Ritual Irony: Poetry and Sacrifice in EuripidesCornell University Press, 1985 - 285 oldal Examining Euripides' representation of sacrificial ritual against the background of late fifth-century Athens, Helene P. Foley shows that each of these plays confronts directly the difficulty of making an archaic poetic tradition relevant to a democratic society. She explores the important mediating role played by choral poetry and ritual in the plays, asserting that Euripides' sacrificial metaphors and ritual performances link an anachronistic mythic ideal with a world dominated by "chance" or an incomprehensible divinity. Foley utilizes the ideas and methodology of contemporary literary theory and symbolic anthropology, addressing issues central to the emerging dialogue between the two fields. Her conclusions have important implications for the study of Greek tragedy as a whole and for our understanding of Euripides' tragic irony, his conception of religion, and the role of his choral odes. |
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1 - 3 találat összesen 71 találatból.
113. oldal
... Aeschylus ' interpretation of the Orestes myth , as Aeschylus did to that of Homer and the lyric poets . But Euripides heightens the effect well beyond what one normally finds in a traditional literature . The Orestes does not derive ...
... Aeschylus ' interpretation of the Orestes myth , as Aeschylus did to that of Homer and the lyric poets . But Euripides heightens the effect well beyond what one normally finds in a traditional literature . The Orestes does not derive ...
119. oldal
... Aeschylus ' first chorus in the Seven . At this point in the play , then , the first two movements have gained at least part of their force from what seems to be a deliber- ate contrast with the literary tradition represented in Aeschylus ...
... Aeschylus ' first chorus in the Seven . At this point in the play , then , the first two movements have gained at least part of their force from what seems to be a deliber- ate contrast with the literary tradition represented in Aeschylus ...
127. oldal
... Aeschylus . The first included the attack on the city , the death of Capaneus , and the single combat between the sons of Oedipus ; the second , the battle between the remaining champions and the victorious sortie of the Thebans . 38 ...
... Aeschylus . The first included the attack on the city , the death of Capaneus , and the single combat between the sons of Oedipus ; the second , the battle between the remaining champions and the victorious sortie of the Thebans . 38 ...
Tartalomjegyzék
Preface | 9 |
Drama and Sacrifice | 17 |
The Iphigenia in Aulis | 65 |
Copyright | |
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Achilles Aeschylean Aeschylus Agamemnon Agave agōn Amphitryon animal Antigone Antigone's aretē argues Aristophanes Artemis Athenian Athens audience Aulis Bacchae becomes bowman brothers Burkert Cadmus celebration characters choral odes chorus cles Clytemnestra comedy comic context costume Creon crisis cult culture dance Detienne Dionysiac Dionysus discussion divine drama earlier Electra emphasizes epic epinician Eteocles Euripidean Euripides exile festival final scenes Girard god's gods Greek tragedy Helen Hera Heracles hero heroic heroism hoplite human sacrifice Iliad interpretation Iphigenia Jocasta killing literary Lycus madness maenads marriage marriage and sacrifice mask Mastronarde Megara Menoeceus messenger murder myth mythical Odysseus Oedipus offers onstage Orestes Panhellenic Pentheus peripety Phoenissae Pindar play plot poet poetic poetry polis political Polyneices praise prologue relation religious rites ritual role Rudhardt sacri sacrificial death social song Sophocles speech stasimon suppliant action symbolic theatrical Theban Thebes Theseus tion Tiresias tradition tragic Vernant victim violence women Zeus