Shakespeare's Enactment: The Dynamics of Renaissance TheatreSwallow Press, 1976 - 257 oldal |
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1 - 3 találat összesen 30 találatból.
3. oldal
... asserts , " a general critical requirement that all trag- edy should be based on incidents taken from life ; and this was one of the main distinctions between it and comedy , where the plots were feigned . " " Usually the past events ...
... asserts , " a general critical requirement that all trag- edy should be based on incidents taken from life ; and this was one of the main distinctions between it and comedy , where the plots were feigned . " " Usually the past events ...
76. oldal
... asserts itself are not only without but within . The whole course of the play takes its rhythmic contour from Antony's struggles to maintain himself in the Roman world against a love which has none of the powerful drawing power of youth ...
... asserts itself are not only without but within . The whole course of the play takes its rhythmic contour from Antony's struggles to maintain himself in the Roman world against a love which has none of the powerful drawing power of youth ...
159. oldal
... assert his adherence to the values of that class . Courtly rhetoric asserts class values not only as these cohere among themselves but as they maintain themselves against the rougher order of the lower classes or even against the last ...
... assert his adherence to the values of that class . Courtly rhetoric asserts class values not only as these cohere among themselves but as they maintain themselves against the rougher order of the lower classes or even against the last ...
Tartalomjegyzék
The Sounding of the Theme | 40 |
Dramatic Irony | 79 |
Play | 102 |
Copyright | |
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Gyakori szavak és kifejezések
action actors Antony asserts audience Brutus Cassio causal characters Christian comedy contrast convention Cordelia courtier courtly Cymbeline death define Desdemona dramatic irony dream Duke E. K. Chambers Edgar Edmund Emilia enacted erotic eyes father festival final fool force Gloucester Hamlet Hecuba Henry Henry VI Iago Iago's J. V. Cunningham Jacobean Jacobean assumption Juliet justice kind King Lear language Leontes lover Macbeth magic make-believe marriage masque meaning Measure ment metaphor metatheatrical mortal murder mystery ness offers once Othello pattern Pericles person play play-within-a-play play's playwright plot poem poetic poetry political present Prospero Pyramus and Thisbe Queen reality reference refined Renaissance rhetorical Richard II Roderigo Romeo says scene sense sequence sexual Shakespeare signification song speak speaker speech sphere stage staple style tetralogy theatre thee thou Timon tion tragedy Troilus turn Twelfth Night utterance verse Winter's Tale words