Shakespeare's Metrical ArtUniversity of California Press, 1988. aug. 2. - 363 oldal This is a wide-ranging, poetic analysis of the great English poetic line, iambic pentameter, as used by Chaucer, Sidney, Milton, and particularly by Shakespeare. George T. Wright offers a detailed survey of Shakespeare's brilliantly varied metrical keyboard and shows how it augments the expressiveness of his characters' stage language. |
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1 - 5 találat összesen 27 találatból.
8. oldal
... spondee in the last . Nevertheless , when the line is spoken or heard silently by a reader with some auditory experience of the tradition , it does not violate the pattern : enough of the line is still iambic to sustain the iambic ...
... spondee in the last . Nevertheless , when the line is spoken or heard silently by a reader with some auditory experience of the tradition , it does not violate the pattern : enough of the line is still iambic to sustain the iambic ...
10. oldal
... ( spondee ) . 3. Diminish the stress on the stressed syllable ( pyrrhic ) . 4. Combine 2 and 3 ( trochee ) . In a different analysis , there are two principal kinds of variation from iambic rhythm . If the term iambic designates an ...
... ( spondee ) . 3. Diminish the stress on the stressed syllable ( pyrrhic ) . 4. Combine 2 and 3 ( trochee ) . In a different analysis , there are two principal kinds of variation from iambic rhythm . If the term iambic designates an ...
11. oldal
... spondee in the third and fourth feet involve a pulse on " of " but not on " sweet , " though " sweet " is stressed more strongly than “ of ” : When to the sessions of | sweet sillent thought Phrasalists maintain that poets from Chaucer ...
... spondee in the third and fourth feet involve a pulse on " of " but not on " sweet , " though " sweet " is stressed more strongly than “ of ” : When to the sessions of | sweet sillent thought Phrasalists maintain that poets from Chaucer ...
23. oldal
... spondee in Chaucer , which is directly attributable to his phonetic treatment of -e , helps to give his verse a special character of its own . It is not less expressive but differently expressive . Chaucer also uses trochaic ...
... spondee in Chaucer , which is directly attributable to his phonetic treatment of -e , helps to give his verse a special character of its own . It is not less expressive but differently expressive . Chaucer also uses trochaic ...
35. oldal
A könyvből nem nézhetsz meg több oldalt.
A könyvből nem nézhetsz meg több oldalt.
Tartalomjegyzék
1 | |
20 | |
Pattern and Variation | 38 |
4 Flexibility and Ease in Four Older Poets | 57 |
Shakespeares Sonnets | 75 |
6 The Verse of Shakespeares Theater | 91 |
7 Prose and Other Diversions | 108 |
8 Short and Shared Lines | 116 |
14 The Play of Phrase and Line | 207 |
15 Shakespeares Metrical Technique in Dramatic Passages | 229 |
16 What Else Shakespeares Meter Reveals | 249 |
17 Some Metrically Expressive Features in Donne and Milton | 264 |
Verse as Speech Theater Text Tradition Illusion | 281 |
Percentage Distribution of Prose in Shakespeares Plays | 291 |
Main Types of Deviant Lines in Shakespeares Plays | 292 |
Short and Shared Lines | 294 |
9 Long Lines | 143 |
More Than Meets the Ear | 149 |
11 Lines with Extra Syllables | 160 |
12 Lines with Omitted Syllables | 174 |
13 Trochees | 185 |
Notes | 297 |
Main Works Cited or Consulted | 325 |
Index | 339 |
Más kiadások - Összes megtekintése
Gyakori szavak és kifejezések
accentual actors anapests appear beat blank verse broken-backed line caesura Chapter characters Chaucer combinations Coriolanus couplets Cressida Donne Donne's dramatic verse effect elision Elizabethan enjambment epic caesura example expressive extra syllable feeling feet feminine endings foot Gascoigne half-line Hamlet headless hear Henry hexameter iambic line iambic pentameter iambic pentameter line iambs Julius Caesar King Lear language later plays later poets line-types line's Macbeth meter metrical pattern metrical variations metrists midline break minor words monosyllabic normal Othello passage pause phrasal playwrights poems poetic poetry prose punctuation pyrrhic readers regular rhetorical rhyme rhythm rhythmic Richard II scene seems segments sense sentence Shake Shakespeare shared lines short lines Sidney's sonnets sound speak speaker speare's speech speechlike Spenser spoken spondaic spondee stanza stressed position strong structure style syllables syntactical syntax theater thee thou tion trochaic trochee Troilus unstressed syllables usually verb verse lines voice vowels Wyatt