gafpar, of Marpurg. The former edition (if published) efcaped our notice. To the prefent is prefixed a serious dedication to the Earl of Shelburne, whom the author aptly compares To Nicias, that diftinguifhed patriot, who, when all the Greeks had united against Athens, by joining the party who favoured peace, faved his country. But this writer profeffes obligations to his lordship of a private nature, ftyling him "one of the few Macenafes to the "English, but to foreigners the only "one;" and pretending to have had the honour of his company under his humble roof, where he "divinely dif"courfed, not on government, glory, or "riches, but on learning and true philofophy, a difcourfe which (he adds) "he fhall not even in death forget."

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The Epiftle is dated from Utrecht + (we fuppofe) Nov. 1, 1765, and is faid to have originated from a recent con verfation between the author and (the Aate) Dr. Relhan at that place. After exemplifying in general the great use of ancient mufic in alleviating and difpelling difeafes in general by fome examples, both in facred and profane hiftory, our Pfeudo Gafpar proceeds to enquire, 1. What effects were produced by phyficians, with mufic or verfe, fong and the dyre, among the ancients? and 2. What are the dictates on this fubject of nature and right reafon? But we pre

tend not to detail the learning and humour eminently displayed in this work, and that with fuch adroitnefs that fome, particularly Dr. Burney, have mistaken it for a ferious performance. I. Among the ancient phyficians who cured difeafes by mufic, he reckons Apollo, their father and god (and supposes that the fwan affixed to his ftatues is intended to mean that, "as that bird fings a lit"tle before its death, fo mufic, like "other medicines, is generally follow"ed by death,)" Chiron, Efculapius, Orpheus, Hercules, Achilles, and Thales, as well as Hippocrates, Theophraftus, and Agathemerus, the latter a Lacedæmonian phyfician, contemporary with Auguftus. Then, proceeding to the writers on "medical mufic," and among the hiftorians he produces Herodotus on the Babylonians, &c. Thucydides on the plague of Athens, rather forcing indeed than finding his conclu-. fion, Plutarch, and Elian; among the poets, Homer, Sophocles, Theocritus, Pindar; and of the Romans, Cicero, Pliny, Lucian, A. Gellius, M. Varro, and Macrobius.-That, mufic is hurtful as well as beneficial to mankind, and alfo a narcotic, he produces the teftimony of Apuleius, Virgil, Horace, Propertius, and Tibullus. And from the whole M. Gafpar draws thefe conclufions:

1. "That from the rife of the medicinal art, whoever was the author of it, down to Hippocrates, all phyficians employed mufic, as a medicine, in healing the fick."

2. "That afterwards it was divided into

two parties, of which one followed Æfculapius, the other Hippocrates.

graveft philofophers, favoured the Æfculá

3. "Not only the poets, but most of the

pians.

4. "The fculapians flourished till Macrobius, that is, to the end of the IVth century; but foon after they were abolished, either by the Barbarian conquerors of the Ro man empire, or by the Arabian phyficians."

"Hall, in his Chronicle, fol. 104, reports, that this Baftard was a natural fon of the Duke of Orleans, by the wife of the Lord Cawny, conftable of one of the Duke's castles on the frontier towards Artois; and that, upon the death of his parents, the next of kin to the Lord Cawny challenged the inheritance; that, in conclufion, the matter was brought hefore the prefidents of the Parliament of Paris, and there remained in litigation till the boy was eight years of age; when, on a day appointed for a final hearing, the infant hero being afked whofe fon he was, contrary to the leffons and expectations of his mother's friends, boldly replied, My heart giveth me, and my noble courage telleth me, that I am the fon of the noble Duke of Orleans; more glad to be his baftard, with a mean living, than the lawful fon of that cowardly cuckold Cawny, with his four thousand crowns.' A paffage which I have been induced to mention, rather from the refemblance it bears to fome circumftances in Shakspeare's interefting character of Falconbridge, than from any conviction of its authenticity."

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"TRAJECTI." But there are feveral Trajeda; viz. ad Rhenum, Utrecht; ad Mosam, Maeftricht; ad Maœnam, and ad Oderiam, the two Frankforts, &c. No river is added here.

Pro

Proceeding next, as was propofed, to authorities from holy writ, the chief ftrefs is laid on the effects of David's harp on the black bile, or melancholy; of Saul, and on the power of medicinal mufic among the Hebrews, as explained by Grotius on that paffage, 1 Sam. x. 5. II. As to the dictates of nature and true philofophy, examining the 4 parts in which Plato has claffed human nature, this author fhews,

1. "The power of mufic on earthly fubfances by the human voice breaking glafs, and even tone and wood, according with fingers, the difeafes and chimæras produced by impreffions on the nerves, the fetting the teeth on edge, &c.

2. "Though no power of mufic is yet apparent on vegetables, it cannot be allowed that ftones are moved by mufic, and not trees; that one fhrub, at leaft, has the fame fenfe, appears in the fenfitive plant: and "mufic," fays Congreve,

"has charms to bend the knotty oak."-But 3. "On animals, its effects are visible and

THEATRICAL

DRURY-LANE.

08. 2. Hamlet-High Life below Stairs.
4. Ditto-Englishman in Paris.
6. Ditto-Robinfon Crufoe.

7. The Conscious Lovers-Comus.
8. Ifabella-Englishman in Paris.
9. Love in a Village-Robinfon Crufoe.
11. Jane Shore-Catherine and Petruchio.
13. Hamlet-Triumph of March,

14 Grecian Daugh. All the World's a stage
16. As You like It-High Life below Siairs.
17. Venice Preferved-The Lyar.
18. Sufpicious Hufband-Gentle Shepherd.
20. Edward the Black Prince-Apprentice.
21. The Fair Penitent-The Alchymift.
22. Edward the Black Prince-The Citizen.
24. Mourning Bride-The Deuce is in him.
25. Edw. the Black Prince-Gentle Sheph.
27. Venice Preferv'd-AlltheWorld's a Stage
28. Hamlet-The Citizen.

29. Edw. the Bl. Prince-Who's the Dupe?
30. Lionel and Clariffa-Rubinfon Crusoe.
31. Ilabella-Irith Widow.

Nov. 3. Meafore for Measure-Apprentice. 4. Sulpicious Husband-Thomas and Sally 5. Meaf. for Meaf.-Triumph of Mirth.

6. Richard the Third-Thomas and Sally..
7. Meafure for Mcafure-The Quaker.
8. The Bufy Body-Fortunatus.
10. Richard the Third-Ditto.

11. Meaf. for Meaf.-Who's the Dupe?
12. The Weft Indian-Fortunatus.
13. Bold Stroke for a Wife-Dato.
14. New Way to pay Old Debts-Ditta.
15. Hamlet-Comus.

17. New Waytopay Old Debts-Fortunatus.
18. Lord of the Manor-Deaf Lover.
19. Grecian Daughter-Irish Widew.
The Wonder-1h: Camp."

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allowed. Witness Shakspeare, in his Mera chant of Venice,

"do but mark a wild and wanton herd," &c. Ariftotle, De Animal. ix. 5, Theocritus, Virgil (on bees), the Pfalmift's deaf adder, the Indian charmers of fnakes, the Ægyptian Phylli, a knight of Navarre, mentioned by Bayle, on whom a bagpipe had a ftrange animal effect, and the remedy for the bite of

the Tarantula.

4. "The power of mufic on the mind is acknowledged by all, and teftified particu larly by the example of the prophet Elisha, 2 Kings, iii.; by Pindar, Ariftotle, Pythagoras, Xenophon, Cratinus, Shakspeare, Addifon, Dryden's Alexander's Feaf, the warhoop of the Indians, &c."

In conclufion, Dr. Relhan is advised, in conjunction with their common friend B-, who is characterised as "an "excellent judge of finging, though no "good finger," to give mufic a share in medicine, nor longer to let it be rejected by the faculty, "to the great prejudice of mankind."

REGISTER.
COVENT-GARDEN.

08. 2. Lionel and Clariffi-Retaliation.
3. Hamlet-The Padlock.

6. Macbeth-Choice of Harlequin.
8. Confcious Lovers-Rofina,

9. The Winter's Tale Rival Knights →
Devil upon Two Sticks.

10. Lion. & Clar.-Ditto-Crofs Purposes.
11. Mer. Wives of Wind--Country Madcap
13. Richard III.-Rival Knights-Rofina.
14. The Beggars Opera-Rival Knights-
Three Weeks after Marriage.

15. Span. Fryar-Riv. Kots.-Tom Thumb, -
16. Artaxerxes-Barnaby Brittle.
17. King Henry IV.-Riv. Knts.—Rofina.
20. King Lear-Choice of Harlequin.
21. Duenna-Riv. Knts.-Tristram Shandy
22. Lionel and Clariffa-Choice of Harleq.
23. Hamlet-Rofina.

24. Maid of Mill-Riv. Knts.-Trift. Shan.
27. Romeo and Juliet-Rofina.

28. Castle of Andalufia.-The Author.
29. Hamlet-Choice of Harlequin.

31. A Bold Stroke for a Hufband-Rival
Knights-Flitch of Bacon.

Nep. 1. Ditto-Ditto-Wives Revenged.
3. Richard III.-Choice of Harlequin.
4. Tamerlane-The Poor Soldier.
5. Ditto-Pato.

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6. Catt. Andal-Riv. Knts.--St. Pat. Day.
7. Bold Stroke for a Husband--Poor Soldier
8. The Magic Picture-Ditto.

10. Henry VIII-Lord Mayor's Day.
11. Cattle of Andalufia--Ditto.

12. Bold Stroke for a Hutb.-Poor Soldier,
13. Douglas-Ditto.

14. The Mag'e l'icture-Ditto.
15 Douglas Ditto.

17. K. Henry IV.-Lord Mayor's Day.

WHER

Grac'd him with martial honours, that ap

THE RELIEF OF GIBRALTAR,
Tranflated from the Latin. See pp. 245. 334
HERE to the fouthward Spain ex-
tends no more,
[fhore,
But, fwelling, feems to touch the Libyan
A mountain there its double head difplays,
Renown'd in old, but more in modern days.
That rock, by great Alcides rent in twain,
Now gives free paffage to the pent-up main;
Still, thro' its bofom as the waters flow,
Still to its ancient foil it longs to grow.

Oft has this mountain rung with dire a.
larms,

Oft fhaken with the crash of hoftile arms;
What countless numbers here of warriors
flain!
[fwoln main!

What floods of gore have dyed the high-
Tho' rival nations various plans purfue,
By force or fraud this fortress to subdue,
Their force and fraud alike proudCalpe braves,
High on her ramparts England's ftandard

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Knows no fuperior in the roll of fame;
Unconquer'd ELIOTT! thine it is from far
To hurl the dreadful thunderbolts of war!
'Tis thine to conquer; and, far nobler praife,
'Tis thine the conquer'd fupplicant to raise !
But now, with conqueit flush'd, great
CRILLON calls

His victor army from Minorca's walls:
His victor army pleas'd the call obey,
And long to feize their scarce-refitting prey.
But, CRILLON! here far greater toils remain,
Wars fill to fight, and blood still spilt in
vain!

Amidst the youthful band, whom glory draws
A willing army in their country's caufe,
A Prince above the reft confpicuous fhone,
New to the camp, to war's rude toils un-
known;

Youth's purple glow, fair honour's open

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The foe was not defpis'd, tho' nothing fear'd
pear'd
Not fear'd indeed-for calm, from Calpe's
height,
[fight;
He view'd th approaches of the threaten'd
Beheld, far-ftretch'd, combining fleets fur-
round,
[found.
And heard, unmov'd, the battle's diftant
And now, in pomp of terrible array,
The floating battle keeps its heavy way;
Seel towers immenfely huge, as mountains
ftrong,

With fteady pace move dreadfully along :.
From their deep caverns flows fulphureous
breath;

There hidden fire, and lurking forms of death. The fort they seek—yet, gallant youths, forbear;

Tempt not your fate-deftruction riots there!
Still they approach-fill trusting in their
force,

They ftil: advance to urge a desperate course.
Brave ELIOTT fees their courage spent in

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Their murderous heads a thousand cannons
A thousand mouths with horrid noife con-
fpire,

And feem'd to vomit glowing orbs of fire.
Not Ætna's felf e'er burst such hellish sound,
Not Etna fcatter'd fuch deftruction round.
Down on the fleet the firey tempest pours;
Quick spread the flames, the burning ven
geance roars.

In dire amaze the trembling Spaniards fear
An inftant univerfal ruin near.

Here rage the flames; there ocean's gaping
womb.

Threatens the horrors of a watery tomb.
Of every refuge, ev'n of flight bereft
No chance for Life-no hope of fafety left! -
Th' affrighted crowd that throng'd Iberia's

fhoré,
[plore.
Their warriors dead, their ruin'd hopes de-
Whilft he, who once ere now on Jerfey's plain
Led his bold troops, and then too led in vain,
Unhappy NASSAU, midft the fire's fierce
rage,

Curfes the war he vainly fwore to wage.

But now the fire, with unremitting force, Spreads, where the powder lies, its dreadful courfe :

Quick fpreads-and, inftant, thro' the black-
en'd sky,
[velle's fly.
Wide-dafh'd, with thund'ring noife, huge
Far thro' the air qonumber'd warriors spread,
And falling crowd the ocean with the dead.
With deafening clamour Calpe's heights re-
bound,
[found.
And Spain's long coaft returns the difmal
Unhappy Spain! thy wealth, thy heroes all,
Here fink; here fall thy hopes, thy labours
Mean

fall!

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Not famine now, the laft refource of Spain, Not famine threatens. O'er the fwellingtide, A wish'd-for fight, thy country's bulwarks ride;

On theirtall mafts Howr's standard, waving high, Proclaims the joyful hour of triumph nigh. With truth proclaims-by winds tempestuous tolt,

In their own port the hoftile fleet is loft; While, ftrange to tell, conducted by thofe To Calpe fafe the British navy fails. [gales, Nor facts admit of doubt. Struck with the fight,

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ELIX, nepotum qui fobolem piam Sancti parentis ducis ad ofcula, Et res, avo narrante, prifcas Aure vides cupidâ bibentem? Hærent tenellis peétoribus fenis Præcepta divi, quem, fapientiæ Exemplar antiquæ, capillo

Sufpiciunt niveo decorum. Jamjam coronâ cinctus amabili Largis docebit non fine lacrymis,

TE, TE moram inftanti senectæ

Indomitaque tuliffe morti..

"Tales," trementi voce precabitur, "Tales fuos huic cernere liberos "Detur"-nec amplexu, volentem, Dicere plura fiues repenti. Quas fi parentis mi liceat preces Audiffemolli tunc mihi lumina Nox ingruens condat fopore, Comprimat & pater ipfe dextrâ!

MR. URBAN,

TAKE the liberty to fend you three

Spain cry'd, The elements for England fight. Imitations of three of our most celebrated

Here, Gallia, urge thy vain purfuit no

more,

Thy fleet returning feeks Britannia's shore. Nor arms to Afia the stor'd fhips convey,

poets; and am

Yours, &c.

I.

V.

Nor tempt thro' unknown seas a dangerous On the early and late blowing of the vernal and

way.

Expect them here, nor then the battle fhun-But England's warrior, his great fervice done, While Calpe's fons fecure in plenty fleep, Bids his bold fleet its feady paffage keep; Repels the offer'd fight, and safe restoresHis victor comrades to their native fhores. And long thall Britain, wide-extended,

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autumnal Crocus.

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❝ round

Yet foon, in love revered, a father's frown,
Like Neptune's trident, awes the furges down
Ingenuous nature ftraight recurs, relents
In blushes, tears; her fallies rafh repents;
And owns the wretch, whom fancy late en-
flav'd

In frantic fit, the voice of reafon braved.
Ah! flight no more that warning voice, my
In mind be fpirited, in manners mild. [child,
That warmth of heart, ordain'd for nobleft
ends,
[thy friends,
Shall blefs, fhall charm, fhall fix mankind
Check, check its rage; uncheck'd it masters

thee:

Now, now's the time to be for ever free.

Thy Jet, fo pliant to thy guiding hand, John train'd a colt, obedient to command, Ere her stiff neck difdain'd it. Stawell's hound,

At Reynard wont o'er hill and dale to bound,
A whelp, at kennel door, the fcented brush
Snuff'd,—bark'd at, ere let loose in woods to
rush..

Now flexible to good, thy tender breast
Receives the ftamp of precepts pure imprefs'd;
From good to better, to the beft at length,
Thy mind advances with maturer ftrength.
Well principled in virtue, perfevere.
My choice, well-flavour'd cafk,-from Cha-
lie's here,

Fresh, at thy birth, did I the cafk import,
Retains its flavour Atill of genuine port.
Of all behind regardlefs, on proceed;
Eye ftill the foremost, and o'ertake their
Speed.

SEVERAL fugitive poetical pieces, by the author of the above, were inferted in this Magazine near forty-fix years ago. One in particular in vol. VII. p. 376, is a ludicrous triffe upon Small-Beer, written when he was very young, as it was not till two

"Seafon fhall follow feafon; day to night +, "Summer to winter, harveft to feed-time, "Heat fhall to cold in regular array, "Succeed:"-heaven-taught, fo fang the years after that he was admitted a fcholar or

Hebrew bard‡.

HORACE, EP. II. B. I. MODERNISED. By Dr. D―N, of S. W―rmb→→gh,

F

as a moral Leffen for his Son at
Winchester School.

(Concluded from p. 606. Į ROM avarice, envy, pride, abhorrent ftart. [heart. Thou doft. The mention pains thy gen'rous Vanatural thefe: with caution ftricter, fhun One failing too congenial to my fon. Though gentler than the waft of zephyr's wing,

Thy temper livelier than the blufh of fpring,
I've mark'd it, boy, enchaf'd at flight offence,
To fudden tempeft fwell. Decorum, fenfe,
In paffion loft; no longer, 'mid the ftorm,
I trace thy laughing eye, thy placid form.

Gen. ix. 12-17. + Gen. viii, 22. Mofes,

probationer fellow of St. John's college, Oxford. His only contributions of this fort, which we can trace with certainty, of late years, are, 1. An Ode of Alcæus paraphrafed, beginning With civic wreaths. II. An Ode of Hor. "Quo, quo, fcelefti," imitated, and applied to the American War. III. An Italian Sonnet, beginning "Rime darne." The only publications hitherto known to be his are, I. "An Address to "the rational Advocates of the Church of "England." It refpects fome proposed improvements in its eftablished forms, for the excellency of which above all others, upon the whole, he strenuously contends. II and III. Two "Vifitation Sermons," breathing the fame fpirit. IV. " An Effay on Hap nefs," a poem, in four books, with ample notes and illuftrations. V. "The Evidence "of Reafon, in proof of the immortality of "the Soul," collected from the MSS. of the late Mr. Baxter, introductory letter of the editor Eri

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