Shakespeare in PsychoanalysisPsychology Press, 2001 - 269 oldal The link between psychoanalysis as a mode of interpretation and Shakespeare's works is well known. But rather than merely putting Shakespeare on the couch, Philip Armstrong focuses on the complex and fascinatingly fruitful mutual relationship between Shakespeare's texts and psychoanalytic theory. He shows how the theories of Freud, Rank, Jones, Lacan, Erikson, and others are themselves in a large part the product of reading Shakespeare. Armstrong provides an introductory cultural history of the relationship between psychoanalytic concepts and Shakespearean texts. This is played out in a variety of expected and unexpected contexts, including: *the early modern stage *Hamlet and The Tempest *Freud's analytic session *the Parisian intellectual scene *Hollywood *the virtual space of the PC. |
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Philip Armstrong. ' Were you born Hamlet ? Or did you not rather create the type in yourself ? ' ( Deleuze and Guattari 1977 : 112-13 ) This One BTNL - NPQ - P4ZQ General editor's preface Acknowledgements A note on references Introducing ..
Philip Armstrong. ' Were you born Hamlet ? Or did you not rather create the type in yourself ? ' ( Deleuze and Guattari 1977 : 112-13 ) This One BTNL - NPQ - P4ZQ General editor's preface Acknowledgements A note on references Introducing ..
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... Hamlet as much as on the Sophocles play that gave the theory its name . A substantial proportion of this volume will therefore be concerned not only to demonstrate how psychoanalytic theories and categories may inform our reading of ...
... Hamlet as much as on the Sophocles play that gave the theory its name . A substantial proportion of this volume will therefore be concerned not only to demonstrate how psychoanalytic theories and categories may inform our reading of ...
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Adelman adolescence analysis argues aspects authority becomes Black Hamlet Bradley Caliban Capulet chapter character Chavafambira childhood Claudius colonial consciousness constitutes context course critics cultural death demonstrates describes desire drama dreams early modern ego psychology epistemological European example fantasy father feminine film forgetting Freud Freudian function gender Ghost heterosexual homoerotic homoeroticism homosexuality human identify imaginary incest individual interpretation John Jones kind King Lear Lacan Lacanian Laertes letter literary Maggie Mannoni Manyikan masculine maternal means Mercutio mode moreover mother narrative notion object Oedipal Oedipus complex Ophelia phallus play political produced Prospero psychic psycho psychoanalytic reading psychoanalytic theory psychological Purloined Letter Rank reading of Hamlet relation relationship remains represents rhetoric role Romeo and Juliet Sachs Sachs's scene seminar sexual Shakespeare Shakespeare in Love Shakespeare's memory Shakespearean text signifier structure suggests superego symbolic order Tempest theatre thou tragedy unconscious Viola writing