Shakespeare's Enactment: The Dynamics of Renaissance TheatreSwallow Press, 1976 - 257 oldal |
Részletek a könyvből
1 - 3 találat összesen 44 találatból.
79. oldal
... kind of archness derives from the elision of the boundary : it is defined as elided . The space of performer and the space of spec- tator , the time of both , are celebratively mingled by being an- nounced as congruent . Destroy that ...
... kind of archness derives from the elision of the boundary : it is defined as elided . The space of performer and the space of spec- tator , the time of both , are celebratively mingled by being an- nounced as congruent . Destroy that ...
115. oldal
... kind of sopo- rific village life , whereas it is wandering that permits a larger dis- covery to all these principals , not least to Duke Senior himself , whose own access to a different area of space , and a different kind of space , a ...
... kind of sopo- rific village life , whereas it is wandering that permits a larger dis- covery to all these principals , not least to Duke Senior himself , whose own access to a different area of space , and a different kind of space , a ...
159. oldal
... kind of preterition - it advertises its self - effacement by straining to be able to do no more than use the normal flow . And it also constitutes a kind of reduction , to a rock - bottom of humanity as of speech wherein last things are ...
... kind of preterition - it advertises its self - effacement by straining to be able to do no more than use the normal flow . And it also constitutes a kind of reduction , to a rock - bottom of humanity as of speech wherein last things are ...
Tartalomjegyzék
The Sounding of the Theme | 40 |
Dramatic Irony | 79 |
Play | 102 |
Copyright | |
5 további fejezet nem látható
Gyakori szavak és kifejezések
action actors Antony asserts audience Brutus Cassio causal characters Christian comedy contrast convention Cordelia courtier courtly Cymbeline death define Desdemona dramatic irony dream Duke E. K. Chambers Edgar Edmund Emilia enacted erotic eyes father festival final fool force Gloucester Hamlet Hecuba Henry Henry VI Iago Iago's J. V. Cunningham Jacobean Jacobean assumption Juliet justice kind King Lear language Leontes lover Macbeth magic make-believe marriage masque meaning Measure ment metaphor metatheatrical mortal murder mystery ness offers once Othello pattern Pericles person play play-within-a-play play's playwright plot poem poetic poetry political present Prospero Pyramus and Thisbe Queen reality reference refined Renaissance rhetorical Richard II Roderigo Romeo says scene sense sequence sexual Shakespeare signification song speak speaker speech sphere stage staple style tetralogy theatre thee thou Timon tion tragedy Troilus turn Twelfth Night utterance verse Winter's Tale words