Drama Trauma: Specters of Race and Sexuality in Performance, Video and ArtRoutledge, 2013. nov. 5. - 320 oldal In this engaging cross-disciplinary study, Timothy Murray examines the artistic struggle over traumatic fantasies of race, gender, sexuality, and power. Establishing a retrospective dialogue between past and present, stage and video, Drama Trauma links the impact of trauma on recent political projects in performance and video with the specters of difference haunting Shakespeare's plays. |
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... Desdemona by Brabantio who warns Othello to "Look to her, Moor... She has deceiv'd her father, and may thee" (I.iii.292-93). Othello is one play, moreover, that intermixes the differences of race and sexuality as the specters of ...
... Desdemona, I reflect on the play's flaunting of the "antitheatrical" assumptions which its characters demystify. As for the character most exemplary of the disproportions of this play, I propose that we look to the marginal character ...
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Tartalomjegyzék
1 | |
Part I Sounding silence in Shakespeare | 29 |
Part II Writing womens vision | 99 |
Part III Color adjustments | 143 |
Part IV Televisual fear | 187 |
Bibliography | 274 |
Index | 295 |
Más kiadások - Összes megtekintése
Drama Trauma: Specters of Race and Sexuality in Performance, Video, and Art Timothy Murray Korlátozott előnézet - 1997 |
Drama Trauma: Specters of Race and Sexuality in Performance, Video and Art Timothy Murray Korlátozott előnézet - 2013 |
Drama Trauma: Specters of Race and Sexuality in Performance, Video, and Art Timothy Murray Korlátozott előnézet - 1997 |