Shakespeare's Enactment: The Dynamics of Renaissance TheatreSwallow Press, 1976 - 257 oldal |
Részletek a könyvből
1 - 3 találat összesen 14 találatból.
175. oldal
... beginning , middle , and end , the protasis , epitasis , and catastrophe of Renaissance crit- ical formulation which would have been inculcated at school in the boy Shakespeare.1 Beginning , middle , and end , the Aristotelian ...
... beginning , middle , and end , the protasis , epitasis , and catastrophe of Renaissance crit- ical formulation which would have been inculcated at school in the boy Shakespeare.1 Beginning , middle , and end , the Aristotelian ...
176. oldal
... beginning , a middle , and an end ; and any proportionate attention to coherence would bring the middle to an increase of complication ( epitasis in Ren- aissance terms , desis in Aristotle's ) , the end to a somewhat striking ...
... beginning , a middle , and an end ; and any proportionate attention to coherence would bring the middle to an increase of complication ( epitasis in Ren- aissance terms , desis in Aristotle's ) , the end to a somewhat striking ...
194. oldal
... beginning of the first tetralogy , however , the new king has not quite as- similated the full magic powers of the old . Kings are persons as well as figures , and the person Henry VI , the play tells us at once , is no match for the ...
... beginning of the first tetralogy , however , the new king has not quite as- similated the full magic powers of the old . Kings are persons as well as figures , and the person Henry VI , the play tells us at once , is no match for the ...
Tartalomjegyzék
The Sounding of the Theme | 40 |
Dramatic Irony | 79 |
Play | 102 |
Copyright | |
5 további fejezet nem látható
Gyakori szavak és kifejezések
action actors Antony asserts audience Brutus Cassio causal characters Christian comedy contrast convention Cordelia courtier courtly Cymbeline death define Desdemona dramatic irony dream Duke E. K. Chambers Edgar Edmund Emilia enacted erotic eyes father festival final fool force Gloucester Hamlet Hecuba Henry Henry VI Iago Iago's J. V. Cunningham Jacobean Jacobean assumption Juliet justice kind King Lear language Leontes lover Macbeth magic make-believe marriage masque meaning Measure ment metaphor metatheatrical mortal murder mystery ness offers once Othello pattern Pericles person play play-within-a-play play's playwright plot poem poetic poetry political present Prospero Pyramus and Thisbe Queen reality reference refined Renaissance rhetorical Richard II Roderigo Romeo says scene sense sequence sexual Shakespeare signification song speak speaker speech sphere stage staple style tetralogy theatre thee thou Timon tion tragedy Troilus turn Twelfth Night utterance verse Winter's Tale words