Shakespeare's Enactment: The Dynamics of Renaissance TheatreSwallow Press, 1976 - 257 oldal |
Részletek a könyvből
1 - 3 találat összesen 27 találatból.
36. oldal
... past the events we see , but not past the meaning they thus touch upon , by suggesting that the se- quence will bear a more powerful permutation even than those we behold . Lear himself reaches for the prophetic note in visualizing an ...
... past the events we see , but not past the meaning they thus touch upon , by suggesting that the se- quence will bear a more powerful permutation even than those we behold . Lear himself reaches for the prophetic note in visualizing an ...
91. oldal
... past : Its contrasts are always double , and its significative doors open and close at the same time . When Orlando , faint from hunger as we have just been shown , bursts in on the feasting forest community of the Duke ( As You Like It ...
... past : Its contrasts are always double , and its significative doors open and close at the same time . When Orlando , faint from hunger as we have just been shown , bursts in on the feasting forest community of the Duke ( As You Like It ...
221. oldal
... past is prologue " ( The Tempest , II , i , 244 ) , a statement aimed at con- vincing a king's brother to kill a king . The statement holds fur- ther ironies for the action : the speaker is a duke's brother who deposed a duke . In that ...
... past is prologue " ( The Tempest , II , i , 244 ) , a statement aimed at con- vincing a king's brother to kill a king . The statement holds fur- ther ironies for the action : the speaker is a duke's brother who deposed a duke . In that ...
Tartalomjegyzék
The Sounding of the Theme | 40 |
Dramatic Irony | 79 |
Play | 102 |
Copyright | |
5 további fejezet nem látható
Gyakori szavak és kifejezések
action actors Antony asserts audience Brutus Cassio causal characters Christian comedy contrast convention Cordelia courtier courtly Cymbeline death define Desdemona dramatic irony dream Duke E. K. Chambers Edgar Edmund Emilia enacted erotic eyes father festival final fool force Gloucester Hamlet Hecuba Henry Henry VI Iago Iago's J. V. Cunningham Jacobean Jacobean assumption Juliet justice kind King Lear language Leontes lover Macbeth magic make-believe marriage masque meaning Measure ment metaphor metatheatrical mortal murder mystery ness offers once Othello pattern Pericles person play play-within-a-play play's playwright plot poem poetic poetry political present Prospero Pyramus and Thisbe Queen reality reference refined Renaissance rhetorical Richard II Roderigo Romeo says scene sense sequence sexual Shakespeare signification song speak speaker speech sphere stage staple style tetralogy theatre thee thou Timon tion tragedy Troilus turn Twelfth Night utterance verse Winter's Tale words