The Music of Black Americans: A HistoryW. W. Norton & Company, 1997 - 678 oldal Beginning with the arrival of the first Africans in the English colonies, Eileen Southern weaves a fascinating narrative of intense musical activity, which has not only played a vital role in the lives of black Americans but has also deeply influenced music performance in the United States and many other parts of the world. Dr. Southern fully chronicles the singers, instrumentalists, and composers who created this rich body of music and skillfully describes the genres and styles that characterize it from its earliest manifestations among a people in slavery to the rap beat of the late twentieth century. Along the way, she covers numerous topics - such as Colonial-Era music, Revolutionary War performers, church music, minstrelsy, ragtime, swing, concert music, soul, pop, and opera - bringing them to life and placing them in their historical and cultural contexts. |
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Tartalomjegyzék
PART | 1 |
THE AFRICAN DIASPORA | 20 |
PART | 59 |
Antebellum Urban Life | 97 |
Antebellum Rural Life | 151 |
The War Years and Emancipation | 205 |
PART THREE | 219 |
The New Century | 265 |
THE URBAN BLUES | 505 |
New Dance Music | 522 |
THE WORLD OF OPERA | 529 |
COMPOSERS | 540 |
BLACK MUSICALS ON BROADWAY | 561 |
Currents in Contemporary Arenas | 567 |
ASPECTS OF THE NEW MUSIC | 572 |
CONCERT ARTISTS | 578 |
Precursors of Jazz | 313 |
The Jazz Age | 365 |
The Harlem Renaissance and Beyond | 404 |
MUSICAL ORGANIZATIONS | 418 |
COMPOSERS AND COMPOSEREDUCATORS | 424 |
BLACK MUSICALS ON BROADWAY | 435 |
HARLEM AND THE NEW NEGRO | 442 |
WRITINGS ABOUT MUSIC | 451 |
The MidCentury Decades | 466 |
OPERA COMPANIES | 584 |
CABARET DIVAS | 594 |
WOMEN IN BLACK CHURCH MUSIC | 603 |
CODA | 609 |
THE AFRICAN LEGACY | 617 |
MUSIC SCORES | 626 |
MUSIC SCORES | 633 |
645 | |
Más kiadások - Összes megtekintése
Gyakori szavak és kifejezések
activities African African-American band became began black composers black music black musicians blues Boston BPIM Broadway called career celebrated Charles Chicago choir choral chorus church City College colonies Colored compositions congregation Conservatory dance debut decade drums Duke Ellington early Eileen Southern Ellington ensemble entertainment Eubie Blake Europe example Festival Fisk Jubilee Singers folk music folksongs gospel gospel music groups Hall Harlem hymnal hymns improvisation included instruments James James Reese Europe jazz John Johnson Jubilee Singers later melodies Methodist minstrel National Negro nineteenth century Opera Company organized Orleans performance period Philadelphia pianist piano plantation played popular Porgy and Bess Press psalms published quartet ragtime recording religious repertory rhythm sang School Scott Joplin singing Slave Songs solo soloist songwriters sound South spirituals stage studied style sung Symphony Orchestra syncopated theater tion toured tradition Treemonisha troupe trumpet tunes United University violin W. C. Handy William write wrote York
Népszerű szakaszok
iii. oldal - BY THE rivers of Babylon, there we sat down, yea, we wept, when we remembered Zion. We hanged our harps upon the willows in the midst thereof. For there they that carried us away captive required of us a song; and they that wasted us required of us mirth, saying, Sing us one of the songs of Zion.
Hivatkozások erre a könyvre
Radical Possibilities: Public Policy, Urban Education, and a New Social Movement Jean Anyon Nincs elérhető előnézet - 2005 |
"Doers of the Word": African-American Women Speakers and Writers in the ... Carla L. Peterson Korlátozott előnézet - 1998 |