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only nicest observers saw the change; and she never admitted it—perhaps not to herself.

The gossiping Paul Hentzner, who had an ambassador's chances of observation, says of her, on her way to chapel at Greenwich:

"Next came the Queen, in her sixty-fifth year, as we are told-very majestic: her face, oblong, fair but wrinkled; her eyes small, yet black and pleasant; her nose a little hooked. She had in her ears two pearls with very rich drops; and she had on a necklace of exceeding fine jewels. She was dressed in white silk bordered with pearls of the size of beans, and over it a mantle of black silk shot with silver threads."

This, observe, was over twenty years after the revels of Kenilworth: and two years beyond this date, when the Queen was sixtyseven, a courtier writes: "Her Majesty is well, and every second day is on horseback." No suitor could say a pleasanter thing to her than -"Your majesty is looking very young!" She danced, when it made her old bones ache to dance.

No suitor could say a more inapt thing than to express a fear that a revel, or a play, or a hunt, or a dance might possibly fatigue her

Majesty. It would bring a warning shake of the head that made the jewels rattle.

But at last the days come-as like days are coming to us all-when she can counterfeit youth no longer. The plays entice her no more. The three thousand court dresses that she left, hang unused in her wardrobe: weaknesses hem her in, turn which way she may. Cecil, the son of her old favorite Burleigh, urges that she must quit her chair-which she clung to, propped with pillows-that she must take to her bed. "Must," she cries, with a kindling of her old passionate life, “little man, little man, thy father never dared to use such a word to his Queen." The gust passes; and she clings to life, as all do, who have such fast, hard grip upon it. In short periods of languor and repose, taking kindly to the issue-going out, as it were, like a lamp. Then, by some windy burst of passion-of hate, flaming up red and white and hot-her voice a scream, her boding of the end a craze, her tenacity of purpose dragging all friends, all hopes, all the world to the terrible edge where she standsthe edge where Essex stood (she bethinks herself with a wild tempest of tears)—the edge where Marie Stuart stood at Fotheringay, in her comely widow's dress; thinks of this with

a shrug that means acquiescence, that means stubborn recognition of a fatal duty: that ghost does no way disturb her.

But there are others which well may. Shall we tell them over?

No; let us leave her with her confessor, saying prayers maybe; her rings on her fingers; the lace upon her pillow; not forgetting certain fine coquetries to the last: strong-souled, keen-thoughted, ambitious, proud, vindictive, passionate woman, with her streaks of tenderness out of which bitter tears flowed-out of which kindlinesses crept to sun themselves, but were quick overshadowed by her pride.

Farewell to her!

In our next talk we shall meet a King-but a King who is less a man than this Queen who is dead.

INDEX

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Bacon, Roger, 77 et seq.
Balladry, English, 157.
Barnes, Dame Juliana,

151.

Battle Abbey, 36.
Beda, 16, 64.
Beowulf, 42.
"Betrothed," Scott's
novel, 49.

Berners, Lord, his trans-
lation of Froissart, 128.
Bible, Wyclif's transla-
tion of, 90; Tyndale's
translation, 183; read-
ing of, by the common
people forbidden in
reign of Henry VIII.,
189.

Black Prince, 92, 103, 105.
Boccaccio, 83.
Boethius' "Consolation of
Philosophy," translated
by King Alfred, 20.
"Boke of the Duchesse,"
Chaucer's poem, 106.
Books at the end of the
thirteenth century, 63;
decoration of, 65.
"Brut" of Layamon, 44.
Burleigh, Lord, 210, 239.

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