AFFABLE- Wondrous affable and as bountiful As mines of India We know the time since he was mild and affable AFFAIR. Hope is a curtal dog in some affairs My stay must be stolen out of other affairs. Friendship is constant in all other things Save in the office and affairs of love. Not I, but my affairs, have made you wait I know thy constellation is right apt For this affair My affairs Do even drag me homeward Is not your father grown incapable Of reasonable affairs? . Putting all affairs else in oblivion, as if there were nothing else to be done I was a pack-horse in his great affairs; A weeder-out of his proud adversaries. I'll make ye know your times of business: Is this an hour for temporal affairs? My affairs Are servanted to others. 1 Henry IV. iii. 1. 2 Henry VI. ini. 1. Merry Wives, ii. 1. Meas. for Meas. iii. 1. Much A do, ii. 1. Mer. of Venice, ii. 6. 2 Henry IV. v. 5. Henry VIII. ii. 2. V. I. Coriolanus, v. 2. There is a tide in the affairs of men, Which, taken at the flood, leads on to fortune Julius Cæsar, iv. 3. I know you are no truant. But what is your affair in Elsinore? The affair cries haste, And speed must answer it There are a kind of men so loose of soul, That in their sleeps will mutter their affairs I protest, I have dealt most directly in thy affair AFFECT. For every man with his affects is born In brief, sir, study what you most affect Lest it be rather thought you affect a sorrow than have it I do affect a sorrow indeed, but I have it too The will dotes that is attributive To what infectiously itself affects I know, no man Can justly praise but what he does affect. Macbeth, iii. 3. Hamlet, i. 2. iv. 3. Love's L. Lost, i. 1. Tam. of the Shrew, i. 1. AFFECTATION. - Three-piled hyperboles, spruce affectation, Figures pedantical Too spruce, too affected, too odd, as it were, too peregrinate, as I may call it Hamlet, ii. 2. Love's L. Lost, i. 2. V. I. Tempest, iii. 1. Two Gen. of Verona, i. 1. Meas. for Meas. i. 4. As school-maids change their names By vain, though apt, affection. Know you he loves her? I heard him swear his affection She loves him with an enraged affection; it is past the infinite of thought Hath she made her affection known?. It seems her affections have their full bent She will rather die than give any sign of affection. She cannot love, Nor take no shape nor project of affection Brave conquerors, for so you are, That war against your own affections The better part of my affections would Be with my hopes Hath not a Jew hands, organs, dimensions, senses, affections, passions? My affection hath an unknown bottom, like the bay of Portugal. She moves me not, or not removes, at least, Affection's edge in me As You Like It, i. 3. iv. I. Tam. of the Shrew, i. 1. Let thy love be younger than thyself, Or thy affection cannot hold the bent His affections are higher mounted than ours AFFECTION.-Your affections and your appetites and your digestions doo's not agree with it Henry V.v.1. Had she affections and warm youthful blood, She would be as swift in motion as a ball Rom.&Jul. ii. 5. I have not known when his affections swayed More than his reason Dipping all his faults in their affection Or your fore-vouched affection Fall'n into taint Preferment goes by letter and affection, And not by old gradation Timon of Athens, i. 2. i. 3. iii. 1. iv. 7. King Lear, i. 1. Othello, i. 1. ii. 1. Ant. and Cleo, iii. 13. For the better compassing of his salt and most hidden loose affection The itch of his affection should not then Have nicked his captainship. AFFINED. The artist and unread, The hard and soft, seem all affined and kin Troi, and Cress. i. 3. Be judge yourself, Whether I in any just term am affined. AFFIRMATIVES.- If your four negatives make your two affirmatives, why, then Twelfth Night, v. 1. AFFLICT. Never afflict yourself to know the cause AFFLICTION. Hast thou, which art but air, a touch, a feeling Of their afflictions? Since I saw thee, The affliction of my mind amends I think to repay that money will be a biting affliction Affliction may one day smile again; and till then, sit thee down, sorrow! I think affliction may subdue the cheek, But not take in the mind Heart's discontent and sour affliction Be playfellows to keep you company! Man's nature cannot carry The affliction nor the fear Had it pleased heaven To try me with affliction The hate I bear thee can afford No better term than this, thou art a villain AFOOT. Were I tied to run afoot Even to the frozen ridges of the Alps Eight yards of uneven ground is threescore and ten miles afoot with me But afoot he will not budge a foot So may a thousand actions, once afoot, End in one purpose AFRAID. I will sing, that they shall hear I am not afraid I am almost afraid to stand alone Here in the churchyard I am afraid to think what I have done; Look on 't again I dare not AFRIC. We were better parch in Afric sup. Not Afric owns a serpent I abhor More than thy fame and envy A-FRONT. These four came all a-tront, and mainly thrust at me. For your health and your digestion sake, An after-dinner's breath AFTER-LOVE. Scorn at first makes after-love the more. Othello, i. 1. King Lear, i. 4. V. I. Merry Wives, v. 5. Love's L. Lost, i. t. Winter's Tale, iv. 4. V. 3. 2 Henry VI. iii. 2. Romeo and Juliet, ii. 3. Macbeth, iii. 2. Hamlet, i. 1. King Lear, iii. 2. iv. 6. Othello, iv. 2. Love's L. Lost, v. 2. Romeo and Juliet, ¡¡¡. 1. Richard II. i. 1. 1 Henry IV. ii. 2. ii. 2. ii. 4. Henry V. i. 2. Mid. N. Dream, iii. 1. Romeo and Juliet, v. 3. Macbeth, ii. 2. Troi. and Cress. i. 3. Coriolanus, i. 8. . 2 Henry IV. v. 3. . Henry IV. ii. 4. Meas. for Meas. ini. 1. Troi, and Cress. ii. 3. Two Gen. of Verona, iii. 1. Com. of Errors, v. I. Love's L. Lost, v. 1. AFTERNOON.-Till this afternoon his passion Ne'er brake into extremity of rage The posteriors of this day, which the rude multitude call the afternoon Most vilely in the afternoon, when he is drunk V. I. Mer. of Venice, i. 2. Hamlet, i. 5. A beauty-waning and distressed widow Even in the afternoon of her best days. Richard III. ii. 7. Sleeping within my orchard, My custom always of the afternoon AFTER-SUPPER.- Age of three hours Between our after-supper and bed-time AFTER-TIMES.- Much too shallow, To sound the bottom of the after-times Mid. N. Dream, v. 1. 2 Henry IV. iv. 2. AFTERWARDS.-You must hang it first, and draw it afterwards She comes In shape no bigger than an agate-stone AGE. Who with age and envy Was grown into a hoop I would with such perfection govern, sir, To excel the golden age Much Ado, iii. 2. Love's L. Lost, ii. 1. 2 Henry IV. i. 2. Romeo and Juliet, i. 4. Tempest, i. 2. ii. 1. iv. 1. Two Gen. of Verona, i. 3. Omitting the sweet benefit of time To clothe mine age with angel-like perfection. One that is well-nigh worn to pieces with age A sects, all ages, smack of this vice That age, ache, penury, and imprisonment Can lay on nature Hath homely age the alluring beauty took From my poor cheek? I see thy age and dangers make thee dote He hath borne himself beyond the promise of his age A man loves the meat in his youth that he cannot endure in his age As they say, When the age is in, the wit is out Trust not my age, My reverence, calling, nor divinity Time hath not yet so dried this blood of mine, Nor age so eat up my invention As under privilege of age to brag What I have done being young The world was very guilty of such a ballad some three ages since ii. 4. iii. 1. Merry Wives, i. 3. ii. . Meas. for Meas. ii. 2. Com. of Errors, ii. 1. V. I. Much Ado, i. 1. ii. 3. iii. S. iv. 1. iv. 1. V. I. V. I. Love's L. Lost, i. 2. iv. 3. Beauty doth varnish age, as if new-born, And gives the crutch the cradle's infancy To view with hollow eye and wrinkled brow An age of By law, as well as reverend age, I may entitle thee my loving father Mid. N. Dream, v. 1. iv. I. As You Like It, ii. 3. ii. 3. ii. 3. ii. 7. ii. 7. ii. 7. 111. 2. 111. 2. iv. 1. iv. 3. V. 1. Tam. of the Shrew, Induc. 2. ii. 1. iv. 5. All's Well, i. 2. ii 3. Twelfth Night, ii. 4. Winter's Tale, ii. 1. iii. 3. iv. 4. Is he not stupid With age and altering rheums? can he speak? hear? These are flowers Of middle summer, and I think they are given To men of middle age. My oil-dried lamp and time-bewasted light Shall be extinct with age and endless night. If speaking truth In this fine age were not thought flattery Though not clean past your youth, hath yet some smack of age in you All the other gifts appertinent to man, as the malice of this age shapes them That are written down old with all the characters of age -You must learn to know such slanders of the age. . Old age, that ill layer up of beauty, can do no more spoil upon my face Kind keepers of my weak decaying age iv. 1. V. I. V. I. Henry IV. ii. 4. iv. I. 2 Henry IV. i. 2. i. 2. i. 2. Henry V. iii. 6. V. 2. 1 Henry VI. ii. 5. We will bestow you in some better place, Fitter for sickness and for crazy age. This dishonour in thine age Will bring thy head with sorrow to the ground! In duty bend thy knee to me, That bows unto the grave with mickle age I prophesy the fearfull'st time to thee That ever wretched age hath looked upon I with grief and extreme age shall perish, And never look upon thy face again He would not in mine age Have left me naked to mine enemies. His pupil age Man-entered thus, he waxed like a sea For you, be that you are, long; and your misery increase with your age 1. 111. I. iii. 4. iv. 4. iv. 4. Henry VIII. iii. 2. Troi. and Cress. i. 3. Coriolanus, ii. 2. V. 2. V. 3. Titus Andron. i. 1. i. I. Romeo and Juliet, v. 3. Thou hast thus lovingly reserved The cordial of mine age to glad my heart. . v. 3. Age, thou art shamed! Rome, thou hast lost the breed of noble bloods! Julius Cæsar, i. 2. iii. 1. 111. I. The choice and master spirits of this age It is as proper to our age To cast beyond ourselves in our opinions And that which should accompany old age, As honour, love, obedience Macbeth, v. 3. Hamlet, ii. 1. At your age The hey-day in the blood is tame, it's humble iii. 4. Age, with his stealing steps, Hath clawed me in his clutch V. I. The argument of your praise, balm of your age, Most best, most dearest . The age is grown so picked that the toe of the peasant comes so near the heel of the courtier V. I. V. 2. King Lear, i. 1. i. t. 'Tis the infirmity of his age; yet he hath ever but slenderly known himself i. 1. 2. This policy and reverence of age makes the world bitter to the best of our times You see me here, you gods, a poor old man, As full of grief as age; wretched in both! Age cannot wither her, nor custom stale Her infinite variety. AGED. - Dangerous to be aged in any kind of course These grey locks the pursuivants of death, Nestor-like aged in an age of care. ii. 4. ii. 4. Othello, iii. 4. Ant. and Cleo. ii. 2. Meas. for Meas. iii. 2. . Henry VI. ii. 5. AGENOR, - Sweet beauty in her face, Such as the daughter of Agenor had Let every eye negotiate for itself, And trust no agent Tam. of the Shrew, i. 1. Two Gen. of Verona, i. 3. Much Ado, ii. 1. Macbeth, iii. 2. 2 Henry IV. ii. 4. I will aggravate my voice so that I will roar you as gently as any sucking dove Mid. N. Dream, i. 2. AGINCOURT. The very casques That did affright the air at Agincourt. Then call we this the field of Agincourt, Fought on the day of Crispin AGITATION. And so now I speak my agitation of the matter. In this slumbery agitation, besides her walking and other actual performances AGLET-BABY. Marry him to a puppet or an aglet-baby. AGNIZE - I do agnize A natural and prompt alacrity I find in hardness It cannot be; it is impossible: Mirth cannot move a soul in agony. Henry V. i. Prol. iv. 7. Mer. of Venice, iii. 5. Tam. of the Shrew, i. 2. Othello, i. 3. Much Ado, v. I. Love's L. Lost, v. 2. Richard III. i. 4. A-GROWING, — He was the wretched'st thing when he was young, So long a-growing He will look as hollow as a ghost, As dim and meagre as an ague's fit More grave and wrinkled than the ends and aims Of burning youth A poor sequestered stag, That from the hunter's aim had ta'en a hurt I did present myself Even in the aim and very flash of it AIMED. Do it so cunningly That my discovery be not aimed at AIR-Whom I left cooling of the air with sighs The air breathes upon us here most sweetly Sounds and sweet airs, that give delight and hurt not ii. 4. Mer. of Venice, i. 1. 111. 2. 1 Henry IV. iii. 1. iv. 1. Henry VIII. i. 1. Troi. and Cress. iii. 3. Macbeth, v. 5. Twelfth Night, ii. 3. All's Well, iii. 7. 2 Henry IV. i. 3. Macbeth, i. 5. King Lear, iv. 4. Com. of Errors, iii. 2. Meas. for Meas. i. 3. Mid. N. Dream, ii. 1. As You Like It, ii. 1. All's Well, ii. 1. King John, ii. 1. 2 Henry IV. iii. 2. Richard III. iv. 4. Julius Cæsar, i. 2. i. 3. Macbeth, . 3. Two Gen. of Verona, iii. 1. 1 Henry IV. i. 3. Tempest, i. 2. These our actors, As I foretold you, were all spirits and Are melted into air, into thin air A solemn air and the best comforter To an unsettled fancy The air hath starved the roses in her cheeks Who dare tell her so? If I should speak, She would mock me into air Charm ache with air and agony with words. To the most wholesome physic of thy health-giving air Blow like sweet roses in this summer air. Pale in her anger, washes all the air, That rheumatic diseases do abound How all the other passions fleet to air, As doubtful thoughts! ii. 1. iii. 2. iv. 1. V. I. Two Gen. of Verona, iv. 4. V. I. Love's L. Lost, i. 1. iv. 3. V. 2. Mid. N. Dream, ii. 1. I saw her coral lips to move, And with her breath she did perfume the air Tam. of the Shrew, i. 1 |