Humoring the Body: Emotions and the Shakespearean StageUniversity of Chicago Press, 2010. nov. 15. - 288 oldal Though modern readers no longer believe in the four humors of Galenic naturalism—blood, choler, melancholy, and phlegm—early modern thought found in these bodily fluids key to explaining human emotions and behavior. In Humoring the Body, Gail Kern Paster proposes a new way to read the emotions of the early modern stage so that contemporary readers may recover some of the historical particularity in early modern expressions of emotional self-experience. Using notions drawn from humoral medical theory to untangle passages from important moral treatises, medical texts, natural histories, and major plays of Shakespeare and his contemporaries, Paster identifies a historical phenomenology in the language of affect by reconciling the significance of the four humors as the language of embodied emotion. She urges modern readers to resist the influence of post-Cartesian abstraction and the disembodiment of human psychology lest they miss the body-mind connection that still existed for Shakespeare and his contemporaries and constrained them to think differently about how their emotions were embodied in a premodern world. |
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1 - 5 találat összesen 41 találatból.
12. oldal
... body's recalcitrant flesh and its immaterial soul . The role of the spirits to early modern self - experience becomes clearer in chapter 1. For now it is only important to note that early modern theories of behavior needed these spirits ...
... body's recalcitrant flesh and its immaterial soul . The role of the spirits to early modern self - experience becomes clearer in chapter 1. For now it is only important to note that early modern theories of behavior needed these spirits ...
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Tartalomjegyzék
1 | |
The Ecology of the Passions in Hamlet and Othello | 25 |
Shakespeares Maidens and the Caloric Economy | 77 |
Reading Shakespeares Psychological Materialism across the Species Barrier | 135 |
Male Passions and the Problem of Individuation | 189 |
Epilogue | 243 |
Bibliography | 247 |
Index | 261 |
Más kiadások - Összes megtekintése
Humoring the Body: Emotions and the Shakespearean Stage Gail Kern Paster Nincs elérhető előnézet - 2004 |
Humoring the Body: Emotions and the Shakespearean Stage Gail Kern Paster Nincs elérhető előnézet - 2014 |
Gyakori szavak és kifejezések
affective analogy anger animal appetite argues beasts becomes behavior blood bodily Body without Organs body’s brain Burton Cambridge University Press chapter choler Cleopatra cognitive cold comedy cosmology cultural describes Desdemona desire difference discourse disease Duchess of Malfi embodied emotional environment especially expression Falstaff fear female flesh fluids Folger Shakespeare Library function Galenic gender green sickness Hamlet hath heart heat Henry Peacham hierarchy horse human body humoral subject Iago imagined individual Jonson language London male Malvolio marriage means melancholy metaphorical metonymically mind mood narrative natural ODEP organs Othello passions Paster Petruchio physical physiological play play's psychological psychophysiological puddle Pyrochles Pyrrhus Pyrrhus’s quoted reciprocal recognize relation Renaissance Rosalind sense sexual Shakespeare Shylock sions social spirits suggest temper temperature texts things thinking Thomas Dekker Thomas Wright thou thought tion Topsell transformation tropes Twelfth Night vapors virgins Wellbred wind wolf women wrath Yellowhammer
Népszerű szakaszok
107. oldal - Took once a pliant hour, and found good means To draw from her a prayer of earnest heart That I would all my pilgrimage dilate, Whereof by parcels...
70. oldal - Yet could I bear that too ; well, very well : — But there, where I have garner'd up my heart, Where either I must live or bear no life, The fountain from the which my current runs, Or else dries up...
56. oldal - Tis now the very witching time of night, When churchyards yawn, and hell itself breathes out Contagion to this world : now could I drink hot blood, And do such bitter business as the day Would quake to look on.
141. oldal - No, faith, not a jot ; but to follow him thither with modesty enough, and likelihood to lead it: As thus; Alexander died, Alexander was buried, Alexander returneth to dust ; the dust is earth ; of earth we make loam : And why of that loam, whereto he was converted, might they not stop a beer-barrel...
114. oldal - Ay, there's the point. — As, — to be bold with you,— Not to affect many proposed matches, Of her own clime, complexion, and degree ; Whereto, we see, in all things nature tends : Foh ! one may smell, in such, a will ' most rank, Foul disproportion, thoughts unnatural.
65. oldal - Twere now to be most happy ; for, I fear, My soul hath her content so absolute, That not another comfort like to this Succeeds in unknown fate.
49. oldal - I know my course. The spirit that I have seen May be the devil : and the devil hath power To assume a pleasing shape; yea, and perhaps Out of my weakness and my melancholy, — As he is very potent with such spirits, — Abuses me to damn me: I'll have grounds More relative than this: — the play's the thing Wherein I'll catch the conscience of the king.
54. oldal - ... play upon me; you would seem to know my stops; you would pluck out the heart of my mystery; you would sound me from my lowest note to the top of my compass; and there is much music, excellent voice, in this little organ, yet cannot you make it speak. 'Sblood, do you think I am easier to be played on than a pipe? Call me what instrument you will, though you can fret me, you cannot play upon me.
107. oldal - A maiden never bold ; Of spirit so still and quiet, that her motion Blush'd at herself : and she, — in spite of nature.