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" It was necessary, sir, for the dramatic development of this story to surround Dorian Gray with an atmosphere of moral corruption. Otherwise the story would have had no meaning and the plot no issue. To keep this atmosphere vague and indeterminate and... "
Miscellanies - 150. oldal
szerző: Oscar Wilde - 1908 - 343 oldal
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Dandies and Desert Saints: Styles of Victorian Masculinity

James Eli Adams - 1995 - 264 oldal
...or might convey in less arcane forms. Wilde himself acknowledges this strategy more tendentiously: "What Dorian Gray's sins are no one knows. He who finds them has brought them" (Letters 266). But that refusal also sustains the "vagueness or impenetrability" that, as Simmel notes,...
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I Can Resist Everything Except Temptation: And Other Quotations from Oscar Wilde

Oscar Wilde - 1996 - 232 oldal
...pays for one's sins, and then one pays again, and all one's life one pays. Mrs. Erlynne in Fan, act 3. Each man sees his own sin in Dorian Gray. What Dorian...no one knows. He who finds them has brought them. Leners, r66. Written to the Editor, Scots Observer, on luly 9. 1 890 in deterne of Dorun Gray, Sins...
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Wilde's Intentions: The Artist in His Criticism

Lawrence Danson - 1997 - 214 oldal
...vague accusations. And in the controversy that erupted with the magazine version, Wilde's tu quoque — 'Each man sees his own sin in Dorian Gray. What Dorian...no one knows. He who finds them has brought them' (Letters, 266) — does nothing to staunch the flow. The reviews to which Wilde responded in the summer...
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The Trials of Oscar Wilde: Deviance, Morality, and Late-Victorian Society

Michael S. Foldy - 1997 - 236 oldal
...unflattering review of The Picture of Dorian Gray. The relevant part says: "Each man sees his own sins in Dorian Gray. What Dorian Gray's sins are no one knows. He who finds them has brought them." Lawler, op. cit., p. 34734. This is one instance where Wilde should be taken at his word. Wilde's reply...
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The Picture of Dorian Gray

Oscar Wilde - 1998 - 292 oldal
...that the reviewer has been guilty of "confusfing] the artist with his subject-matter," and continues: It was necessary, sir, for the dramatic development...no one knows. He who finds them has brought them. This, though eloquent, is surely disingenuous: the "atmosphere" of the book is not so "vague and indeterminate"...
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States of Desire: Wilde, Yeats, Joyce, and the Irish Experiment

Vicki Mahaffey - 1998 - 295 oldal
...the reader. In a famous letter to the editor of the Scots Observer (9 July 1890), Wilde claims that "Each man sees his own sin in Dorian Gray. What Dorian...no one knows. He who finds them has brought them" (A as C, 248). Wilde's claim supports his assertion in the preface that "It is the spectator, not life,...
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Secret Selves: Confession and Same-sex Desire in Victorian Autobiography

Oliver S. Buckton - 1998 - 292 oldal
...wrote in a letter defending his novel, in words that might be taken to heart by his modern critics: "Each man sees his own sin in Dorian Gray. What Dorian...no one knows. He who finds them has brought them." 33 The identification of this novel as one that reveals its author's homosexuality therefore hinges,...
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Occasional, Critical, and Political Writing

James Joyce - 2000 - 420 oldal
...the end' (J} 102). 9. In reply to a negative review of The Picture of Dorian Gray (1891), Wilde wrote 'Each man sees his own sin in Dorian Gray. What Dorian...no one knows. He who finds them has brought them' ('Mr Wilde's Rejoinder', Scots Observer, 4/86 (12 July 1890), 279). 10. 'and in my misery it was revealed...
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The Picture of Dorian Gray

Oscar Wilde - 2003 - 308 oldal
...An Inqu1ry 1nto Oscar Wilde's Revisions of "The Picture of Dorian Gray" (1988). 17 As Wilde claimed, 'Each man sees his own sin in Dorian Gray. What Dorian...no one knows. He who finds them has brought them' (Mason, 81). 18 Eyries, Tales of the Dead: The Ghost Stories of the V1lla Diodati, translated by Terry...
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Capital Offenses: Geographies of Class and Crime in Victorian London

Simon Joyce, Professor Simon Joyce - 2003 - 288 oldal
...atmosphere [of 'moral corruption'] vague and indeterminate and wonderful was the aim of the artist. . . . What Dorian Gray's sins are no one knows. He who finds them has brought them." 54 But this review was another uncanny foreshadowing of Wilde's own trial, in which he would play the...
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