CHAIR.-Now breathless wrong Shall sit and pant in your great chairs of ease Timon of Athens, v. 4. CHALICE. - Commends the ingredients of our poisoned chalice To our own lips Macbeth, i. 7. Tempest, v. 1. of Errors, iii. 2. Much Ado, V. I. All's Well, ii. 3. That is honour's scorn, Which challenges itself as honour's born An untimely ague Stayed me a prisoner in my chamber Many do keep their chambers are not sick Othello, ii. 1. Twelfth Night, iii. 4. King Lear, iv. 7. As You Like It, iv. 3. Hamlet, iv. 7. Much A do, ii. 1. Henry VIII. i. 1. Timon of Athens, iii. 4. iii. 4. Hamlet, v. 1. Cymbeline, ii. 2. Now get you to my lady's chamber, and tell her, let her paint an inch thick 'T is her breathing that Perfumes the chamber thus. CHAMBERERS. And have not those soft parts of conversation That chamberers have. Othello, iii. 3. CHAMBER-MAIDS.-Here will I remain With worms that are thy chamber-maids Romeo & Juliet, v. 3. CHAMELEON. Though the chameleon Love can feed on the air. Two Gen. of Verona, ii. 1. He is a kind of chameleon. That hath more mind to feed on your blood than live in your air ii. 4. I can add colours to the chameleon, Change shapes with Proteus for advantages 3 Henry VI. iii. 2. Of the chameleon's dish: I eat the air, promise-crammed CHAMPION.To God, the widow's champion and defence Hamlet, iii. 2. Richard II. i. 2. K. John, iii. 1. Thou fortune's champion, that dost never fight But when her humorous ladyship is by! I may chance have some odd quirks and remnants of wit broken on me They have writ the style of gods And made a push at chance and sufferance You that choose not by the view, Chance as fair and choose as true! . Macbeth, iii. 1. Merry Wives, v. 1. Much Ado, ii. 3. iii. 3. V. I. Mer. of Venice, ii. 1. iii. 2. Winter's Tale, i. 2. I am questioned by my fears, of what may chance Or breed upon our absence How chances mock, And changes fill the cup of alteration With divers liquors! Determine on some course, More than a wild exposture to each chance If chance will have me king, why, chance may crown me, Without my stir Had I but died an hour before this chance, I had lived a blessed time I would set my life on any chance, To mend it, or be rid on 't And the chance of goodness Be like our warranted quarrel! It is a chance which does redeem all sorrows That ever I have felt iv. 4. iv. 4. 2 Henry IV. i. 1. iii. 1. ill. I. iv. 2. Troi. and Cress. i. 3. iv. 4. Coriolanus, iv. 1. iv. 1. Titus Andron. i. 1. Romeo and Juliet, v. 3. Macbeth, i. 3. Wherein I spake of most disastrous chances, Of moving accidents by flood and field Though written in our flesh, we shall remember As things but done by chance ii. 3. iii. 1. iv. 3. King Lear, v. 3. Othello, i. 3. iv. 1. Ant. and Cleo. ii. 3. V. 2. Cymbeline, v. 5. CHANCE. - I shall show the cinders of my spirits Through the ashes of my chance Ant. and Cleo. v. 2. CHANGE. As school-maids change their names By vain, though apt, affection Nine changes of the watery star hath been The shepherd's note And lean-looked prophets whisper fearful change. How chances mock, And changes fill the cup of alteration With divers liquors ! Hang ye! Trust ye? With every minute you do change a mind The inconstant moon, That monthly changes in her circled orb And all things change them to the contrary A poor unmanly melancholy sprung From change of fortune How that might change his nature, there's the question Now I change my mind, And partly credit things that do presage For use almost can change the stamp of nature For this 'would' changes, And hath abatements and delays You see how full of changes his age is . The lamentable change is from the best; The worst returns to laughter The miserable change now at my end Lament nor sorrow at . Titus Andron. iii. 2. Julius Cæsar, i. 2. Meas. for Meas. i. 4. V. I. Much Ado, iv. 1. Winter's Tale, i. 2. Richard II. ii. 4. 2 Henry IV. iii. 1. Coriolanus, i. 1. Titus Andron. i. 1. Romeo and Juliet, ii. 2. iv. 5. Timon of Athens, iv. 3. Do that thing that ends all other deeds; Which shackles accidents and bolts up change Changed to a worser shape thou canst not be Thou changed and self-covered thing, for shame, Be-monster not thy feature CHANGELING. - She never had so sweet a changeling. Yet his nature In that's no changeling CHANTICLEER. — - I hear The strain of strutting chanticleer Cry cock-a-diddle-dow. CHANTING faint hymns to the cold fruitless moon Like to a chaos, or an unlicked bear-whelp. This chaos, when degree is suffocate, Follows the choking O heavy lightness! serious vanity! Mis-shapen chaos of well-seeming forms! But I do love thee! and when I love thee not, Chaos is come again CHAPELS had been churches and poor men's cottages princes' palaces CHAPLET. -An odorous chaplet of sweet summer buds Is, as in mockery, set CHAPMEN. - Not uttered by base sale of chapmen's tongues You do as chapmen do, Dispraise the thing that you desire to buy CHAPS. O, now doth Death line his dead chaps with steel My frosty signs and chaps of age, Grave witnesses of true experience. He unseamed him from the nave to the chaps. Then, world, thou hast a pair of chaps, no more Coriolanus, iv. 7. King Lear, i. 4. Hamlet, ii. 2. iv. 7. Tempest, i. 2. As You Like It, ii. 7. 3 Henry VI. iii. 2. Love's L. Lost, ii. 1. Troi. and Cress. iv. 1. King John, ii. 1. Titus Andron. v. 3. Macbeth, i. 2. Ant. and Cleo. iii. 5. CHARACTER. With characters of brass, A forted residence 'gainst the tooth of time Meas. for Meas. v. 1. Thou hast a mind that suits With this thy fair and outward character. Blossom, speed thee well! There lie, and there thy character That are written down old with all the characters of age I say, without characters, fame lives long Perspicuous even as substance, Whose grossness little characters sum up And these few precepts in thy memory See thou character Twelfth Night, i. 2. Winter's Tale, iii. 3. 2 Henry IV. i. 2. Richard III. iii. 1. .Troi. and Cress. i. 3. Hamlet, i. 3. CHARACTER. In glittering golden characters express A general praise to her Pericles, iv. 3. Cymbeline, iii. 2. iv. 2. He cut our roots In characters, And sauced our broths, as Juno had been sick CHARACTERED. - Table wherein all my thoughts Are visibly charactered Two Gen. of Verona, ii. 7. Show me one scar charactered on thy skin . CHARACTERY. I will construe to thee, All the charactery of my sad brows How darest thou trust So great a charge from thine own custody Tell me how thou hast disposed thy charge. It is A charge too heavy for my strength, but yet We'll strive to bear it. The letter was not nice, but full of charge Of dear import A good and virtuous nature may recoil In an imperial charge 2 Henry VI. iii. 1. Julius Cæsar, ii. 1. Ant. and Cleo. v. 2. Tempest, i. 2. Merry Wives, i. 4. Com. of Errors, i. 2. i. 2. All's Well, iii. 3. Troi. and Cress. iv. 1. Romeo and Juliet, v. 2. CHARGED. She was charged with nothing But what was true and very full of proof Much Ado, v. 1. Bring with thee airs from heaven or blasts from hell, Be thy intents wicked or charitable Hamlet, i. 4. CHARITY. Might there not be a charity in sin To save this brother's life? . Meas. for Meas. ii. 4. For charity itself fulfils the law, And who can sever love from charity? I'll take it as a peril to my soul, It is no sin at all, but charity ii. 4. ii. 4. Love's L. Lost, iv. 3. iv. 3. He hath a neighbourly charity in him.. But what of that? "T were good you do so much for charity. Ransacking the church, Offending charity He hath a tear for pity and a hand Open as day for melting charity 'T was sin before, but now 't is charity You know no rules of charity, Which renders good for bad, blessings for curses Mer. of Venice, i. 2. iv. I. King John, iii. 4. 2 Henry IV. iv. 4. 3 Henry VI. v. 5. Richard III. i. 2. How much, methinks, I could despise this man, But that I am bound in charity against it! Love, friendship, charity, are subjects all To envious and calumniating time Troi. and Cress. iii. 3. Titus Andron. v. 1. King Lear, v. 3. .1 Henry IV. ii. 1. Meas. for Meas. iv. 1. CHARM. Setting the attraction of my good parts aside, I have no other charms Merry Wives, ii. 2. Fetter strong madness in a silken thread, Charm ache with air, and agony with words I, the mistress of your charms, The close contriver of all harms. iii. 2. V. I. Romeo and Juliet, ii. Prol. CHARM. For a charm of powerful trouble, Like a hell-broth boil and bubble CHARMED. CHARTER. Macbeth, iv. 1. iv. 1. King Lear, ii. 1. i. 2. Macbeth, v. 8. Othello, iii. 4. As You Like It, ii. 7. I bear a charmed life, which must not yield To one of woman born She was a charmer, and could almost read The thoughts of people I must have liberty Withal, as large a charter as the wind Let me find a charter in your voice, To assist my simpleness. CHARTERED. That, when he speaks, The air, a chartered libertine, is still CHARYBDIS.-When I shun Scylla, your father, I fall into Charybdis, your mother Mer. of Venice, iii. 5. CHASE. If thy wits run the wild-goose chase, I have done. Romeo and Juliet, ii. 4. Big round tears Coursed one another down his innocent nose In piteous chase As You Like It, ii. 1. The barren, touched in this holy chase, Shake off their sterile curse All things that are, Are with more spirit chased than enjoyed A virgin from her tender infancy, Chaste and immaculate in very thought Be thou as chaste as ice, as pure as snow, thou shalt not escape calumny. I thought her As chaste as unsunned snow Chastisement.-Do with your injuries as seems you best, In any chastisement Meas. for Meas. v. I. CHASTITY. - More than our brother is our chastity There is not chastity enough in language Without offence to utter them My chastity's the jewel of our house, Bequeathed down from many ancestors. V. 2. 3 Henry VI. iii. 2. CHATTEL.-She is my goods, my chattels; she is my house, My household stuff Tam. of the Shrew, iii. 2. Look to my chattels and my moveables: Let senses rule A few drops of women's rheum, which are As cheap as lies CHEAPSIDE. -In Cheapside shall my palfry go to grass When shall we go to Cheapside and take up commodities upon our bills? CHECKED. Be checked for silence, But never taxed for speech СНЕЕК. -The setting of thine eye and cheek proclaim A matter from thee Hath homely age the alluring beauty took From my poor cheek? King John, v. 1. .Troi. and Cress. i. 3. Come, sit thee down upon this flowery bed, While I thy amiable cheeks do coy Com. of Errors, ii. 1. Mer. of Venice, i. 3. As You Like It, iii. 2. CHEEK.- -Your black silk hair, Your bugle eyeballs, nor your cheek of cream cheek your . As You Like It, iii. 5. Tam. of the Shrew, iv. 5. All's Well, i. 1. The tyranny of her sorrows takes all livelihood from her cheek. i. 1. ii. 1. iv. 5. . Twelfth Night, ii. 4. Winter's Tale, iv. 4. Let me wipe off this honourable dew That silverly doth progress on thy cheeks. Then his cheek looked pale, And on my face he turned an eye of death The whiteness in thy cheek Is apter than thy tongue to tell thy errand Have you not a moist eye? a dry hand? a yellow cheek? a white beard? Washing with kindly tears his gentle cheeks, With such a deep demeanour in great sorrow 'Tis not for fear, but anger, that thy cheeks Blush for pure shame The heart there cools and ne'er returneth to blush and beautify the cheek again All the standers-by had wet their cheeks, Like trees bedashed with rain. . And bid the cheek be ready with a blush Modest as morning i. 3. iv. 5. iv. 5. Titus Andron. iii. 2. Romeo and Juliet, i. She hangs upon the cheek of night Like a rich jewel in an Ethiope's ear 5. ii. 2. ii. 2. O, that I were a glove upon that hand, That I might touch that cheek!. Lo, here upon thy cheek the stain doth sit Of an old tear. The roses in thy lips and cheeks shall fade To paly ashes Famine is in thy cheeks, Need and oppression starveth in thine eyes Beauty's ensign yet Is crimson in thy lips and in thy cheeks. You can behold such sights, And keep the natural ruby of your cheeks With cadent tears fret channels in her cheeks Let not women's weapons, water-drops, Stain my man's cheeks! Milk-livered man! That bear'st a cheek for blows, a head for wrongs And now and then an ample tear trilled down Her delicate cheek I should make very forges of my cheeks, That would to cinders burn up modesty You must Forget that rarest treasure of your cheek CHEER. I have good cheer at home; and I pray you all go with me Our cheer May answer my good will and your good welcome here Better cheer may you have, but not with better heart Here is neither cheer, sir, nor welcome: we would fain have either The fairest dame That lived, that loved, that liked, that looked with cheer Othello, iv. 2. Cymbeline, i. 6. iii. 4. Merry Wives, iii. 2. Com. of Errors, iii. 1. iii. I. 111. I. iii. I. Mid. N. Dream, iii. 2. V. I. Mer. of Venice, iii. 5. As You Like It, ii. 6. Tam. of the Shrew, iv. 4. I shall command your welcome here, And, by all likelihood, some cheer is toward |