Shakespeare's Metrical ArtUniversity of California Press, 1988. aug. 2. - 363 oldal This is a wide-ranging, poetic analysis of the great English poetic line, iambic pentameter, as used by Chaucer, Sidney, Milton, and particularly by Shakespeare. George T. Wright offers a detailed survey of Shakespeare's brilliantly varied metrical keyboard and shows how it augments the expressiveness of his characters' stage language. |
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1 - 5 találat összesen 63 találatból.
ix. oldal
... unstressed syllables . Since poems do not normally change their meter in every line but establish and confirm re- petitive rhythmical patterns , often we must read several lines of a poem before we can hear a pattern of stressed and ...
... unstressed syllables . Since poems do not normally change their meter in every line but establish and confirm re- petitive rhythmical patterns , often we must read several lines of a poem before we can hear a pattern of stressed and ...
2. oldal
... unstressed and stressed syl- lables , and that it mirrors our occasional tendency to use several of those two kinds of syllables in that order — a climactic order perhaps , a rising rhythm ( as it is often called ) , in which the ...
... unstressed and stressed syl- lables , and that it mirrors our occasional tendency to use several of those two kinds of syllables in that order — a climactic order perhaps , a rising rhythm ( as it is often called ) , in which the ...
3. oldal
... syllables may vary in strength , and unstressed syllables may vary in weak- ness , and a third group may strike us as uncertain , as falling into a range that seems stronger than unstressed but weaker than stressed ( here marked as ) ...
... syllables may vary in strength , and unstressed syllables may vary in weak- ness , and a third group may strike us as uncertain , as falling into a range that seems stronger than unstressed but weaker than stressed ( here marked as ) ...
5. oldal
... syllables on one side and three on the other . For iambic pentameter , however highly patterned its syntax , is by ... unstressed syllables , so that , though we may hear a syllabic symmetry , the line resists giving us a metrical ...
... syllables on one side and three on the other . For iambic pentameter , however highly patterned its syntax , is by ... unstressed syllables , so that , though we may hear a syllabic symmetry , the line resists giving us a metrical ...
7. oldal
... stressed syllables were equally stressed and the un- stressed syllables equally unstressed . " Of hand , of foot , of lip , of eye , of brow " ( Shakespeare , Sonnet 106 : 6 ) represents only an extreme possibility , not an average ...
... stressed syllables were equally stressed and the un- stressed syllables equally unstressed . " Of hand , of foot , of lip , of eye , of brow " ( Shakespeare , Sonnet 106 : 6 ) represents only an extreme possibility , not an average ...
Tartalomjegyzék
1 | |
20 | |
Pattern and Variation | 38 |
4 Flexibility and Ease in Four Older Poets | 57 |
Shakespeares Sonnets | 75 |
6 The Verse of Shakespeares Theater | 91 |
7 Prose and Other Diversions | 108 |
8 Short and Shared Lines | 116 |
14 The Play of Phrase and Line | 207 |
15 Shakespeares Metrical Technique in Dramatic Passages | 229 |
16 What Else Shakespeares Meter Reveals | 249 |
17 Some Metrically Expressive Features in Donne and Milton | 264 |
Verse as Speech Theater Text Tradition Illusion | 281 |
Percentage Distribution of Prose in Shakespeares Plays | 291 |
Main Types of Deviant Lines in Shakespeares Plays | 292 |
Short and Shared Lines | 294 |
9 Long Lines | 143 |
More Than Meets the Ear | 149 |
11 Lines with Extra Syllables | 160 |
12 Lines with Omitted Syllables | 174 |
13 Trochees | 185 |
Notes | 297 |
Main Works Cited or Consulted | 325 |
Index | 339 |
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Gyakori szavak és kifejezések
accentual actors anapests appear beat blank verse broken-backed line caesura Chapter characters Chaucer combinations Coriolanus couplets Cressida Donne Donne's dramatic verse effect elision Elizabethan enjambment epic caesura example expressive extra syllable feeling feet feminine endings foot Gascoigne half-line Hamlet headless hear Henry hexameter iambic line iambic pentameter iambic pentameter line iambs Julius Caesar King Lear language later plays later poets line-types line's Macbeth meter metrical pattern metrical variations metrists midline break minor words monosyllabic normal Othello passage pause phrasal playwrights poems poetic poetry prose punctuation pyrrhic readers regular rhetorical rhyme rhythm rhythmic Richard II scene seems segments sense sentence Shake Shakespeare shared lines short lines Sidney's sonnets sound speak speaker speare's speech speechlike Spenser spoken spondaic spondee stanza stressed position strong structure style syllables syntactical syntax theater thee thou tion trochaic trochee Troilus unstressed syllables usually verb verse lines voice vowels Wyatt