Shakespeare's Metrical ArtUniversity of California Press, 1988. aug. 2. - 363 oldal This is a wide-ranging, poetic analysis of the great English poetic line, iambic pentameter, as used by Chaucer, Sidney, Milton, and particularly by Shakespeare. George T. Wright offers a detailed survey of Shakespeare's brilliantly varied metrical keyboard and shows how it augments the expressiveness of his characters' stage language. |
Részletek a könyvből
1 - 5 találat összesen 79 találatból.
ix. oldal
... hear a pattern of stressed and unstressed syllables that in- heres in all of them , with or without variation . Once we can hear the basic pattern , we can recognize it as it is realized differently in all the succeeding lines ; we ...
... hear a pattern of stressed and unstressed syllables that in- heres in all of them , with or without variation . Once we can hear the basic pattern , we can recognize it as it is realized differently in all the succeeding lines ; we ...
x. oldal
... hear in their written texts and in stage performances , owes much of its special force to its having been expressed in verse . The verse form springs the feeling , enables it to leap from the speaking voice or text to the listening ...
... hear in their written texts and in stage performances , owes much of its special force to its having been expressed in verse . The verse form springs the feeling , enables it to leap from the speaking voice or text to the listening ...
xii. oldal
... hears , and on what evi- dence and following what procedures a critic classifies and interprets . In studying earlier ... hear , with full consciousness , its collecting and dissolving structures . Analysis slows down the beautiful ...
... hears , and on what evi- dence and following what procedures a critic classifies and interprets . In studying earlier ... hear , with full consciousness , its collecting and dissolving structures . Analysis slows down the beautiful ...
xiii. oldal
... hear students , innocent of dissection , murdering the verse ; when I hear learned scholars at professional meetings quote Shakespeare's lines without any apparent sense of their difference from ordinary speech , with- out any effort to ...
... hear students , innocent of dissection , murdering the verse ; when I hear learned scholars at professional meetings quote Shakespeare's lines without any apparent sense of their difference from ordinary speech , with- out any effort to ...
2. oldal
... hear ( and learn to produce so that others may hear ) a continuous series of relatively stressed and relatively unstressed syllables . In any sustained string of spoken English words , the syllables uttered at one of these levels serve ...
... hear ( and learn to produce so that others may hear ) a continuous series of relatively stressed and relatively unstressed syllables . In any sustained string of spoken English words , the syllables uttered at one of these levels serve ...
Tartalomjegyzék
1 | |
20 | |
Pattern and Variation | 38 |
4 Flexibility and Ease in Four Older Poets | 57 |
Shakespeares Sonnets | 75 |
6 The Verse of Shakespeares Theater | 91 |
7 Prose and Other Diversions | 108 |
8 Short and Shared Lines | 116 |
14 The Play of Phrase and Line | 207 |
15 Shakespeares Metrical Technique in Dramatic Passages | 229 |
16 What Else Shakespeares Meter Reveals | 249 |
17 Some Metrically Expressive Features in Donne and Milton | 264 |
Verse as Speech Theater Text Tradition Illusion | 281 |
Percentage Distribution of Prose in Shakespeares Plays | 291 |
Main Types of Deviant Lines in Shakespeares Plays | 292 |
Short and Shared Lines | 294 |
9 Long Lines | 143 |
More Than Meets the Ear | 149 |
11 Lines with Extra Syllables | 160 |
12 Lines with Omitted Syllables | 174 |
13 Trochees | 185 |
Notes | 297 |
Main Works Cited or Consulted | 325 |
Index | 339 |
Más kiadások - Összes megtekintése
Gyakori szavak és kifejezések
accentual actors anapests appear beat blank verse broken-backed line caesura Chapter characters Chaucer combinations Coriolanus couplets Cressida Donne Donne's dramatic verse effect elision Elizabethan enjambment epic caesura example expressive extra syllable feeling feet feminine endings foot Gascoigne half-line Hamlet headless hear Henry hexameter iambic line iambic pentameter iambic pentameter line iambs Julius Caesar King Lear language later plays later poets line-types line's Macbeth meter metrical pattern metrical variations metrists midline break minor words monosyllabic normal Othello passage pause phrasal playwrights poems poetic poetry prose punctuation pyrrhic readers regular rhetorical rhyme rhythm rhythmic Richard II scene seems segments sense sentence Shake Shakespeare shared lines short lines Sidney's sonnets sound speak speaker speare's speech speechlike Spenser spoken spondaic spondee stanza stressed position strong structure style syllables syntactical syntax theater thee thou tion trochaic trochee Troilus unstressed syllables usually verb verse lines voice vowels Wyatt