Will in the World: How Shakespeare Became ShakespeareW. W. Norton & Company, 2004 - 430 oldal Stephen Greenblatt, the charismatic Harvard professor who "knows more about Shakespeare than Ben Jonson or the Dark Lady did" (John Leonard, Harper's), has written a biography that enables us to see, hear, and feel how an acutely sensitive and talented boy, surrounded by the rich tapestry of Elizabethan life; full of drama and pageantry, and also cruelty and danger; could have become the world's greatest playwright. A young man from the provinces--a man without wealth, connections, or university education--moves to London. In a remarkably short time he becomes the greatest playwright not just of his age but of all time. His works appeal to urban sophisticates and first-time theatergoers; he turns politics into poetry; he recklessly mingles vulgar clowning and philosophical subtlety. How is such an achievement to be explained? Will in the World interweaves a searching account of Elizabethan England with a vivid narrative of the playwright's life. We see Shakespeare learning his craft, starting a family, and forging a career for himself in the wildly competitive London theater world, while at the same time grappling with dangerous religious and political forces that took less-agile figures to the scaffold. Above all, we never lose sight of the great works--A Midsummer Night's Dream, Romeo and Juliet, Hamlet, Macbeth, and more--that continue after four hundred years to delight and haunt audiences everywhere. The basic biographical facts of Shakespeare's life have been known for over a century, but now Stephen Greenblatt shows how this particular life history gave rise to the world's greatest writer. Bringing together little-known historical facts and little-noticed elements of Shakespeare's plays, Greenblatt makes inspired connections between the life and the works and deliver "a dazzling and subtle biography" (Richard Lacayo, Time). Readers will experience Shakespeare's vital plays again as if for the first time, but with greater understanding and appreciation of their extraordinary depth and humanity. A Best Book of the Year: The New York Times 10 Best Books of 2004; Time magazine's #1 Best Nonfiction Book; A Washington Post Book World Rave; An Economist Best Book; A San Francisco Chronicle Best Book; A Christian Science Monitor Best Book; A Chicago Tribune Best Book; A Pittsburgh Post-Gazette Best Book; NPR's Maureen Corrigan's Best. |
Részletek a könyvből
1 - 5 találat összesen 60 találatból.
9. oldal
... Fear 87 CHAPTER 4 : Wooing , Wedding , and Repenting 118 CHAPTER 5 : Crossing the Bridge 149 CHAPTER 6 : Life in the Suburbs 175 CHAPTER 7 : Shakescene 199 CHAPTER 8 : Master - Mistress 226 CHAPTER 9 : Laughter at the Scaffold 256 ...
... Fear 87 CHAPTER 4 : Wooing , Wedding , and Repenting 118 CHAPTER 5 : Crossing the Bridge 149 CHAPTER 6 : Life in the Suburbs 175 CHAPTER 7 : Shakescene 199 CHAPTER 8 : Master - Mistress 226 CHAPTER 9 : Laughter at the Scaffold 256 ...
12. oldal
... fears of his audience , and his unusual success in his own time suggests that he succeeded brilliantly in doing so . Virtually all his rival playwrights found themselves on the straight road to starvation ; Shake- speare , by contrast ...
... fears of his audience , and his unusual success in his own time suggests that he succeeded brilliantly in doing so . Virtually all his rival playwrights found themselves on the straight road to starvation ; Shake- speare , by contrast ...
34. oldal
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Tartalomjegyzék
Primal Scenes | 23 |
The Dream of Restoration | 54 |
The Great Fear | 87 |
Wooing Wedding and Repenting | 118 |
Crossing the Bridge | 149 |
Life in the Suburbs | 175 |
Shakescene | 199 |
MasterMistress | 226 |
Más kiadások - Összes megtekintése
Will in the World: How Shakespeare Became Shakespeare (Anniversary Edition) Stephen Greenblatt Korlátozott előnézet - 2010 |
Will in the World: How Shakespeare Became Shakespeare Stephen Greenblatt Nincs elérhető előnézet - 2014 |
Gyakori szavak és kifejezések
actor Anne Anne Hathaway Arden audience Cambridge Campion career Catholic century character church comedy contemporary Cottam crowd daughter dead death depicted Earl early Elizabeth Elizabethan England English faith Falstaff fantasy father fear friends Greene Greene's Hamlet Henry imagination James Jesuit John Shakespeare Juliet King Lear King's Latin least live London Lopez Lord Lord Chamberlain's Men Lucy Macbeth magic Marlowe Marlowe's marriage marry Merchant of Venice Midsummer Night's Dream moral murder never night once Oxford performed perhaps person players playhouse playing companies playwright plot poems poet prince probably Protestant queen Queen's Men Richard Romeo says scene scholars seems sense Shake Shylock simply Sir Thomas social someone sonnets Southampton speare speare's stage story Stratford Tamburlaine theater theatrical thee thing thou thought tion took tragedy turned University Press wife Will's William Shakespeare Winter's Tale witches words write written wrote young