Oldalképek
PDF
ePub

My faithful dogs my voice obey,
And wend with me on secret way,

Where none might know our travel's bent,
Or interrupt our bold intent.

"Thou know'st the chapel, sire; it stands
Upon a rock, whose height commands
The smiling island far and near;

No vulgar hand such work might rear,
And though without it seems but small,
Within, its treasure passeth all :
The mother and the babe divine,
And the three kings that saw the sign.
Three times thirty steps ascends
The pilgrim ere his labor, ends,
But soon forgets the giddy road
When near to Christ, and near to God.

Deep in the rock there is a grot,
Where light of day there cometh not,
A noisome and impoisoned den,
Dank with thick vapors of the fen.
Within this den the dragon lay,
His victims watching night and day,
A hellish watchman at the gate
Of God's own house, the monster sate,
And when the pilgrim passed before
The spot oft stained with human gore,
From ambuscade the dragon came,
And swallowed up his weary frame.

"Before the doubtful fight I try,

The sacred rock I mounted high,
And knelt before the babe, to cleanse
My soul from sin by penitence.

There, when the wondrous image shone,

My glittering gear I girded on,

And with my good spear in the right,
Descend, well-omened, to the fight.

I leave behind my faithful band

Of squires, and give my last command;
And, mounting light my faithful steed,
Pray God to help me in my need.

"Scarce had I reached the open spot

That lies before the noisome grot,

When bark my curs, and snorts my steed,

Then rears him high, and checks his speed;
For, lo! wound up in fearful clue,
Exposed, the monster lies to view,
And basks him in the sultry sun;

My ready dogs against him run,

But, rising quick, he gives them pause,
And wide he opes his pond'rous jaws,
And sends his breath forth like a blight,
And howls like jackall in the night.

“But quickly I revive their rage,
And with new fury they engage,
While I my spear, my strongest throw
With might against the scaly foe;

[blocks in formation]

"Wild courage may the Moor display,
A Christian's boast is to obey ;

For where the Lord of earth and skies
Walked in a servant's humble guise,
The fathers of our order there,
The vow of holy knighthood sware,
The hardest duty to fulfill,

To curb our own rebellious will!
Thee, hath vainglory led astray-
Go, take thee from my sight away!
Who scorns his master's yoke divine,
Unworthy is to wear his sign."

The crowd breaks out with angry roar,
His brother-knights for grace implore,
And shakes the pillared dome around;
But silent looks upon the ground
The youth, and doffs his knightly gear,
Kisses the master's hand severe,
And goes. He follows with his eye,
And back he calls him lovingly,
And speaks: "Embrace me, noble son,
The harder fight thy faith hath won!
This cross receive. It is the meed
Of humble heart, and noble deed."

New York, March, 1844.

H. M.

THOMAS WILSON DORR.

God made him strong, and raised him up to be
One who would struggle till the world was free;
When others faltered, did he seek the van,
And bear the standard for the rights of man.

When friends were false, and trusted ones grew cold,
He stood alone, undaunted and unsold:

Calmly and well to urge another's right,

Before the presence of usurping might.

Rude, but true men, revere the name of one
Who suffers for a noble deed, undone.

Now do their strong hearts swell and warmly beat

For his good purpose, hallowed by defeat;

The love of those, whose praise is worthy more
Than human power, or wealth of glittering ore,
Is his, no fleeting treasure of a day,
But that good store, that passeth not away.

Some men are born for strife, and nerved to bear
Of persecution and rank wrong a share :
Unmoved are they by an unrighteous doom,
The scaffold's terror and the prison's gloom.
A stern requirement hath it ever been,

The good and true, through suffering shall win :
He is no hero, who hath lived and died,
His vow unchallenged and his faith untried.

Massachusetts, Feb. 26, 1844.

THE ARTIST OF THE BEAUTIFUL.

BY NATHANIEL HAWTHORNE.

An elderly man, with his pretty daughter on his arm, was passing along the street, and emerged from the gloom of the cloudy evening into the light that fell across the pavement from the window of a small shop. It was a projecting window; and on the inside were suspended a variety of watches, pinchbeck, silver, and one or two of gold,all with their faces turned from the street, as if churlishly disinclined to inform the wayfarers what o'clock it was. Seated within the shop, sidelong to the window, with his pale face bent earnestly over some delicate piece of mechanism, on which was thrown the concentrated lustre of a shade-lamp, appeared a young man.

"What can Owen Warland be about?" muttered old Peter Hovenden, -himself a retired watch-maker, and the former master of this same young man, whose occupation he was now wondering at. “What can the fellow be about? These six months past, I have never come by his shop without seeing him just as steadily at work as now. It would be a flight beyond his usual foolery to seek for the Perpetual Motion. And yet I know enough of my old business to be certain, that what he is now so busy with is no part of the machinery of a watch."

"Perhaps, father," said Annie, without showing much interest in the question, "Owen is inventing a new kind of time-keeper. I am sure he has ingenuity enough."

[ocr errors]

Pooh, child! he has not the sort of ingenuity to invent anything better than a Dutch toy," answered her father, who had formerly been put to much vexation by Owen Warland's irregular genius. "A plague on such ingenuity! All the effect that ever I knew of it, was, to spoil the accuracy of some of the best watches in my shop. He would turn the sun out of its orbit, and derange the whole course of time, if, as I said before, his ingenuity could grasp anything bigger than a child's toy!"

"Hush, father! he hears you," whispered Annie, pressing the old man's

VOL. XIV.—NO. LXXII.

39

arm. "His ears are as delicate as his feelings, and you know how easily disturbed they are. Do let us move on.

[ocr errors]

So Peter Hovenden and his daughter Annie plodded on, without further conversation, until, in a by-street of the town, they found themselves passing the open door of a blacksmith's shop. Within was seen the forge, now blazing up, and illuminating the high and dusky roof, and now confining its lustre to a narrow precinct of the coal-strewn floor, according as the breath of the bellows was puffed forth, or again inhaled into its vast leathern lungs. In the intervals of brightness, it was easy to distinguish objects in remote corners of the shop, and the horse-shoes that hung upon the wall; in the momentary gloom, the fire seemed to be glimmering amidst the vagueness of unenclosed space. Moving about in this red glare and alternate dusk, was the figure of the blacksmith, well worthy to be viewed in so picturesque an aspect of light and shade, where the bright blaze struggled with the black night, as if each would have snatched his comely strength from the other. Anon, he drew a white-hot bar of iron from the coals, laid it on the anvil, uplifted his arm of might, and was soon enveloped in the myriads of sparks which the strokes of his hammer scattered into the surrounding gloom.

"Now, that is a pleasant sight,” said the old watchmaker. "I know what it is to work in gold, but give me the worker in iron, after all is said and done. He spends his labor upon a reality. What say you, daughter Annie?"

Pray don't speak so loud, father, whispered Annie. "Robert Danforth will hear you."

"And what if he should hear me?" said Peter Hovenden; "I say again, it is a good and a wholesome thing to depend upon main strength and reality, and to earn one's bread with the bare and brawny arm of a blacksmith. A watchmaker gets his brain puzzled by his wheels within a wheel, or loses his

health or the nicety of his eyesight, as was my case; and finds himself, at middle age, or a little after, past labor at his own trade, and fit for nothing else, yet too poor to live at his ease. So, I say once again, give me main strength for my money. And then, how it takes the nonsense out of a man! Did you ever hear of a blacksmith being such a fool as Owen Warland, yonder ?"

"Well said, uncle Hovenden!" shouted Robert Danforth, from the forge, in a full, deep, merry voice, that made the roof re-echo. "And what says Miss Annie to that doctrine? She, I suppose, will think it a genteeler business to tinker up a lady's watch, than to forge a horse-shoe or make a gridiron !"

Annie drew her father onward, without giving him time for reply.

But we must return to Owen Warland's shop, and spend more meditation upon his history and character than either Peter Hovenden, or probably his daughter Annie, or Owen's old schoolfellow, Robert Danforth, would have thought due to so slight a subject. From the time that his little fingers could grasp a pen-knife, Owen had been remarkable for a delicate ingenuity, which sometimes produced pretty shapes in wood, principally figures of flowers and birds, and sometimes seemed to aim at the hidden mysteries of mechanism. But it was always for purposes of grace, and never with any mockery of the useful. He did not, like the crowd of school-boy artizans, construct little windmills on the angle of a barn, or watermills across the neighboring brook. Those who discovered such peculiarity in the boy, as to think it worth their while to observe him closely, sometimes saw reason to suppose that he was attempting to imitate the beautiful movements of nature, as exemplified in the flight of birds or the activity of little animals. It seemed, in fact, a new development of the love of the Beautiful, such as might have made him a poet, a painter, or a sculptor, and which was as completely refined from all utilitarian coarseness, as it could have been in either of the fine arts. He looked with singular distaste at the stiff and regular processes of ordinary machinery. Being once carried to see a steam-engine, in the expectation that his intuitive com

prehension of mechanical principles would be gratified, he turned pale, and grew sick, as if something monstrous and unnatural had been presented to him. This horror was partly owing to the size and terrible energy of the Iron Laborer; for the character of Owen's mind was microscopic, and tended naturally to the minute, in accordance with his diminutive frame, and the marvellous smallness and delicate power of his fingers. Not that his sense of beauty was thereby diminished into a sense of prettiness. The beautiful Idea has no relation to size, and may be as perfectly developed in a space too minute for any but microscopic investigation, as within the ample verge that is measured by the arc of the rainbow. But, at all events, this characteristic minuteness in his objects and accomplishments made the world even more incapable, than it might otherwise have been, of appreciating Owen Warland's genius. The boy's relatives saw nothing better to be done-as perhaps there was not-than to bind him apprentice to a watchmaker, hoping that his strange ingenuity might thus be regulated, and put to utilitarian purposes.

Peter Hovenden's opinion of his apprentice has already been expressed. He could make nothing of the lad. Owen's apprehension of the professional mysteries, it is true, was inconceivably quick. But he altogether forgot or despised the grand object of a watchmaker's business, and cared no more for the measurement of time than if it had been merged into eternity. So long, however, as he remained under his old master's care, Owen's lack of sturdiness made it possible, by strict injunctions and sharp oversight, to restrain his creative eccentricity within bounds. But when his apprenticeship was served out, and he had taken the little shop which Peter Hovenden's failing eye-sight compelled him to relinquish, then did people recognize how unfit a person was Owen Warland to lead old blind Father Time along his daily course. One of his most rational projects was, to connect a musical operation with the machinery of his watches, so that all the harsh dissonances of life might be rendered tuneful, and each flitting moment fall into the abyss of the Past in golden drops of harmony. If a family-clock was en

« ElőzőTovább »