The Actor and His TextHarrap, 1987 - 285 oldal This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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1 - 3 találat összesen 40 találatból.
14. oldal
... audience . He wants it to be accurate to his intention and to sound unforced . He wants to know that he is carrying the listener with him for , in the end , it is the voice which sets up the main bond between him and his audience ...
... audience . He wants it to be accurate to his intention and to sound unforced . He wants to know that he is carrying the listener with him for , in the end , it is the voice which sets up the main bond between him and his audience ...
47. oldal
... audiences pick up on , and which is not far removed from our pleasure in nursery rhymes . And , most important , we should not explain — this reduces it , and the audience has too many signals to pick up . So the thought and feeling ...
... audiences pick up on , and which is not far removed from our pleasure in nursery rhymes . And , most important , we should not explain — this reduces it , and the audience has too many signals to pick up . So the thought and feeling ...
53. oldal
... audience must have been so attuned to this pulse that they would have picked up immediately on the dramatic nature of the writing by the way the beat was behaving . The quality of their listening must have been different : more focused ...
... audience must have been so attuned to this pulse that they would have picked up immediately on the dramatic nature of the writing by the way the beat was behaving . The quality of their listening must have been different : more focused ...
Tartalomjegyzék
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Copyright | |
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Gyakori szavak és kifejezések
actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing