The Fragmentation of the Proper Name and the Crisis of Degree: Deconstructing King LearLIT Verlag Münster, 2004 - 132 oldal This book is a rich interpretation of a rich text, providing a twenty-first century reading of a timeless masterpiece, and, in so doing, it points to the relationship of death and desire as a playing both with body and language. The book confronts readers with the ineluctable patterns which language and time inscribe within the open/closed Shakespearean space: Degree, division, and diversity as the focal points. Emphasis upon the corporeality of the human body links this study's textual interpretation with the corpus of the literary canon, itself seen as a body divided by performance and differed by reading. It prevails over the damaging engagement with the deconstructed text and dominates the conflictual tendencies of the reconstructed drama. |
Részletek a könyvből
1 - 5 találat összesen 36 találatból.
1. oldal
... writers . My children Layli and Tahar have been true companions : their interrup- tions , their encouraging " bruhaha " have been frequent and ... writing . WHY PREFACE ? Introductions or prefaces are frequently the occasion 1 I.
... writers . My children Layli and Tahar have been true companions : their interrup- tions , their encouraging " bruhaha " have been frequent and ... writing . WHY PREFACE ? Introductions or prefaces are frequently the occasion 1 I.
3. oldal
... writer to question the function of a book's beginning . I must frankly say that I have nothing to question or to answer . Nothing to propose either . Nietzsche said in his preface to the second edition of The Gay Science that if the ...
... writer to question the function of a book's beginning . I must frankly say that I have nothing to question or to answer . Nothing to propose either . Nietzsche said in his preface to the second edition of The Gay Science that if the ...
5. oldal
... writing ; and writing calls for reading . Writing could be then situated as the by product that happens be- tween the act of production and what is produced . What interests me most is this space , in which this play is communicated ...
... writing ; and writing calls for reading . Writing could be then situated as the by product that happens be- tween the act of production and what is produced . What interests me most is this space , in which this play is communicated ...
16. oldal
... writing , in which poetry becomes the art of making and unmaking , the relationship to an impossible presence , the irreversible usage of energy . It is as if poetry were a way of cheating death . This is in brief what is meant by ...
... writing , in which poetry becomes the art of making and unmaking , the relationship to an impossible presence , the irreversible usage of energy . It is as if poetry were a way of cheating death . This is in brief what is meant by ...
18. oldal
... writing about Shakespeare , to respond to this question of the inevitable oth- erness of language in terms that do not imply alienation , incarceration , or abysmal lack : Certainly we must not deny it : A word's reach exceeds its ...
... writing about Shakespeare , to respond to this question of the inevitable oth- erness of language in terms that do not imply alienation , incarceration , or abysmal lack : Certainly we must not deny it : A word's reach exceeds its ...
Gyakori szavak és kifejezések
absence affirmation African American becomes Bloom body called character communication consequently Cordelia crisis of degree cultural dark purpose daughters death decision Derrida Descartes desire différance discourse essence everything expression Foucault fragmentation Gilles Deleuze Gloucester Goneril guage Harlem Renaissance Harold Bloom Heidegger hence human identity interpretation invented ISBN Jacques Derrida kinesic King Lear kingdom knowledge Lacan lack Lear's limit literature madness matter of fact Maurice Blanchot meaning Merleau-Ponty metaphor Michel Foucault mind miroir mirror mute Namen nature negation never Nietzsche nothingness object obsession Passing Novels philosophy play poetry possible precisely present question reading reality reflection Regan relation remains Renaissance René Girard representation represents seems seen sense Shakespeare shows sight signifies Silence becomes space speak speech things thought tion tragedy truth tympanum unsaid verbal visible vision voice void Willbern words writing
Népszerű szakaszok
9. oldal - The heavens themselves, the planets, and this centre, Observe degree, priority, and place, Insisture, course, proportion, season, form, Office, and custom, in all line of order...
10. oldal - Lear. Meantime we shall express our darker purpose. — Give me the map there. — Know that we have divided In three our kingdom : and 'tis our fast intent To shake all cares and business from our age ; Conferring them on younger strengths, while we Unburden'd crawl toward death. — Our son of Cornwall, And you, our no less loving son of Albany, We have this hour a constant will to publish Our daughters' several dowers, that future strife May be prevented now.
7. oldal - tis fittest. Cor. How does my royal lord? How fares your majesty? Lear. You do me wrong, to take me out o' the grave. — Thou art a soul in bliss ; but I am bound Upon a wheel of fire, that mine own tears Do scald like molten lead.