PERFATORY NOTE ON VANITY OF HUMAN WISHES The Vanity of Human Wishes was written and published when Johnson was thirty-nine. In the ten years since London he had continued writing for the Gentleman's Magazine, but his contributions diminished in number as his independent writings increased. Among these is the Life of Savage, one of his most brilliant performances. He had also finished his unsuccessful tragedy Irene, had begun the Dictionary, had written up two volumes of Parliamentary Debates from the notes of hired listeners, and had struck off a great number of reviews, translations, brief biographies, and ephemeral essays. By this time he acquired some reputation. His tragedy was soon presented by Garrick, and the publication of The Vanity of Human Wishes, a month before the performance, helped to win for it the fairly respectful hearing which the London public granted it. The poem was written at Hampstead, a place now consecrated by many literary associations. Johnson told Steevens: 'I wrote the first seventy lines in the course of one morning. The whole was composed before I threw a single couplet on paper' (Johnsonian Miscellanies 2. 313), and he afterwards recalled writing a hundred lines of it in one day. He sold the poem for fifteen guineas. Garrick used to say: 'When Johnson lived with the Herveys, and saw a good deal of what was passing in life, he wrote his London, which is lively and easy. When he became more retired he gave us his Vanity of Human Wishes, which is as hard as Greek. Had he gone on to imitate another satire, it would have been as hard as Hebrew.' Nevertheless he had expected to imitate other satires of Juvenal, for he had them all in his head.' · At a glance The Vanity of Human Wishes is seen to possess more weight and solemn dignity than London. It is a more serious performance. It contains more of Johnson himself, and less of Juvenal. To be sure he has followed the order of topics in his original-desire of power, of eloquence, of military glory, of long life, of beautybut these are not the main topics of his criticism. The poem is deeply tinged with his constitutional melancholy, brooding upon the vicissitude of things and the futility of endeavor. It deplores blind and passionate devotion to the achievement of any one aim. It denounces such evils of his time as corruption in public and private life, pretense, sycophancy, hardness of heart, prostitution of literature to mere gain, and the neglect of merit; against such abuses he contended for the rest of his life. The Vanity of Human Wishes IN IMITATION OF THE TENTH SATIRE LET Observation with extensive view 5 10 15 Impeachment stops the speaker's pow'rful breath, But, scarce observ'd, the knowing and the bold Wide wasting pest! that rages unconfin'd, And crowds with crimes the records of mankind; Let Hist'ry tell where rival kings command, And leaves the wealthy traitor in the Tower, Walks the wild heath, and sings his toil away. The rustling brake alarms, and quiv'ring shade, 50 Thou who could'st laugh where want enchain'd caprice, Unnumber'd suppliants crowd Preferment's gate, Athirst for wealth, and burning to be great; 45 40 335 Delusive Fortune hears th' incessant call, They mount, they shine, evaporate, and fall. On ev'ry stage the foes of peace attend, Hate dogs their flight, and insult mocks their end. Love ends with hope, the sinking statesman's door 75 80 85 And detestation rids th' indignant wall. 90 But will not Britain hear the last appeal, Sign her foes' doom, or guard her fav'rites' zeal? Through Freedom's sons no more remonstrance rings, Degrading nobles and controlling kings; Our supple tribes repress their patriot throats, 95 And ask no questions but the price of votes; In full-blown dignity see WOLSEY stand, Law in his voice, and fortune in his hand; 100 To him the church, the realm, their pow'rs consign, Through him the rays of regal bounty shine, Turn'd by his nod the stream of honor flows, His smile alone security bestows: Still to new heights his restless wishes tow'r, *105 Claim leads to claim, and pow'r advances pow'r; 110. The regal palace, the luxurious board, 15 |