Africa and Indonesia the Evidence of the Xylophone and Other Musical and Cultural FactoresBrill Archive |
Tartalomjegyzék
INTRODUCTION | 1 |
69 | 41 |
FEATURES OF THE HEPTATONIC TUNINGS | 69 |
The Intercalary Notes | 85 |
The Number of Keys | 97 |
ORGANOLOGY AND ORCHESTRAS | 120 |
OTHER MUSICAL INSTRUMENTS AND PRACTICES | 155 |
SHIPPING AND CANOES | 182 |
NONMUSICAL EVIDENCE | 198 |
Patterns and Bronzes | 207 |
Metal Words | 215 |
SOME IMPLICATIONS | 222 |
Provenance of the Xylophones and Sansas | 234 |
189 | 245 |
Gyakori szavak és kifejezések
Africa and Indonesia African Music African xylophones Akadinda Angola Arab ATOKE Azande bamboo Barang bell Benin Bisect 4ths bottom note bronze called canoe cents flat century A.D. Chopi Class coast colonisation Congo basin Congo Museum culture Cumulative Cents dug-out East Equiheptatonic scale Equitonal Heptatonic Scale evidence examples feature figures formula Gamelan GANKOGUI Gendèrs Ghana gives gongs Guinea heptatonic scale Hugh Tracey Indian Ocean Indonesian Indonesian mainland influence instruments Intercalary Notes intervals Java Javanese KEMANAK KRAMA London Madagascar Malagasy Malinke Mandinka Mantle Hood matter means Nigeria Northern Rhodesia note Pélog octave orchestra outriggers P-class parallel Pélog Pélog scale Pélog-type pentatonic Picture pitch played Portuguese Ranad Ek Ranad Thong range resonator Sansa Sarons semitone shows side Sierra Leone slats Slendro South suggest Thai theoretical Thume tone tribe Venda West Africa Western whole word Xylo Xylophone area XYLOPHONES continued Yoruba