Shakespeare's Enactment: The Dynamics of Renaissance TheatreSwallow Press, 1976 - 257 oldal |
Részletek a könyvből
1 - 3 találat összesen 70 találatból.
192. oldal
... king who happened also to be strong , as with Henry V ; in such a case , one would get only the air of felicitous ... king not as a resolving case of divine right combined with effectually wielded power , but rather as the end of a line ...
... king who happened also to be strong , as with Henry V ; in such a case , one would get only the air of felicitous ... king not as a resolving case of divine right combined with effectually wielded power , but rather as the end of a line ...
194. oldal
The Dynamics of Renaissance Theatre Albert Cook. The old king dies , the new king heals . At the beginning of the first tetralogy , however , the new king has not quite as- similated the full magic powers of the old . Kings are persons ...
The Dynamics of Renaissance Theatre Albert Cook. The old king dies , the new king heals . At the beginning of the first tetralogy , however , the new king has not quite as- similated the full magic powers of the old . Kings are persons ...
199. oldal
... kings and the elementary facts of power . Unpredictability does duty for resolution . Concurrently with its run through the sequence weak - sensitive king , strong - insensitive king , strong - sensitive king , the second te- tralogy ...
... kings and the elementary facts of power . Unpredictability does duty for resolution . Concurrently with its run through the sequence weak - sensitive king , strong - insensitive king , strong - sensitive king , the second te- tralogy ...
Tartalomjegyzék
The Sounding of the Theme | 40 |
Dramatic Irony | 79 |
Play | 102 |
Copyright | |
5 további fejezet nem látható
Gyakori szavak és kifejezések
action actors Antony asserts audience Brutus Cassio causal characters Christian comedy contrast convention Cordelia courtier courtly Cymbeline death define Desdemona dramatic irony dream Duke E. K. Chambers Edgar Edmund Emilia enacted erotic eyes father festival final fool force Gloucester Hamlet Hecuba Henry Henry VI Iago Iago's J. V. Cunningham Jacobean Jacobean assumption Juliet justice kind King Lear language Leontes lover Macbeth magic make-believe marriage masque meaning Measure ment metaphor metatheatrical mortal murder mystery ness offers once Othello pattern Pericles person play play-within-a-play play's playwright plot poem poetic poetry political present Prospero Pyramus and Thisbe Queen reality reference refined Renaissance rhetorical Richard II Roderigo Romeo says scene sense sequence sexual Shakespeare signification song speak speaker speech sphere stage staple style tetralogy theatre thee thou Timon tion tragedy Troilus turn Twelfth Night utterance verse Winter's Tale words