Shakespeare's Metrical ArtUniversity of California Press, 1988. aug. 2. - 363 oldal This is a wide-ranging, poetic analysis of the great English poetic line, iambic pentameter, as used by Chaucer, Sidney, Milton, and particularly by Shakespeare. George T. Wright offers a detailed survey of Shakespeare's brilliantly varied metrical keyboard and shows how it augments the expressiveness of his characters' stage language. |
Részletek a könyvből
1 - 5 találat összesen 84 találatból.
2. oldal
... rhythmic — alternation of unstressed and stressed syl- lables , and that it mirrors our occasional tendency to use several of those two kinds of syllables in that order — a climactic order perhaps , a rising rhythm ( as it is often ...
... rhythmic — alternation of unstressed and stressed syl- lables , and that it mirrors our occasional tendency to use several of those two kinds of syllables in that order — a climactic order perhaps , a rising rhythm ( as it is often ...
7. oldal
... rhythm can be shaded by a resourceful voice . On the contrary , when lines are devised that " fit " the meter without notable wrenching of accent , it will be found that some of the strong syllables are stronger than others , some weak ...
... rhythm can be shaded by a resourceful voice . On the contrary , when lines are devised that " fit " the meter without notable wrenching of accent , it will be found that some of the strong syllables are stronger than others , some weak ...
10. oldal
... rhythm . If the term iambic designates an increase of stress from the first to the second of a pair of syllables , the possible variations are decrease of stress ( trochee ) , or level stress . Level stress may be found in any degree of ...
... rhythm . If the term iambic designates an increase of stress from the first to the second of a pair of syllables , the possible variations are decrease of stress ( trochee ) , or level stress . Level stress may be found in any degree of ...
11. oldal
... rhythm of the words and the metrical norm— and what they find interesting is the divergence of the rhythm from the meter . This is not , on first view , an unreasonable position , but it has fre- quently become so when , under the ...
... rhythm of the words and the metrical norm— and what they find interesting is the divergence of the rhythm from the meter . This is not , on first view , an unreasonable position , but it has fre- quently become so when , under the ...
12. oldal
... rhythms - without - meter . Their par- tisans all misunderstand the nature of metrical counterpoint and the place of phrasing in the metrical system of iambic pentameter . Some old - time prosodists had an exaggerated reverence for ...
... rhythms - without - meter . Their par- tisans all misunderstand the nature of metrical counterpoint and the place of phrasing in the metrical system of iambic pentameter . Some old - time prosodists had an exaggerated reverence for ...
Tartalomjegyzék
1 | |
20 | |
Pattern and Variation | 38 |
4 Flexibility and Ease in Four Older Poets | 57 |
Shakespeares Sonnets | 75 |
6 The Verse of Shakespeares Theater | 91 |
7 Prose and Other Diversions | 108 |
8 Short and Shared Lines | 116 |
14 The Play of Phrase and Line | 207 |
15 Shakespeares Metrical Technique in Dramatic Passages | 229 |
16 What Else Shakespeares Meter Reveals | 249 |
17 Some Metrically Expressive Features in Donne and Milton | 264 |
Verse as Speech Theater Text Tradition Illusion | 281 |
Percentage Distribution of Prose in Shakespeares Plays | 291 |
Main Types of Deviant Lines in Shakespeares Plays | 292 |
Short and Shared Lines | 294 |
9 Long Lines | 143 |
More Than Meets the Ear | 149 |
11 Lines with Extra Syllables | 160 |
12 Lines with Omitted Syllables | 174 |
13 Trochees | 185 |
Notes | 297 |
Main Works Cited or Consulted | 325 |
Index | 339 |
Más kiadások - Összes megtekintése
Gyakori szavak és kifejezések
accentual actors anapests appear beat blank verse broken-backed line caesura Chapter characters Chaucer combinations Coriolanus couplets Cressida Donne Donne's dramatic verse effect elision Elizabethan enjambment epic caesura example expressive extra syllable feeling feet feminine endings foot Gascoigne half-line Hamlet headless hear Henry hexameter iambic line iambic pentameter iambic pentameter line iambs Julius Caesar King Lear language later plays later poets line-types line's Macbeth meter metrical pattern metrical variations metrists midline break minor words monosyllabic normal Othello passage pause phrasal playwrights poems poetic poetry prose punctuation pyrrhic readers regular rhetorical rhyme rhythm rhythmic Richard II scene seems segments sense sentence Shake Shakespeare shared lines short lines Sidney's sonnets sound speak speaker speare's speech speechlike Spenser spoken spondaic spondee stanza stressed position strong structure style syllables syntactical syntax theater thee thou tion trochaic trochee Troilus unstressed syllables usually verb verse lines voice vowels Wyatt