How he employed himself upon his first coming to London is not particularly known.1

He had a little money when he came to town, and he knew how he could live in the cheapest manner. His first lodgings were at the house of Mr. Norris, a staymaker, in Exeter-street, adjoining Catharine-street, in the Strand. 'I dined (said he) very well for eight-pence, with very good company, at the Pine Apple in New-street, just by. Several of them had travelled. They expected to meet every day; but did not know one another's names. It used to cost the rest a shilling, for they drank wine; but I had a cut of meat for six-pence, and bread for a penny, and gave the waiter a penny; so that I was quite well served, nay, better than the rest, for they gave the waiter nothing.' He at this time, I believe, abstained entirely from fermented liquors: a practice to which he rigidly conformed for many years together, at different periods of his life.

His Ofellus in the Art of Living in London, I have heard him relate, was an Irish painter, whom he knew at Birmingham, and who had practised his own precepts of œconomy for several years in the British capital. He assured Johnson, who, I suppose, was then meditating to try his fortune in London, but was apprehensive of the expence, 'that thirty pounds a year was enough to enable a man to live there without being contemptible. He allowed ten pounds for clothes and linen. He said a man might live in a garret at eighteen-pence a week; few people would inquire where he lodged; and if they did, it was easy to say, "Sir, I am to be found at such a place." By spending three-pence in a coffeehouse, he might be for some hours every day in very good company; he might dine for six-pence, breakfast on bread and milk for a penny, and do without supper. On cleanshirt-day he went abroad, and paid visits.' I have heard him more than once talk of this frugal friend, whom he

1 One curious anecdote was communicated by himself to Mr. John Nichols. Mr. Wilcox, the bookseller, on being informed by him that his intention was to get his livelihood as an authour, eyed his robust frame attentively, and with a significant look, said, 'You had better buy a porter's knot.' He however added, 'Wilcox was one of my best friends.'-BOSWELL.

1737]

RETURNS TO LICHFIELD

27

recollected with esteem and kindness, and did not like to have one smile at the recital. 'This man (said he, gravely) was a very sensible man, who perfectly understood common affairs: a man of a great deal of knowledge of the world, fresh from life, not strained through books. He amused himself, I remember, by computing how much more expence was absolutely necessary to live upon the same scale with that which his friend described, when the value of money was diminished by the progress of commerce. It may be estimated that double the money might now with difficulty be sufficient.'

Amidst this cold obscurity, there was one brilliant circumstance to cheer him; he was well acquainted with Mr. Henry Hervey, one of the branches of the noble family of that name, who had been quartered at Lichfield as an officer of the army, and had at this time a house in London, where Johnson was frequently entertained, and had an opportunity of meeting genteel company. Not very long before his death, he mentioned this, among other particulars of his life, which he was kindly communicating to me; and he described this early friend, 'Harry Hervey,' thus: 'He was a vicious man, but very kind to me. If you call a dog HERVEY, I shall love him.'

He told me he had now written only three acts of his Irene, and that he retired for some time to lodgings at Greenwich, where he proceeded in it somewhat further, and used to compose, walking in the Park; but did not stay long enough at that place to finish it.

In the course of the summer he returned to Lichfield, where he had left Mrs. Johnson, and there he at last finished his tragedy, which was not executed with his rapidity of composition upon other occasions, but was slowly and painfully elaborated. A few days before his death, while burning a great mass of papers, he picked out from among them the original unformed sketch of this tragedy, in his own hand-writing, and gave it to Mr. Langton, by whose favour a copy of it is now in my possession.

Johnson's residence at Lichfield, on his return to it at this time, was only for three months; and as he had as yet seen

but a small part of the wonders of the Metropolis, he had little to tell his townsmen. He related to me the following minute anecdote of this period: 'In the last age, when my mother lived in London, there were two sets of people, those who gave the wall, and those who took it; the peaceable and the quarrelsome. When I returned to Lichfield, after having been in London, my mother asked me, whether I was one of those who gave the wall, or those who took it. Now it is fixed that every man keeps to the right; or, if one is taking the wall, another yields it; and it is never a dispute.' He now removed to London with Mrs. Johnson; but her daughter, who had lived with them at Edial, was left with her relations in the country. His lodgings were for some time in Woodstock-street, near Hanover-square, and afterwards in Castle-street, near Cavendish-square.

His tragedy being by this time, as he thought, completely finished and fit for the stage, he was very desirous that it should be brought forward. Mr. Peter Garrick told me, that Johnson and he went together to the Fountain tavern, and read it over, and that he afterwards solicited Mr. Fleetwood, the patentee of Drury-lane theatre, to have it acted at his house; but Mr. Fleetwood would not accept it, probably because it was not patronized by some man of high rank; and it was not acted till 1749, when his friend David Garrick was manager of that theatre.

The Gentleman's Magazine, begun and carried on by Mr. Edward Cave, under the name of SYLVANUS URBAN, had attracted the notice and esteem of Johnson, in an eminent degree, before he came to London as an adventurer in literature. He told me, that when he first saw St. John's Gate, the place where that deservedly popular miscellany was originally printed, he 'beheld it with reverence.'

It appears that he was now enlisted by Mr. Cave as a regular coadjutor in his magazine, by which he probably obtained a tolerable livelihood. At what time, or by what means, he had acquired a competent knowledge both of French and Italian, I do not know; but he was so well skilled in them, as to be sufficiently qualified for a translator. That part of his labour which consisted in emendation and im

f the productions of other contributors, like d in levelling ground, can be perceived only by ad an opportunity of comparing the original ered copy. What we certainly know to have y him in this way, was the Debates in both arliament, under the name of 'The Senate of netimes with feigned denominations of the sev, sometimes with denominations formed of the eir real names, in the manner of what is called that they might easily be decyphered. Parliaept the press in a kind of mysterious awe, which essary to have recourse to such devices. In our acquired an unrestrained freedom, so that the 1 parts of the kingdom have a fair, open, and of the actual proceedings of their representagislators, which in our constitution is highly to though, unquestionably, there has of late been eason to complain of the petulance with which bblers have presumed to treat men of the most character and situation.

ortant article of the Gentleman's Magazine was, years, executed by Mr. William Guthrie, a man s to be respectably recorded in the literary ancountry. The debates in Parliament, which t home and digested by Guthrie, whose memory, assed by others who have since followed him in epartment, was yet very quick and tenacious, y Cave to Johnson for his revision; and, after when Guthrie had attained to greater variety ent, and the speeches were more and more ene accession of Johnson's genius, it was resolved uld do the whole himself, from the scanty notes y persons employed to attend in both houses of Sometimes, however, as he himself told me, ing more communicated to him than the names

But what first displayed his transcendent powers, and 'gave the world assurance of the MAN,' was his London, a Poem, in Imitation of the Third Satire of Juvenal: which came out in May this year, and burst forth with a splendour, the rays of which will for ever encircle his name. Boileau had imitated the same satire with great success, applying it to Paris; but an attentive comparison will satisfy every reader, that he is much excelled by the English Juvenal. Oldham had also imitated it, and applied it to London; all which performances concur to prove, that great cities, in every age, and in every country, will furnish similar topicks of satire. Whether Johnson had previously read Oldham's imitation, I do not know; but it is not a little remarkable, that there is scarcely any coincidence found between the two performances, though upon the very same subject.

Johnson's London was published in May, 1738; and it is remarkable, that it came out on the same morning with Pope's satire, entitled '1738;' so that England had at once its Juvenal and Horace as poetical monitors. The Reverend Dr. Douglas, now Bishop of Salisbury, to whom I am indebted for some obliging communications, was then a student at Oxford, and remembers well the effect which London produced. Every body was delighted with it; and there being no name to it, the first buz of the literary circles was 'here is an unknown poet, greater even than Pope.' And it is recorded in the Gentleman's Magazine of that year, that it 'got to the second edition in the course of a week.'

One of the warmest patrons of this poem on its first appearance was General Oglethorpe, whose 'strong benevolence of soul,' was unabated during the course of a very long life; though it is painful to think, that he had but too much reason to become cold and callous, and discontented with the world, from the neglect which he experienced of his publick and private worth, by those in whose power it was to gratify so gallant a veteran with marks of distinction.

no more of them; for "he would not be accessary to the propagation of falsehood." And such was the tenderness of his conscience, that a short time before his death he expressed his regret for his having been the authour of fictions which had passed for realities.'-ED.