Shakespeare in PsychoanalysisPsychology Press, 2001 - 269 oldal The link between psychoanalysis as a mode of interpretation and Shakespeare's works is well known. But rather than merely putting Shakespeare on the couch, Philip Armstrong focuses on the complex and fascinatingly fruitful mutual relationship between Shakespeare's texts and psychoanalytic theory. He shows how the theories of Freud, Rank, Jones, Lacan, Erikson, and others are themselves in a large part the product of reading Shakespeare. Armstrong provides an introductory cultural history of the relationship between psychoanalytic concepts and Shakespearean texts. This is played out in a variety of expected and unexpected contexts, including: *the early modern stage *Hamlet and The Tempest *Freud's analytic session *the Parisian intellectual scene *Hollywood *the virtual space of the PC. |
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... represent [ s ] the performance of a for- bidden sexual act ' ( PFL 10 : 240 ) . Here , the association between writing and sex results in a creative block due to underlying sexual repression ; elsewhere , in ' Civilisation and Its ...
... represent [ s ] the performance of a for- bidden sexual act ' ( PFL 10 : 240 ) . Here , the association between writing and sex results in a creative block due to underlying sexual repression ; elsewhere , in ' Civilisation and Its ...
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... represents the prodigious offspring of the union between Shakespeare and psychoanalysis . By the term ' cultural capital ' I mean the various possible privileges and investments that attach to judgements of taste . The term derives from ...
... represents the prodigious offspring of the union between Shakespeare and psychoanalysis . By the term ' cultural capital ' I mean the various possible privileges and investments that attach to judgements of taste . The term derives from ...
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Adelman adolescence analysis argues aspects authority becomes Black Hamlet Bradley Caliban Capulet chapter character Chavafambira childhood Claudius colonial consciousness constitutes context course critics cultural death demonstrates describes desire drama dreams early modern ego psychology epistemological European example fantasy father feminine film forgetting Freud Freudian function gender Ghost heterosexual homoerotic homoeroticism homosexuality human identify imaginary incest individual interpretation John Jones kind King Lear Lacan Lacanian Laertes letter literary Maggie Mannoni Manyikan masculine maternal means Mercutio mode moreover mother narrative notion object Oedipal Oedipus complex Ophelia phallus play political produced Prospero psychic psycho psychoanalytic reading psychoanalytic theory psychological Purloined Letter Rank reading of Hamlet relation relationship remains represents rhetoric role Romeo and Juliet Sachs Sachs's scene seminar sexual Shakespeare Shakespeare in Love Shakespeare's memory Shakespearean text signifier structure suggests superego symbolic order Tempest theatre thou tragedy unconscious Viola writing