Shakespeare's Enactment: The Dynamics of Renaissance TheatreSwallow Press, 1976 - 257 oldal |
Részletek a könyvből
1 - 3 találat összesen 38 találatból.
3. oldal
... fact to like fact . " It was , " as M.C. Bradbrook asserts , " a general critical requirement that all trag- edy should be based on incidents taken from life ; and this was one of the main distinctions between it and comedy , where the ...
... fact to like fact . " It was , " as M.C. Bradbrook asserts , " a general critical requirement that all trag- edy should be based on incidents taken from life ; and this was one of the main distinctions between it and comedy , where the ...
203. oldal
... fact executed him and cannot be convinced otherwise . Purposes are shown here , as always , falling too short to compass the com- plexity of motives and actions . When reversals come so thick and fast , partial ignorance , dramatic ...
... fact executed him and cannot be convinced otherwise . Purposes are shown here , as always , falling too short to compass the com- plexity of motives and actions . When reversals come so thick and fast , partial ignorance , dramatic ...
215. oldal
... fact , contains the promise of what Edmund hopes for ; and what by their law he has every reason to hope for , if Edgar is the trai- tor he seems to all the others to be - to his father , who pronounces a death sentence on him , no less ...
... fact , contains the promise of what Edmund hopes for ; and what by their law he has every reason to hope for , if Edgar is the trai- tor he seems to all the others to be - to his father , who pronounces a death sentence on him , no less ...
Tartalomjegyzék
The Sounding of the Theme | 40 |
Dramatic Irony | 79 |
Play | 102 |
Copyright | |
5 további fejezet nem látható
Gyakori szavak és kifejezések
action actors Antony asserts audience Brutus Cassio causal characters Christian comedy contrast convention Cordelia courtier courtly Cymbeline death define Desdemona dramatic irony dream Duke E. K. Chambers Edgar Edmund Emilia enacted erotic eyes father festival final fool force Gloucester Hamlet Hecuba Henry Henry VI Iago Iago's J. V. Cunningham Jacobean Jacobean assumption Juliet justice kind King Lear language Leontes lover Macbeth magic make-believe marriage masque meaning Measure ment metaphor metatheatrical mortal murder mystery ness offers once Othello pattern Pericles person play play-within-a-play play's playwright plot poem poetic poetry political present Prospero Pyramus and Thisbe Queen reality reference refined Renaissance rhetorical Richard II Roderigo Romeo says scene sense sequence sexual Shakespeare signification song speak speaker speech sphere stage staple style tetralogy theatre thee thou Timon tion tragedy Troilus turn Twelfth Night utterance verse Winter's Tale words