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that an old-fashioned grate consumes coals, but gives no heat. If she drinks out of glasses of last year she cannot distinguish wine from smallbeer. Oh, dear sir, you may guess all the rest. Yours.

'P. S. I could bear even all this, if I were not obliged also to eat fashionably. I have a plain stomach, and have a constant loathing of whatever comes to my own table; for which reason I dine at the chop-house three days in a week; where the good company wonders they never see you of late. I am sure, by your unprejudiced discourses, you love broth better than soup.'

'MR. SPECTATOR,

Will's, Feb. 19.

'You may believe you are a person as much talked of as any man in town. I am one of your best friends in this house, and have laid a wager, you are so candid a man and so honest a fellow, that you will print this letter, though it is in recommendation of a new paper called The Historian. I have read it carefully, and find it written with skill, good sense, modesty, and fire. You must allow the town is kinder to you than you deserve; and I doubt not but you have so much sense of the world's change of humour, and instability of all human things, as to understand, that the only way to preserve favour is to communicate it to others with good-nature and judgment. You are so generally read, that what you speak of will be read. This with men of sense and taste, is all that is wanting to recommend The Historian.

I am, SIR,

Your daily advocate,

READER GENTLE.'

I was very much surprised this morning that any one should find out my lodging, and know it so well, as to come directly to my closet door, and knock at it, to give me the following letter. When I came out I opened it, and saw, by a very strong pair of shoes and a warm coat the bearer had on, that he walked all the way to bring it to me, though dated from York. My misfortune is that I cannot talk, and I found the messenger had so much of me, that he could think better than speak. He had, I observed, a polite discerning, hid under a shrewd rusticity. He delivered the paper with a Yorkshire tone and a town leer.

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THE privilege you have indulged John Trot has proved of very bad consequence to our illustrious assembly, which, besides the many excellent maxims it is founded upon, is remarkable for the extraordinary decorum always observed in it. One instance of which is, that the carders (who are always of the first quality) never begin to play until the French dances are finished, and the country dances begin: but John Trot having now got your commission in his pocket, (which every one here has a profound respect for) has the assurance to set up for a minuetdancer. Not only so, but he has brought down upon us the whole body of the Trots, which are very numerous, with their auxiliaries the hobblers and the skippers, by which means the time is so much wasted, that, unless we break all rules of government, it must redound to the utter subversion of the brag table, the discreet members of which value time, as Fribble's wife does her pin-money. We are pretty well assured that your indulgence to Trot was only in relation to

country-dances; however we have deferred issuing an order of council upon the premises, hoping to get you to join with us, that Trot, nor any of his clan, presume for the future to dance any but country dances, unless a hornpipe upon a festival day. If you will do this you will oblige a great many ladies, and particularly

York, Feb. 16.

Your most humble servant,
ELIZ. SWEEPSTAKES.'

'I NEVER meant any other than that Mr. Trot should confine himself to country dances. And I further direct, that he shall take out none but his own relations according to their nearness of blood, but any gentlewoman may take out him. THE SPECTATOR.'

London, Feb. 21.

T.

No. 309. SATURDAY, FEB. 23, 1711-12.

Di, quibus imperium est Animarum, Umbræque silentes,
Et Chaos, et Phlegethon, loca nocte silentia late :
Sit mihi fas audita loqui! sit numine vestro
Pandere res altâ terrâ et caligine mersas.

VIRG. En. vi. ver. 264.

Ye realms, yet unreveal'd to human sight,
Ye gods, who rule the regions of the night,
Ye gliding ghosts, permit me to relate
The mystic wonders of your silent state.

DRYDEN.

I HAVE before observed in general, that the persons whom Milton introduces into his poem always discover such sentiments and behaviour as are in a peculiar manner conformable to their re

spective haracters. Every circumstance in their speeches and actions, is with great justice and delicacy adapted to the persons who speak and act. As the poet very much excels in this consistency of his characters, I shall beg leave to consider several passages of the second book in this light. That superior greatness and mock-majesty which is ascribed to the prince of the fallen angels, is admirably preserved in the beginning of this book. His opening and closing the debate; his taking on himself that great enterprise, at the thought of which the whole infernal assembly trembled; his encountering the hideous phantom who guarded the gates of hell, and appeared to him in all his terrors; are instances of that proud and daring mind which could not brook submission, even to Omnipotence!

Satan was now at hand, and from his seat

The monster moving onward came as fast
With horrid strides, hell trembled as he strode ;
Th' undaunted fiend what this might be admir'd,
Admir'd, not fear'd ·

The same boldness and intrepidity of behaviour discovers itself in the several adventures which he meets with, during his passage through the regions of unformed matter, and particularly in his address to those tremendous powers who are described as presiding over it.

The part of Moloch is likewise, in all its circumstances, full of that fire and fury which distinguish the spirit from the rest of the fallen angels. He is described in the first book as besmeared with the blood of human sacrifices, and delighted with the tears of parents, and the cries of children. In the second book he is marked out as the fiercest spirit that fought in heaven; and if we consider the figure which he makes in

the sixth book, where the battle of the angels is described, we find it every way answerable to the same furious, enraged character:

Where the might of Gabriel fought,
And with fierce ensigns pierc'd the deep array
Of Moloch, furious king, who him defy'd,
And at his chariot-wheels to drag him bound
Threaten'd, nor from the Holy One of heav'n
Refrain'd his tongue blasphemous: but anon
Down cloven to the waist, with shatter'd arms
And uncouth pain fled bellowing.

It may be worth while to observe, that Milton has represented this violent impetuous spirit, who is hurried on by such precipitate passions, as the first that rises in that assembly to give his opinion upon their present posture of affairs. Accordingly he declares himself abruptly for war, and appears incensed at his companions for losing so much time as even to deliberate upon it. All his sentiments are rash, audacious and desperate. Such is that of arming themselves with their tortures, and turning their punishments upon him who inflicted them:

No, let us rather choose,

Arm'd with hell flames and fury, all at once,
O'er heav'ns high tow'rs to force resistless way,
Turning our tortures into horrid arms

Against the tort'rer; when to meet the noise
Of his almighty engine he shall hear

Infernal thunder, and for lightning see

Black fire and horror shot with equal rage

Among his angels; and his throne itself

Mix'd with Tartarian sulphur, and strange fire,
His own invented torments.-

His preferring annihilation to shame or misery is also highly suitable to his character; as the comfort he draws from their disturbing the peace of heaven, that if it be not victory it is revenge, is a sentiment truly diabolical, and becoming the bitterness of this implacable spirit.

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