Shakespeare's Enactment: The Dynamics of Renaissance TheatreSwallow Press, 1976 - 257 oldal |
Részletek a könyvből
1 - 3 találat összesen 84 találatból.
38. oldal
... action . The effect of evil is to isolate everyone in his protestations , to dissociate words from action , to make the most sublime utterances ineffectual , and not just for Hamlet himself , though chiefly for him . Words converge with ...
... action . The effect of evil is to isolate everyone in his protestations , to dissociate words from action , to make the most sublime utterances ineffectual , and not just for Hamlet himself , though chiefly for him . Words converge with ...
118. oldal
... action across the stage barrier will nat- urally take : we have three natures , not one , and they metatheat- ricalize each other . Dumb show is a conventional resource for a play ; Gorboduc introduces each of its acts with a dumb show ...
... action across the stage barrier will nat- urally take : we have three natures , not one , and they metatheat- ricalize each other . Dumb show is a conventional resource for a play ; Gorboduc introduces each of its acts with a dumb show ...
120. oldal
... action ( unless " matter " be taken to mean only designata ) . It would seem that words and action were all , and assigning priority to words ( " words above action " ) would solve the question — but there re- mains the question of ...
... action ( unless " matter " be taken to mean only designata ) . It would seem that words and action were all , and assigning priority to words ( " words above action " ) would solve the question — but there re- mains the question of ...
Tartalomjegyzék
The Sounding of the Theme | 40 |
Dramatic Irony | 79 |
Play | 102 |
Copyright | |
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Gyakori szavak és kifejezések
action actors Antony asserts audience Brutus Cassio causal characters Christian comedy contrast convention Cordelia courtier courtly Cymbeline death define Desdemona dramatic irony dream Duke E. K. Chambers Edgar Edmund Emilia enacted erotic eyes father festival final fool force Gloucester Hamlet Hecuba Henry Henry VI Iago Iago's J. V. Cunningham Jacobean Jacobean assumption Juliet justice kind King Lear language Leontes lover Macbeth magic make-believe marriage masque meaning Measure ment metaphor metatheatrical mortal murder mystery ness offers once Othello pattern Pericles person play play-within-a-play play's playwright plot poem poetic poetry political present Prospero Pyramus and Thisbe Queen reality reference refined Renaissance rhetorical Richard II Roderigo Romeo says scene sense sequence sexual Shakespeare signification song speak speaker speech sphere stage staple style tetralogy theatre thee thou Timon tion tragedy Troilus turn Twelfth Night utterance verse Winter's Tale words