The Actor and His TextHarrap, 1987 - 285 oldal This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
Részletek a könyvből
1 - 3 találat összesen 28 találatból.
21. oldal
... present in the words : The worst is not , So long as we can say ' This is the worst ' . Edgar - King Lear ... present language The fourth point I want to make is partly technical , and is to do with how we present language . It ties up ...
... present in the words : The worst is not , So long as we can say ' This is the worst ' . Edgar - King Lear ... present language The fourth point I want to make is partly technical , and is to do with how we present language . It ties up ...
23. oldal
... present and be interesting , even at early stages of rehearsal , makes us press in some way . Each actor will press differently according to his inclination and his pattern of working . The actor whose pattern it is to emphasize the ...
... present and be interesting , even at early stages of rehearsal , makes us press in some way . Each actor will press differently according to his inclination and his pattern of working . The actor whose pattern it is to emphasize the ...
189. oldal
... present , too ready : and what we have to realize is that a perspective is always there . We need to ' present ' and ' be ' at the same time . And the speaking can only be shallow if time is not given at the beginning to the nature of ...
... present , too ready : and what we have to realize is that a perspective is always there . We need to ' present ' and ' be ' at the same time . And the speaking can only be shallow if time is not given at the beginning to the nature of ...
Tartalomjegyzék
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Copyright | |
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Gyakori szavak és kifejezések
actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing