Double Vision: Moral Philosophy and Shakespearean DramaPrinceton University Press, 2011. márc. 8. - 256 oldal Hamlet tells Horatio that there are more things in heaven and earth than are dreamt of in his philosophy. In Double Vision, philosopher and literary critic Tzachi Zamir argues that there are more things in Hamlet than are dreamt of--or at least conceded--by most philosophers. Making an original and persuasive case for the philosophical value of literature, Zamir suggests that certain important philosophical insights can be gained only through literature. But such insights cannot be reached if literature is deployed merely as an aesthetic sugaring of a conceptual pill. Philosophical knowledge is not opposed to, but is consonant with, the literariness of literature. By focusing on the experience of reading literature as literature and not philosophy, Zamir sets a theoretical framework for a philosophically oriented literary criticism that will appeal both to philosophers and literary critics. |
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... allows for a successful penetration into power only indirectly, momentarily, under camouflage, whereas when it is explicit and unveiled (“The Jew”) it will be annihilated financially and spiritually. Within this legal context, Shylock ...
... allowing the two distinct outlooks of philosophy and literature to interplay when some issues are at stake there emerges a kind of thought—a form of double vision—that opens up important modes of understanding. PART I PHILOSOPHICAL ...
... allows for relocating the literature-as-example idea from being only a suggestion linking aesthetics with cognition to an argumentational move justified through rhetorical theory. This is not a terminological shift. Such relocation ...
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