Shakespeare's Enactment: The Dynamics of Renaissance Theatre

action already asserts assumption audience bear becomes beginning brings brought called carry characters Christian comedy comes complex conclusion condition connection contrast convention course death define Desdemona double dramatic irony dream effect Elizabethan expect eyes fact father feeling figures final force future give given Hamlet hand happened Henry Iago ideas identity Italy justice keeps kind king language later Lear live look lover magic meaning Measure mortal mystery nature never Night offers once Othello past pattern person play plot poetic poetry political possibility present produce question reality reference refined relation Renaissance response rhetorical says scene seems sense sequence serves Shakespeare shows single song speak speech stage stands statement structure style taken tends theatre thing tion tragedy turn utterance verse whole words