down to Wrentham. He was laid out in white flannel. But then there was old Captain Bigelow, down to the Pint there, he was laid out regular in his rigimentals, jest as he wore 'em in the war, epaulets and all.' Wal, now, Horace, your daddy looks jest as peaceful as a psalm-tune. Now, you don't know,-jest as nateral as if he'd only jest gone to sleep. So ye may set your heart at rest 'bout him." It was one of those beautiful serene days of October, when the earth lies as bright and still as anything one can dream of in the New Jerusalem, and Sam's homely expressions of sympathy had quieted me somewhat. Sam, tired of his discourse, lay back in the clover, with his hands under his head, and went on with his moralizing: "Lordy massy, Horace, to think on't,-it's so kind o' solemnizin'! It's one's turn to-day, and another's to-morrow. We never know when our turn'll come." And Sam raised a favorite stave,— "And must these active limbs of mine Lie mouldering in the clay ?" "Active limbs! I guess so!" said a sharp voice, which came through the clover-heads like the crack of a rifle. “Well, I've found you at last. Here you be, Sam Lawson, lyin' flat on your back at eleven o'clock in the morning, and not a potato dug, and not a stick of wood cut to get dinner with; and I won't cut no more, if we never have dinner. It's no use a-humorin' you,—doin' your work for you. The more I do, the more I may do so come home, won't you?" "Lordy massy, Hepsy," said Sam, slowly erecting himself out of the grass, and staring at her with white eyes, "you don't ought to talk so. I ain't to blame. I hed to sit up with Mr. Holyoke all night, and help 'em lay him out at four o'clock this mornin'." "You're always everywhere but where you've business to be," said Hepsy, "and helpin' and doin' for everybody but your own. For my part, I think charity ought to begin at home. You're everywhere, up and down and round,—over to Shelbun, down to Podunk, up to North Parish; and here Abram and Kiah Stebbins have been waitin' all the morning with a horse they brought all the way from Boston to get you to shoe." "Wal, now, that 'ere shows they know what's what. I told Kiah that ef they'd bring that 'ere horse to me I'd tend to his huffs." "An be off lying in the mowing, like a patridge, when they come after ye. That's one way to do business," said Hepsy. "Hepsy, I was just a miditatin'. Ef we don't miditate sometimes on all these 'ere things, it'll be wus for us by and by." "Meditate! I'll help your meditations in a way you won't like, if you don't look out. So now you come home, and stop your meditatin', and go to doin' somethin'. I told 'em to come back this afternoon, and I'd have you on the spot if 'twas a possible thing," said the very practical Hepsy, laying firm hold of Sam's unresisting arm and leading him away captive. THE COURTIN'. JAMES RUSSELL LOWELL. [The humorous pastoral was never more neatly conceived and amusingly executed than in Lowell's "Courtin'," one of those inimitable bits of poetry which appear but once in a generation and form in themselves a fame for their authors.] GOD makes sech nights, all white an' still Zekle crep' up quite unbeknown A fireplace filled the room's one side The wa'nut logs shot sparkles out An' leetle flames danced all about Agin the chimbley crook-necks hung, The old queen's-arm thet gran'ther Young The very room, coz she was in, 'Twas kin' o' kingdom-come to look Ain't modester nor sweeter. He was six foot o' man, A 1, He'd sparked it with full twenty gals, Hed squired 'em, danced 'em, druv 'em, Fust this one, an' then thet, by spells,All is, he couldn't love 'em. But long o' her his veins 'ould run She thought no v'ice hed sech a swing My! when he made Ole Hunderd ring, An' she'd blush scarlit, right in prayer, Thet night, I tell ye, she looked some! She heered a foot, an' knowed it tu, All ways to once her feelin's flew, He kin' o' l'itered on the mat, An' yit she gin her cheer a jerk Ez though she wished him furder, An' on her apples kep' to work, Parin' away like murder. "You want to see my Pa, I s'pose?" "Wal. . . no. . . . I come designin'-" "To see my Ma? She's sprinklin' clo'es Ag'in' to-morrer's i'nin'." To say why gals acts so or so, He stood a spell on one foot fust, |