Making Sense of ShakespeareFairleigh Dickinson Univ Press, 1999 - 210 oldal This study undertakes to bring Shakespearean scholars and students alive to reading the plays and poetry with a much higher engagement of physical sense, body, and sense imagination than that to which we are usually accustomed. It builds upon a broadly based investigation of scientific literature concerning bodily perceptions and responses. Making Sense of Shakespeare also demonstrates its approach to reading and provides practical suggestions for students and teachers in pursuing sense reading. |
Részletek a könyvből
1 - 5 találat összesen 38 találatból.
. oldal
... Shake- speare from abstractness and restore such imagination to a literal concreteness of somatic sensory experience . Instead of considering " the body " from the outside in the manner of cultural critics , Frey consid- ers the reader ...
... Shake- speare from abstractness and restore such imagination to a literal concreteness of somatic sensory experience . Instead of considering " the body " from the outside in the manner of cultural critics , Frey consid- ers the reader ...
9. oldal
... shake at some distance rather than to focus on sensations of bodily movement , the kinesthetic feel , of shaking in " rough winds . " Trained as we are , moreover , to read for " content , " as for the abstract message of words , we may ...
... shake at some distance rather than to focus on sensations of bodily movement , the kinesthetic feel , of shaking in " rough winds . " Trained as we are , moreover , to read for " content , " as for the abstract message of words , we may ...
10. oldal
... Shake- speare ) by arguing for and exemplifying " sense - reading " that engages our senses more fully than does other reading . I assume some familiarity with Shakespeare , but I think that students and general readers working freshly ...
... Shake- speare ) by arguing for and exemplifying " sense - reading " that engages our senses more fully than does other reading . I assume some familiarity with Shakespeare , but I think that students and general readers working freshly ...
12. oldal
... Shake- spearean critics in " emotions which words cannot express , " in " nonverbal , extratextual features of the play that emerge only in performance , " in sensing " what it feels like " to perform the ac- tion of characters , and in ...
... Shake- spearean critics in " emotions which words cannot express , " in " nonverbal , extratextual features of the play that emerge only in performance , " in sensing " what it feels like " to perform the ac- tion of characters , and in ...
14. oldal
... Shake- speare continually makes physical and emotional sense of ratio- nal or mental sense . When , for example , near the ending of King Lear , the aged King enters with his daughter , Cordelia , dead and in his arms , we know that we ...
... Shake- speare continually makes physical and emotional sense of ratio- nal or mental sense . When , for example , near the ending of King Lear , the aged King enters with his daughter , Cordelia , dead and in his arms , we know that we ...
Tartalomjegyzék
9 | |
Note on Shakespeares Text | 19 |
Abstract and Concrete Senses in Shakespeare | 21 |
SenseReading Shakespeares Sounds | 41 |
SenseReading Shakespeares Nonvisual Images | 51 |
Resistance to Shakespearean SenseReading | 60 |
Further Contexts of Resistance to Shakespearean SenseReading | 76 |
Working Beyond Resistance | 105 |
Undermind Shakespeare SenseReading as SelfShaping and PlayShaping | 117 |
Practice | 127 |
SenseReading in the Classroom | 148 |
Conclusion Walking Westward | 164 |
Notes | 168 |
Works Cited | 187 |
Index | 203 |
Más kiadások - Összes megtekintése
Gyakori szavak és kifejezések
abstract aesthetic experience affect Angelo Arnold Mindell arousal attention audience behavior bodily body breath Chicago classroom cognition concrete cultural David Bleich disgust drama Dreambody embodied emotion empathy enact energy engagement Essays explore expression facial fear feel gesture Hamlet hear heart Hippolyta Homo Aestheticus howl iconoclasm imagery images imagination interoception interpretation kinesthetic Lear literary literature Louise Rosenblatt Macbeth meaning ments meter Midsummer Night's Dream mind muscles Music Night's Dream nonverbal nonvisual one's perception performance persons physical physiological play poetry posture proprioceptive Psychology reader-response criticism readers reading aloud reading Shakespeare Renaissance resistance to sense-reading response rhythms Richard Schechner Ritual Romeo and Juliet Routledge scene sensations sense of Shakespeare sense-reading sensory sensuous sexual Shake Shakespeare social somatic somatic responses sounds speare speare's speech sponse suggest teachers teaching thee Theory Theseus thou tion University Press verbal verse visceral visual Witch words York and London
Népszerű szakaszok
107. oldal - First Witch. When shall we three meet again In thunder, lightning, or in rain?
135. oldal - Let me not to the marriage of true minds Admit impediments. Love is not love Which alters when it alteration finds, Or bends with the remover to remove: O, no! it is an ever-fixed mark, That looks on tempests, and is never shaken, It is the star to every wandering bark, Whose worth's unknown, although his height be taken.
127. oldal - Shall I compare thee to a summer's day? Thou art more lovely and more temperate: Rough winds do shake the darling buds of May, And summer's lease hath all too short a date...
58. oldal - Why should a dog, a horse, a rat, have life, And thou no breath at all ? Thou 'It come no more, Never, never, never, never, never!
28. oldal - O Romeo, Romeo! wherefore art thou Romeo? Deny thy father, and refuse thy name; Or, if thou wilt not, be but sworn my love, And I'll no longer be a Capulet.
46. oldal - Fear no more the frown o' the great; Thou art past the tyrant's stroke; Care no more to clothe and eat; To thee the reed is as the oak. The sceptre, learning, physic, must All follow this, and come to dust.
28. oldal - What's Montague? it is nor hand, nor foot, Nor arm, nor face, nor any other part Belonging to a man. O, be some other name! What's in a name? that which we call a rose By any other name would smell as sweet; So Romeo would, were he not Romeo call'd, Retain that dear perfection which he owes Without that title.
28. oldal - Tis but thy name that is my enemy; Thou art thyself, though not a Montague. What's Montague? it is nor hand, nor foot, Nor arm, nor face, nor any other part Belonging to a man.
96. oldal - O thou weed, Who art so lovely fair and smell'st so sweet That the sense aches at thee, would thou hadst ne'er been born ! Des. Alas, what ignorant sin have I committed ? Oth. Was this fair paper, this most goodly book, Made to write
107. oldal - Fair is foul, and foul is fair: Hover through the fog and filthy air.